Lesley Blanch (1904-2007), a Londoner by birth, spent the greater part of her life travelling about those remote areas her books record so vividly. She was an astute observer of places and people; their quirks, habits and passions. This article about Istanbul in Turkey, which she loved, was found among her papers. It was written some time in 1954-5.
Although so many conquerors have eyed Istanbul longingly, it has, oddly enough, never really attracted that more modest stratum of humanity, the tourist, until today. Now with that inexplicable urge which makes fashion, it has suddenly become the lodestar of the adventurous, “To the walls of Constantinople!” once the Crusaders’ cry, might now be theirs. Continue reading Lesley Blanch Archive | Istanbul, “the eye, the tongue, the light of the Orient”
Where were you born, and where did you grow up?
Born in mid Wales. Grew up in Wales, England, Scotland, Bermuda, Sri Lanka — we moved around a lot! Boarding school in Dolgellau.
What sorts of books were in your family home? Who were early formative influences?
Early years were spent abroad in houses with just a few books already there, usually popular novels by authors like Marguerite Steen, Somerset Maugham and Nevil Shute. I loved the children’s classics especially Alice in Wonderland and often read adult books I couldn’t possibly understand — just for the words. My bent was towards adventure stories like Kidnapped and The Flight of the Heron — that is once I’d passed through Enid Blyton’s The Famous Five. In my teens, being an outsider in each new school I fancied myself as an intellectual and started quite early on reading existentialists like Sartre — understanding very little! Continue reading Interview | Janet Todd | Author of the Week
A chronicle of dandyism and decadence from Regency England to the late twentieth century.
“Philip Mann does for the sartorial arts what Mario Praz has done for interior design, and more. A future classic,” Nicky Haslam, interior designer
Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity via portraits of Regency England’s Beau Brummell – the first dandy – and six twentieth-century figures: Austrian architect Adolf Loos, The Duke of Windsor, neo-Edwardian couturier Bunny Roger, writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema enfant terrible and inverted dandy Rainer Werner Fassbinder.
He blends memorable anecdotes with acute analysis to explore their style, identity and influence and interweaves their stories with an entertaining history of tailoring and men’s fashion. The Dandy at Dusk contextualises the relationship between dandyism, decadence and modernism, against the background of a century punctuated by global conflict and social upheaval.
Born in Germany, Philip Mann has lived in England since 1988 and has a degree in the History of Art. He has written for Frankfurter Allgemeine Zeitung and Vogue and has lectured on sartorial matters in Vienna, New York, Bern and London.
Publication Date: 5th October 2017
Hardback price: £25.00
For more information please contact Suzanne Sangster at Head of Zeus
telephone 020 7553 7992
This selection of early journalism and travelling tales by Lesley Blanch, edited by Georgia de Chamberet, published on 1 June by Quartet Books, forms a captivating sequel to On the Wilder Shores of Love:A Bohemian Life (Virago, 2015; PB 2017).
Savvy, self-possessed, talented and successful, Lesley Blanch was a bold and daring writer, travelling at a time when women were expected to stay at home and be subservient to the needs of husbands and children. She was an inspiration to a generation of women – Marianne Faithfull and Shirley Conran among them. This selection of her writings brims with her customary wit and sheds new light on an eternally fascinating – and truly inimitable – character.
Illustrated with photos and Blanch’s theatre portfolio from her time working with Russian émigré director/producer, Theodore Komisarjevsky; and featuring an insightful introduction. Far To Go and Many To Love brings together writings on subjects as various as Vivien Leigh, polygamy, the Orient Express and Afghanistan.
Praise for On the Wilder Shores of Love…
‘Sumptuous and captivating’ – Independent
‘This is a truly remarkable book’ – Daily Telegraph
Lesley Blanch MBE was born in London in 1904. She spent the greater part of her life travelling, to Russia, Central Asia and the Middle East. She published 12 books in her lifetime and was a prolific journalist. She died in 2007 at the age of 103. website: www.lesleyblanch.com twitter: @lesleyblanch
HB • 234x156mm • Literary Bio (BGL) • £25 • 9780704374348 • Quartet Books.
