Andrea Jeftanovic’s Theatre of War takes place over three acts and many scenes, and is acted out on various stages. True to its title, this is theatre in the shape of a novel, with the narrative being revealed to us in fragments, snapshots and scenes, rather than a continuous, flowing chronology. Often, however, of greater importance is what happens offstage, backstage, in the wings, behind the curtains, in the side corridors. The muffled voices, the memories, now louder, now quieter, echoes, dress rehearsals, the rumble of props being moved, the silence of anticipation, of waiting, of remembering.
“The curtain rises on the shadowy dining room of my first home. Some familiar objects: the stone statues and the flattened wolf hide. In the corner sits a table with five chairs; the one at the head wobbles. The wallpaper is stamped with faded rosettes. The spectacle of my childhood begins. Repeatedly changing houses, we are unable to anchor ourselves to any fixed point.” (p. 3)
Continue reading Guest Review | Andrew McDougall | Theatre of War, Andrea Jeftanovic | Charco Press
Translation is no longer marginalised as it once was, with its advocates being viewed as quirky oddballs lacking commercial sense and sensibility. The number of independent presses publishing translated literature in the UK has greatly increased in the past decade, often set up by people with a corporate publishing or banking background who are astute operators. Booksellers are far less curmudgeonly than they once were. And somewhat unexpectedly, in 2015, Amazon Crossing published three times more translated fiction in the US than its closest competitors in America (FSG, which has a long tradition of publishing works in translation, and Atria, which mostly publishes books by celebrities).
The imprints of conglomerate publishers in the UK who publish works in translation – MacLehose Press, Harvill Secker, Sceptre, Vintage, Weidenfeld & Nicolson, Penguin Press – publish predominantly though not exclusively the sub-genre of crime fiction in translation, leaving the field open for the likes of Alma Books, And Other Stories, Arc, Carcanet, Comma Press, Dedalus, Fitzcarraldo, Les Fugitives, Gallic, Granta, Hesperus, Istros, Jantar, Norvik Press, Peirene Press, Portobello Books, Pushkin Press, Saqi Books, Scribe UK, Small Axes, and others, to publish experimental and literary translation. Continue reading Spotlight | The 2019 Warwick Prize for Women in Translation
The Frankfurter Buchmesse which is happening this week takes place over five days every October. It is the world’s largest trade fair for books and is THE place to be for publishers, agents, authors, illustrators, film producers, translators, and representatives from trade associations to network and do business. It attracts more visitors than any other book fair.
However the smaller local, regional book fairs are less daunting to visit, and are great opportunities to bring new books to a variety of readers and local communities. They are also more likely to showcase a greater variety of independent small publishers and private presses.
Susan Curtis, founder and MD of Istros Books in London which publishes translated literature from the Balkans and South-East Europe, wrote a special report for us about her recent visit to Montenegro to attend The Podgorica International Book Fair, 1-5 October, 2019. Continue reading Guest Feature | Susan Curtis @Istros_books | Podgorica International Book Fair 2019, Montenegro
What can the novels Wild Woman by Marina Šur Puhlovski and Under Pressure by Faruk Šehić tell us about the breakup of Yugoslavia which caused such a tectonic shift in Balkan identity?
Each to their war and its troubled aftermath: one in the domestic sphere, the other out on the field and in the trenches. Both are informed by terror, brutality, power struggles and stubborn memories which refuse to go away. The gender split seems clear: survivors of domestic violence are primarily women and war veterans are mainly men – each to their trauma.
Continue reading Book 2 Review | Wild Woman, Marina Šur Puhlovski & Under Pressure, Faruk Šehić | Istros Books
New year, and news could be better from France. Over 600 small businesses have been destroyed or damaged in Paris alone since the yellow vests protests at the end of last year. President Macron’s open letter to French citizens seems to have done little to quell dissent; ditto for his tour of the regions in an attempt to get Mayors and their communities to share what’s on their mind. The EU’s political landscape is set to change after the elections in May 2019. Thank goodness for books, films and music offering an essential breath of fresh air!
Here is our list of top 5 reads in French creating a buzz across the Channel for all you Francophiles out there . . . Continue reading BookBlast® France | Top 5 French Reads January, 2019