As subdivisions or departments of bigger publishers, imprints break up monolithic companies, give space to individual editors to stamp their list with a defining character and originality, and reassure authors that they are not disappearing into the corporate ether. The MacLehose Press is an independently-minded imprint of Quercus Books, founded by Christopher MacLehose and publishing the very best, often prize-winning, literature from around the world; mainly in translation but with a few outstanding exceptions as English language originals.
“She had known from the start, before she could even speak or understand, that Malinka and her mother meant nothing to anyone, that this was how it was and there were no grounds for complaint, that they were lowly flowers, their existence unjustified, lowly flowers.”
Whatever reality is, it isn’t what it seems. Ndiaye goes through the looking-glass into a world of barren parent-child relationships, rootless limboland, and racial being and nothingness in this bewitching and unsettling novel. The eerily poetic prose is limpid yet has a blurred effect like reading with the wrong pair of glasses. Translator Jordan Stump has done a great job.
Three women − mother, daughter and granddaughter − form a cursed constellation; a yawning void between them. The banality of everyday life, and a desire for normality, are underpinned by a surreal, destabilising atmosphere.