For further info or to interview the editor please contact
Grace Pilkington firstname.lastname@example.org tel 0207 636 3992
BookBlast® interviews Linda Kelly, biographer and historian.
Where were you born and where did you grow up?
I was born in Kent and brought up in the country, mostly in Hampshire. However I was also a wartime evacuee, from 1940-43, in the US: a Saturday Evening Post – Norman Rockwell kind of America, complete with freckle-faced kids and rocking chairs on verandas. It was an idyllic period from which I date a certain independence of mind and a dislike of snobbery.
What sorts of books were in your family home? Who were early formative influences?
Our house was full of books, both English and French, and my mother read a lot to us when we were small. Due to wartime paper shortages, there were few new books being published for children, so we were thrown back on the classics of our parents’ generation: Frances Hodgson Burnett, Charlotte Mary Yonge, Stevenson, Henty and Conan Doyle. Perhaps because of my American experience, I particularly loved books like Little Women and What Katie Did, but I was more or less omnivorous and gobbled up anything from Agatha Christie to Walter Scott.
In your home, was the atmosphere for women emancipated?
I don’t think it was a subject which arose – I had two brothers and two sisters, and we all regarded each other as equals.
Continue reading Interview | Linda Kelly, author
Join us for an evening celebrating Trailblazing Women of the 20th Century @WaterstonesPicc on publication of the Virago paperback of Lesley Blanch’s posthumous memoirs, On The Wilder Shores of Love: A Bohemian Life.
Georgia de Chamberet & Anne Sebba will discuss the bohemian life of Lesley Blanch at Waterstones, Piccadilly, London W1, Thursday 12 January, 7pm.
This event is free, but please reserve your place by email: email@example.com
Editor, translator and literary consultant, Georgia de Chamberet founded BookBlast™ writing agency in 1997. She is Lesley Blanch’s god-daughter.
Daily Telegraph: This volume, edited with affection and grace by de Chamberet, is a deliciously readable monument to a writer who combined a steely resilience and capacity for hard work with an elegant frivolity and a voracious appetite for love, beauty and adventure.
Continue reading Media Release | The Bohemian Life of Lesley Blanch | Waterstones, Piccadilly, London W1
Far To Go and Many To Love: People and Places by Lesley Blanch, edited and with an introduction by Georgia de Chamberet (Quartet, 9780704374348, hb illus £25, 1 June 2017)
On the Wilder Shores of Love: A Bohemian Life by Lesley Blanch, edited and with an introduction by Georgia de Chamberet (Virago, 9780349005461, pb illus £10.99, 12 January 2017)
It was the best of perfumes, it was the worst; it was the trademark of the grande cocotte, it was worn by the femme du monde. It was the heaviest of scents, it was the lightest. It was the worst of taste, it was the height of fashion. It drove men mad, it tamed the beasts of the jungle. It was an aphrodisiac, it was an emetic. It came from India — from Haiti. It smelled of newly sharpened pencils; of Victorian boudoirs. It preserved furs from moth; it was something to eat. It was divine; it stank.
These were some of the ways patchouli was described to me when I set out to discover what precisely was the nature and history of this long-forgotten perfume which reached its apogee of popularity about a century ago — and which, suddenly, is in demand once more. Patchouli — pucha-pat to the India of its origin — belongs, in Europe, essentially to the mid-nineteenth century; it is the essence of its age, as frangipani evokes the eighteenth and musk and ambergris belong to the sixteenth and seventeenth centuries, a time of perfumed gloves — and poisoned ones too. Each age has its characteristic expression, found as much in some minor aspect as in a heroic gesture, or great personality. A tune, a colour, a manner of speaking, like a way of moving, or standing, or a particular piece of clothing is as telling as a line of thought or a code of conduct. And nothing is more memorable than a perfume.
Patchouli was the quintessential nineteenth-century perfume, as the shawl was its quintessential garment. The two are indissolubly linked, for patchouli first came out of India because of and with the cashmere shawls which were then the cornerstone of every woman’s wardrobe.
Continue reading Lesley Blanch Archive | Patchouli