“Style is not an end in itself: it is a result,” René Magritte.
A thinker, Magritte was in permanent revolution against banality and crass assumptions. He communicated his ideas through paintings, which he called “visible thoughts,” upending society’s conventions. He united the familiar in unexpected ways to create what is unfamiliar and often disturbing. Famous for playing with words and image, millions of people know his iconic painting of a pipe with the words beneath it, Ceci n’est pas une pipe (“this is not a pipe“) — point being the image may be of a pipe, but the pipe is not representative of the image.
In this brave new world of twenty-first century “post-truth politics” in which image matters to an alarming degree, and words no longer need bear any relation to reality, how everyday language disguises thought; the vagueness and ambiguity of words; and the gap between words and seeing, are hot topics. Déjà vu? Magritte captured the essence of the relationship between words and image over half a century ago. The first-ever publication of his Selected Writings in English by Alma Books is long overdue, and timely.
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