Spotlight | Britain and Creative Europe: what do book editors want?

Britain is part of Europe – like it or not! Border controls do not function when it comes to words since ideas have no borders. Books in translation disseminating knowledge and cultural awareness matter more than ever as prejudice and discrimination make an unwelcome (re)appearance on the Western stage.

As part of the build up to France’s invitation of honour to the Frankfurt Book Fair in October 2017, a series of discussion panels – “triangular talks” – were held on Monday 13 March at the French Institute in London. Leading book editors from Germany, France and Britain met to discuss fiction, non fiction and what the future holds. Publishers, translators, agents and scouts packed out the library at the IFRU to hear them. Lucie Campos, Head of the French Book Office, chaired the discussions.

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Review | The Past, Alan Pauls | booktrust.org.uk 2008

Roberto Bolaño called novelist Alan Pauls from Argentina “one of the best living Latin American writers.” The Past, first published in the UK in Nick Caistor’s English translation, is about obsessive love, addiction and self-destruction, played out against a bewitching backdrop: Buenos Aires. It is a strange, unsettling read.

Protagonist Rimini is good looking and easy going; his partner Sofia is eccentric and strong. Their relationship seems inviolable and eternal to their friends, but “occasionally Rimini faltered. He wavered, ran away from Sofia, and then was enraged at his own weakness.” They split up after twelve years, but Sofia refuses to accept that they are no longer a couple, “two people like us cannot separate”. She writes letters and leaves messages on Rimini’s answering machine, obsessing about the importance of sorting through the hundreds of photos of their time together, but he is scared to look at them, “for fear of being sucked into an emotional whirlpool and drowning in it.” Sofia’s presence becomes ominous like that of a stalker. She clings on as he struggles to let go and make a new life.

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Interview | Laia Fàbregas | Author of the Week

Tell us a little bit about yourself.
I grew up in Barcelona. When I was twenty three I went to the Netherlands for a couple of months and I ended up staying there for twelve years. Now I am back home for seven years already, but I still feel like I am a bit Dutch.

When you were a child, what did you want to be when you grew up?
As a teenager I saw myself as a teacher. As a child, I don’t remember.

What books have had a lasting impact on you?
When I was a teenager I read everything from Edgar Allan Poe and his tales made me want to write. Later on, when I was in art school in Barcelona, I read Opera aperta by Umberto Eco. That book helped me understand why I liked some books better than others. And when years later I started writing, it helped me see that I was doing it fine by doing my own way without thinking about who was going to read my words.

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Viva BookBlast! | est. 1997

The BookBlast® Diary

The BookBlast® Diary is representative of the ideas and principles that are core to the philosophy of BookBlast®. Since 2015, we have showcased independent trade publishing and world writing in translation with a special focus on France.

We feature exclusive in-depth interviews and podcasts with a carefully curated selection of authors, poets, translators, publishers and entrepreneurs at the heart of the independent publishing community. Our reviews that give context can be savoured as slow reads. Insider ‘Spotlight’ features about the book-industry and translation; articles about awards and award winners; Top 10 reads for independent minds and Top 5 reads for Francophones, are an inspiration resource for anyone with a keen interest in world writing and ideas.

We are not influenced by fame or hype, but are curious, enthusiastic and scrupulous about making choices. Our audience of book industry insiders, influencers, booksellers, librarians, journalists, bloggers, writers, book lovers and book buyers is based in the UK, US and France.

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