The fifth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Peirene Press which focuses on European & World Literature, much of it in translation. It was founded in 2008 by Meike Ziervogel who is both a novelist and a publisher. She grew up in northern Germany and lives in North London. In 2012 Meike was voted as one of Britain’s 100 most innovative and influential people in the creative and media industries by the “Time Out and Hospital Club 100 list”. Meike is the author of four novels, all published by Salt. Her alter ego, “The Nymph” regularly writes about The Pain & Passion of a Small Publisher for Peirene online and is a must-read blog.
Novelist and publisher, Meike Ziervogel, came to London in 1986 to study Arabic language and literature, and received a BA and MA from SOAS. She speaks German, English, Arabic and French. She is married and has two children.
Where were you born, and where did you grow up? I was born in Kiel in the north of Germany, and I grew up near there, in a small town called Heide on the North Sea coast.
What sorts of books were in your family home? Who were early formative influences?
My mother used to read us the Grimm’s Fairy Tales from a book with beautiful old paintings. I wanted to have hair like Rapunzel.
Why do you write? Because I enjoy it. Creating stories also allows me to explore and emotionally understand topics and issues I might otherwise find difficult to comprehend.
“We aged a hundred years, and this
Happened in a single hour:
The short summer had already died
The body of the ploughed plains smoked.”
Letter-writing may be a lost art today, since we tend to email rather than sit down and write longhand to a loved one or a friend, however epistolary novels have been with us for centuries — from Montesquiou’s Persian Letters, Choderlos de Laclos Dangerous Liaisons and Bram Stoker’s Dracula; to Stephen King’s Carrie and Alice Walker’s The Colour Purple — and are still popular. To read personal, private correspondence smacks of voyeurism, (etiquette dictates that to do so is unacceptable), hence the frisson of pleasure it affords. Suspense is created by what is revealed and concealed. The letters are like pieces of a jigsaw puzzle, and dramatic irony keeps the reader hooked until the very end: Will ‘it’ or won’t ‘it’ happen? The Last Summer, superbly translated by Jamie Bulloch, is a welcome discovery thanks to Peirene Press.
Jamie Bulloch is an historian, and has worked as a professional translator from German since 2001. His translations include books by Paulus Hochgatterer, Alissa Walser, Timur Vermes, Friedrich Christian Delius and Linda Stift. Jamie won the 2014 Schlegel-Tieck Prize for Best German Translation for Birgit Vanderbeke’s The Mussel Feast.
Tell us a little bit about yourself. I’m forty-seven, married with three daughters and live in London, where I was born. Outside of books I love cooking, gardening and cricket.
When you were growing up, what books had an impact on you? Like many children, I adored Roald Dahl’s work, and then came my first taste of translated fiction when I devoured the Asterix series. I read them over and over again. Later, when I went on a school exchange, I got the chance to read them in the original French. In my teens I was a big Stephen King fan.