Podcast LIVE | In conversation with Keith Anderson a.k.a. Bob Andy, reggae vocalist & songwriter

Instead of bringing you the best reads for summer, BookBlast® is bringing you the best reggae for summer.

Keith Anderson, known as Bob Andy, talks about his life and times in a rare and exclusive interview.

Best known in the UK for the track recorded with Marcia Griffiths “Young, Gifted and Black” (1970), he is widely regarded as “one of reggae’s most influential songwriters,” Wikipedia.

Continue reading Podcast LIVE | In conversation with Keith Anderson a.k.a. Bob Andy, reggae vocalist & songwriter

Review | The Nowhere Man, Kamala Markandaya | Small Axes

History is not the past, it is the present. We carry our history with us,” James Baldwin

Pete Ayrton, editor and publisher, who in 1986 founded Serpent’s Tail which he retired from in 2016, has teamed up with Rosemarie Hudson, the founder of HopeRoad (2010) to head up a new imprint: Small Axes.

The publication and promotion of literature from Africa, Asia and the Caribbean which challenges cultural stereotyping is becoming ever more urgent in the face of rising authoritarianism in the US, UK and across Europe.

The Small Axes list will focus on republishing post-colonial classics that helped to shape cultural shifts at the time of their printing and remain as relevant today as when they were first published.

He lapsed into bitterness, as people tended to do now, despite some shreds of conviction that still remained that Britain was an honourable adversary. ‘Over three hundred lives,’ he said. ‘A hundred Indians for each Briton. That is their scale, the scale by which they value themselves and against which we are measured. That is what we are up against: not their greed, or their anger, nor land hunger, nor the need to trade, but their arrogance, the mentality that produces such policies and acts.’” Continue reading Review | The Nowhere Man, Kamala Markandaya | Small Axes

Review | What Happened to Us, Ian Holding | Book of the Week

The bleakness and violence of life in modern Zimbabwe underpin this powerful coming-of-age tale, as thirteen-year-old Danny comes to understand critical truths about himself, his family and their milieu – and his country. His social observations and attempts to put to rest some of the painful questions surrounding the brutal event which lies at the heart of the novel offer an eye-opening look at life in another culture, and the tensions that lie behind the news headlines.

I think what happened to us started the day I as out playing on the streets of our neighbourhood and accidentally pissed on the President’s face. I was a thirteen year old kid, skinny, lean-boned, full of shit.”

Continue reading Review | What Happened to Us, Ian Holding | Book of the Week

Interview | Ian Holding | Author of the Week

Where were you born, and where did you grow up?
I was born in Harare, Zimbabwe and have lived here all my life.

What sorts of books were in your family home?
As a family we belonged to a small municipal library up the road and every second Saturday, religiously, we would go to the library and browse books, make selections. I think this is where my love of books and reading was fostered, really. At home I always remember there being a great deal of Enid Blyton, Agatha Christie, Roald Dahl and Gerald Durrell, amongst others; some would have been library books; some we owned (or where perhaps “former” library books!). Plus there was this whole other unreachable top shelf of alluring paperbacks I suspected at the time were not intended for the eyes of a young, inquisitive boy. When I was finally old enough to reach that shelf, its contents were actually, on the face of it, quite disappointing. Except there was a copy of Lady Chatterley’s Lover, but I was such a pathetic loser as a kid I could never seem to find the bits that made it so notorious! Continue reading Interview | Ian Holding | Author of the Week

Review | Witchbroom, Lawrence Scott | Book of the Week

BookBlast® reviews Witchbroom by Lawrence Scott.

Here at the window of the turret room, Lavren, at the sill of the Demerara window, Marie Elena behind him on her deathbed telling the last tales before the end of the world as bachac ants attack the rose bushes in Immaculata’s sunken garden, and woodlice eat their way through the pitchpine floorboards, and Josephine sits by the kitchen door shelling pigeon-peas: from this vantage point, Lavren can listen and write and tell the history of the New World.” So begins a hallucinatory Caribbean tale involving the imperialist land-grab, sexual anarchy, abandoned women, religious mania, “the destruction of the Amerindians, the enslavement of Africans and the indentureship of the Indians,” and culminating in self-rule and independence. “People were dreaming in the twilight barrack-rooms, in the kerosene-lit villages for the setting of the imperial sun.”

Caribbean-style magical realism

Lawrence Scott weaves a magical, lush tapestry of words and images, bringing alive local legends and family narratives; and redressing written histories. The impact of the events recounted still resonate in Caribbean society today. A quasi-historical novel, Witchbroom recounts the story of a colonial white enclave on an offshore island through muddled memories. The central narrator repeats what he remembers “from the distracted mind of his muse Marie Elena, and her art of telling stories while they eat Crix biscuits, rat cheese and guava jelly together in the turret room overlooking the Gulf of Sadness.” The stories are bewitching and highly disturbing. The reader surfs a tidal wave of addictive fascination like a Dickensian tricoteuse sitting beside the guillotine in Paris watching heads roll during the public executions of 1793-4.

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Continue reading Review | Witchbroom, Lawrence Scott | Book of the Week