Lesley Blanch Archive | Giles: Friendship in a Time of War, British Vogue, 1944

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

In these unsettled, divided times in which segregation and racism are making an unwelcome comeback, positive historical reminders of tolerance and kindness are to be celebrated and shared.

The exhibition, Giles: Friendship in a time of war, curated by social historian David Cain, tells of the British cartoonist’s all-but-forgotten friendship with two African-American GIs, Butch and Ike, based near his Suffolk home during World War Two.

In the early 1940s, Giles lived with his wife, Joan, in Badger’s Cottage in Tuddenham St. Martin. He befriended several men serving with 923rd Engineer Aviation Regiment based at nearby RAF Debach. He often welcomed Butch and  Ike at his home for drinks. Giles loved Jazz and their musical evenings frequently spilled over into the local village pub.

Continue reading Lesley Blanch Archive | Giles: Friendship in a Time of War, British Vogue, 1944

Lesley Blanch Archive | Ack-Ack A.T.S. and others, British Vogue, January 1942

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

The scene is a wild stretch of coast. There are mountains inland, glimpsed nebulously through the icy, blanketing mists which lie low over the ragged, sodden fields. The cold appals. The most leathery-looking sergeant shudders. I am huddled inside a wigwam of topcoats. Stamping and shuffling in their battledress, the A.T.S. are blowing on their hands, waiting for the command to take over the gunsites.

This is one of the big practice camps where the Mixed A.A. Batteries, or gun teams, receive their final training before being sent to man the many defence posts. On the edge of the cliffs stand the great guns. Low overhead a practice or target plane rolls, swoops and spins with show-off brilliance. In the lee of a little glass-walled lean to hut where some remotely, beautifully academic-looking kine-theodolite girls are at work recording and checking the gunfire, a group of gunnery officers argue a point of tactics. Their scarlet capbands are sharp against the prevailing khaki of place and personnel.

Continue reading Lesley Blanch Archive | Ack-Ack A.T.S. and others, British Vogue, January 1942

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