Afghan women have been in the news again since the Taliban have banned Voice of America, the BBC and Deutsche Welle after women students and teachers protested peacefully in response to secondary schools for girls being shut down. Writing in Afghanistan is once again a taboo craft for women.
As a schoolteacher put it: “The Taliban are scared of an educated girl. When a girl is educated, a family will be educated. And when a family is educated, a nation will be educated. Ultimately, an educated nation will never, ever nourish the motives of terrorists.” www.democracynow.org
Continue reading Review | My Pen is the Wing of a Bird, New Fiction by Afghan Women | MacLehose Press
Chauvo-Feminism: On Sex, Power and #MeToo is an erudite, pithy assessment of the chauvo-feminist man based on personal lived experience and testimonies from women and men.
Journalist, writer and indie co-publisher at Dodo Ink, Sam Mills builds up a disturbing portrait of the charming, self-obsessed covert misogynist who espouses the feminist cause in public, yet undermines women emotionally and psychologically behind the scenes; and indulges in gaslighting.
Throughout history, women have fought to assert themselves as individuals, whereas most men have had the luxury of taking their independence and authority for granted. Today, those men who feel challenged or inadequate because of the feminisation of society have simply found a new way to objectify women and play a new game based on an age-old sadistic theme. Continue reading Review | Chauvo-Feminism: On Sex, Power and #MeToo, Sam Mills | Indigo Press
In his collection of dispatches from “the new Latin America” entitled How to Travel Without Seeing (trs. Jeffrey Lawrence), celebrated Spanish-Argentine author Andrés Neuman makes this curious statement: “It occurs to me that Ecuadorian literature is a literature of dragons. That it has waited for years, decades, centuries, holding its breath. A breath fiery with waiting. Capable of setting fire to anything. Tired of remaining contained within itself. A literature turned volcano.” Continue reading Guest Feature | Victor Meadowcroft | A Literary Eruption: The Triumph of Ecuadorian Fiction
Dina Nayeri is the author of The Ungrateful Refugee, one of the most widely shared 2017 Long Reads in The Guardian. Winner of the 2018 UNESCO City of Literature Paul Engle Prize, a National Endowment for the Arts literature grant (2015), O. Henry Prize(2015), Best American Short Stories (2018), and fellowships from the McDowell Colony, Bogliasco Foundation, and Yaddo, her stories and essays have been published by The New York Times, New York Times Magazine, The Guardian, Los Angeles Times, New Yorker, Granta New Voices, Wall Street Journal, and numerous others. www.dinanayeri.com @dinanayeri
Where were you born, and where did you grow up?
I was born in Tehran, lived in Isfahan until I was eight, then spent sixteen months as a refugee, arriving in Oklahoma when I was ten years old.
Did, or do, your family ever talk about life in Iran before the 1979 Islamic revolution?
Constantly. The nostalgia around pre-revolutionary Iran was so visceral that it became a part of my growing up. All the joys and the rituals and the arts went underground or behind closed curtains, but we still had them. And our parents talked all the time about what Iran used to be.
What sorts of books were in your family home?
You had to be careful about what books you kept. So my parents kept very few novels, history books, or anything cultural, political, or even allegorical. Of course we kept the old poets: Rumi and Hafez and Sa’adi. There was The Shahnameh, of course. And lots of medical books. Shelves and shelves of medical books.
Continue reading Interview | Dina Nayeri | Author of the Week