Anna Kim’s The Great Homecoming, published by Granta Books just before Lockdown is a sweeping tale of friendship and betrayal that explores the devastating impact of the Korean War, Russian and American politicking and the Cold War on individuals, families and cities in Korea and Japan during the 1950s and ’60s.
Anna Kim was born in Daejeon, South Korea but grew up in Austria and wrote the novel in German. She has garnered much praise and recognition for her previous work, and is the recipient of, among other accolades, the Austrian State Fellowship for Literature and the 2012 European Union Prize for Literature, for her second novel Frozen Time. This slick and accomplished translation by Jamie Lee Searle is sure to widen Kim’s fanbase and acclaim, and rightly so.
The novel begins in the present day. A young translator, Hanna, who was born in South Korea but then adopted by a German couple, visits an elderly Korean man, Yunho Kang, who lives in the American missionary quarter in Seoul. When Hanna translates a letter that Yunho has received from America informing him of the death of a Mrs Eve Lewis, he embarks on reminiscing about Eve Moon, or Yunmee – for she is a woman of many names and identities – and his friend Johnny, in Seoul in 1959. Continue reading Guest Review | Rachel Goldblatt | The Great Homecoming, Anna Kim | Granta Books
Worldwide interest in Korean fiction and film has blossomed and bloomed since Please Look After Mom by Kyung-sook Shin won the 2011 Man Asian Literary Prize; The Vegetarian by Han Kang won the Man Booker International Prize 2016; and the film Parasite (written, directed and produced by Bong Joon Ho) carried off four Oscars in 2020.
The latest recently-published offerings on our radar are The Great Homecoming by Anna Kim (Granta) which will be reviewed in the Spring; and Winter in Sokcho; its author, Elisa Shua Dusapin, is Franco-Korean, born to a French father and a South Korean mother, like the heroine of her first novel.
“Old Park hadn’t moved on from the days after the war, when guests were lured like squid to their nets, dazzled by strings of blinking lights. From the boiler room, on clear days, I could see the beach stretching all the way to the Ulsan mountains that swelled on the horizon . . . People washed up there by chance when they’d had too much to drink, or missed the last bus home.” Continue reading Review | Winter in Sokcho by Elisa Shua Dusapin | Daunt Books Publishing
Raising the Velvet Curtain is a festival of literature introducing a new generation of writers from Slovakia to British audiences (22 October – 28 November). Balla, Uršuľa Kovalyk and Ivana Dobrakovová are currently on tour, visiting Manchester, Oxford, Cambridge and London. The grand finale at Rich Mix in London’s Bethnal Green looks unmissable! Info & tickets HERE. Meantime, Lucy Popescu gives BookBlast’s armchair readers an exclusive flavour of what’s on offer in her three-novel roundup.
Big Love by Balla | Trs. Julia and Peter Sherwood | Jantar Publishing | Buy here
The Night Circus by Uršul’a Kovalyk | Trs. Julia and Peter Sherwood | Parthian Books | Buy here
Bellevue by Ivana Dobrakovová | Trs. Julia and Peter Sherwood | Jantar Publishing | Buy here
It is thirty years since the Velvet Revolution, so fitting that there is a surge of interest in literature from the region. The efforts of a two-translator team stand out. Julia and Peter Sherwood have worked tirelessly to find Slovak fiction a loyal English readership. They have been rewarded with the recent launch of three acclaimed books in their translation. Continue reading Guest Feature | Lucy Popescu reviews three novels by Slovak authors on tour
“So many books have been written with Paris as a character and there are so many clichés about its seductive beauty, as a writer you need to find your Paris and step away from the great dark magnet that it is. Often the dark Paris is what is most interesting.” Alicia Drake
The vision of Paris as an intellectual’s city with writers and artists chain-smoking on café terraces, arguing about literature, art and Existentialism has been consigned to the attic by most contemporary novelists at work today who are worth reading. Tatiana de Rosnay and Alicia Drake are two such writers whose vision of the City of Light is anything but a picture postcard. They graced the stage at this year’s Beyond Words French Literature Festival at the French Institute in South Kensington.
There is, of course, some superb non fiction on offer which gives a genuine, riveting, and rather more leftfield take beyond the usual stereotypical reads – my favourite being the memoirs of late, great John Calder who I was lucky enough to know. The Garden of Eros: The Story of the Paris Expatriates and the Post-war Literary Scene is essential reading for anyone curious about visionary entrepreneurs operating in the publishing industry of yesteryear, and the Paris-London-New York golden triangle.
A forgotten Paris is described by the late Lesley Blanch in her memoirs On the Wilder Shores of Love: A Bohemian Life (Virago) in which she describes Russian Paris of the 1920s with theatre director, Theodore Komisarjevsky, and the beleaguered capital in 1945 when she was there with her younger husband Romain Gary, ambitious and unknown. “Romain developed a hunger for the atmosphere of the studios where a circle of newer artists worked. Long evenings would be spent trudging along the icy ill-lit streets and interminable boulevards. Public transport was scarce, very few people had cars then, and we had no money for taxis, which were rare.“ Continue reading Spotlight | Tatiana de Rosnay, Alicia Drake & Daughters of Simone de Beauvoir | Beyond Words French Literature Festival 2019
Are (were) your parents great readers? Tell us a bit about yourself.
JUDITH (Publishing Director): My father loves reading newspapers and history books. My mother loves reading novels. If I publish a book I usually ask myself if my mother would like reading it too―meaning that it shouldn’t be pretentious or unnecessarily complicated. My aunt was the person who stimulated me most though―she was a great storyteller herself, as well as a librarian, and somehow she always seemed to know exactly which books to give me to read.
LYDIA (Editor-in-Chief): Not while I was growing up, although I’m not sure how much free time they had. It was very much noted that I was a reader though, and was encouraged. I also quickly worked out that reading in bed meant I could stay up late by turning the light back on after my parents went downstairs. Continue reading Interview | Judith Uyterlinde & Lydia Unsworth, World Editions | Indie Publisher of the Week