In translating the novel Forty Lost Years into English, Fum d’Estampa Press and Peter Bush have gifted Anglophone readers a forgotten gem of twentieth century fiction that not only offers us a fresh view on the effects of the Spanish Civil War, the ensuing exile many were forced into and Franco’s dictatorship, but also a text which remains strikingly relevant and present.
First published in Catalan as Quaranta anys perduts in 1971, and enjoying a second wind when republished in 2016, Forty Lost Years is narrated by Laura Vidal and covers forty years of her life, starting in the 1930s when she is a young adolescent.
Continue reading Guest Review | Andrew McDougall | Forty Lost Years, Rosa Maria Arquimbau (trs. Peter Bush) | Fum d’Estampa Press
Peter Bush is a translator of works from Catalan, French, Spanish and Portuguese to English and has recieved numerous awards including the 2009 Calouste Gulbenkian Portuguese Translation Prize for his translation of Equator by Miguel Sousa Tavares; the 1997 Premio Valle-Inclán for his translation of The Marx Family Saga by Juan Goytisolo; the 1994 Outstanding Translation Award from the American Literary Translators Association for his translation of The Old Man Who Read Love Stories by Luis Sepúlveda; the 2011 Cruz de Oficial, Orden del Mérito Civil, awarded by King Juan Carlos of Spain, for contribution to the creation of cultural dialogue between UK and Spain; and the 2015 Creu de Sant Jordi, most distinguished award given by the Generalitat of Catalonia, for the translation and promotion of Catalan literature.
Tell us a little bit about yourself.
I had a happy childhood on council estates in Lincolnshire on the edge of the Fens.
My father was a typographer, so the house was full of newsprint every day. My grandfather was a shepherd and Dad didn’t want to work on the land. My mother came from a family that lived in a tenement in the centre of Sheffield. Her dad was a sawyer from the Rhonda Valley and her mother from the Irish community on Merseyside. In the UK translation starts with class, dialect and migration..
I’ve just moved to Oxford with my family after living in Barcelona for eleven years.
When you were growing up, what books had an impact on you?
My first exciting reads were adventure comics. I got really hooked on cliff-hangers.
Then I moved on to Tarzan and Agatha Christie. At sixteen I loved Molière and Balzac.
Continue reading Interview | Peter Bush | Translator of the Week
“Life has always loomed large over us dwarves. Some take to it like a fish to water despite their diminished state and are even happy, while others tramp along the shores of existence like dogs driven wild by urban detritus, licking the sores of their own resentment, tempered by the terrible lash of indifference, as they tumble and stumble toward their tombs.” Goyito, in A Bad End
Historically, midgets often served as jesters, or entertainers in the courts of kings and aristocratic households. Isabella d’Este designed part of her palace for them and remembered two in her will. The paintings of Velázquez record the appearance of dwarves at the court of Philip IV of Spain. In the 18th and 19th centuries Russian tsars and nobles kept innumerable dwarfs; in 1710 a dwarf couple spent their wedding night in the tsar’s bedchamber. American showman P.T. Barnum publicized Charles Stratton (“General Tom Thumb”) in 1842 and he became an international star.
Continue reading Review | A Bad End, Fernando Royuela | Book of the Week