Since we hit the road on 11 September, we still have 3 events to go, storytelling and showcasing small, risk-taking publishers who fill a unique niche in discovering talent, enriching our literary culture.
Looking back, I spent a good chunk of the end of last year and the beginning of this one planning and fund raising for the 10×10 tour, with the invaluable support and technical expertise of Ben Fiagbe. Connie Jehu came on board over the summer to collaborate in implementing our plan, while Sue Amaradivakara from the PR Collective began to promote the tour across national and local media. Interviews were done with Robert Elms for BBC Radio London, Monocle 24 Radio, Bookanista, The Bookseller, LoveReading and others. Continue reading Latest News | The BookBlast 10×10 Tour in association with Waterstones
Did you want to work in the publishing industry from the start?
No, I only started my career in publishing twenty years ago; previously I spent most of the time in the film industry.
Has your vision from when you started HopeRoad 7 years ago changed?
No, in that I still want to continue to publish authors and writings from Asia, Africa and the Caribbean. It’s a big, rich vision that will last my lifetime.
How do you balance originality and profitability?
Our remit is to publish books of quality – to add a third word – that would otherwise not see the light of day. Profitability is something one can depend on when selling shoes, for instance – but book sales are mainly a gamble. Perhaps most publishers would agree with this! However, I believe in every single title we publish and gain great satisfaction from seeing these books in print and also from working with talented writers. We are still looking forward to that “big win”, but in the meantime, with occasional help from Arts Council England, along with grants for our translations, we are able to keep going, and to keep our standards high.
Continue reading Interview | Rosemarie Hudson, founder, HopeRoad Publishing | Indie Publisher of the Week
Narrative non fiction: a new category
When Lesley Blanch wrote that “Journey into the Mind’s Eye is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category . . .” the label narrative non-fiction did not yet exist. Her autobiography about the early part of her life was published in 1968. She was ahead of her time. Like Rebecca West and Truman Capote, Lesley Blanch was experimenting with different forms and techniques to tell a damn good ‘true’ story.
Lesley Blanch claimed she could not invent, hence choosing biography rather than fiction, although her storytelling was underpinned by a vivid imagination and scholarly research. The Sabres of Paradise: Conquest and Vengeance in the Caucasus took six years to complete and required thorough investigation in Russia and Turkey.
What is narrative non fiction?
Narrative non-fiction is not just a convenient label used by publishers to help booksellers categorise their titles and display them, or a new genre fresh out of American writing schools for literary critics to argue about. It is favoured by clever young editors like Leo Hollis at Verso, or Richard Milner at Quercus, as a way to get across difficult, or dry, ideas in an engaging manner. People are most interested in other people and their experiences, not the dusty archives of research. To take the reader on a scientific, or philosophical, or historical journey of discovery by means of a series of a well-written scenes knitted together to form a compelling whole, as opposed to recounting how A then B then C happened in a cut-and-dried linear fashion, makes for a more exciting read and a saleable book.
Continue reading Spotlight | Lesley Blanch and the Art of Narrative Non Fiction