Préfacé et présenté par Georgia de Chamberet | Traduit de l’anglais par Lucien d’Azay
Écrivain et voyageuse, fascinée par l’Orient, Lesley Blanch est restée célèbre en Angleterre pour Vers les rives sauvages de l’amour, un quartet biographique où elle raconte la vie d’aventurières extravagantes, à son image. Après une enfance dans une famille bourgeoise de Londres à l’époque édouardienne, cette Anglaise spirituelle et raffinée mena une vie passablement nomade; elle était décoratrice de théâtre et rédactrice de l’édition britannique de Vogue quand elle épousa Romain Gary pendant la Seconde Guerre mondiale. La carrière diplomatique de celui-ci les conduisit à Paris, à Sofia, à New York, en Bolivie et enfin à Hollywood où Lesley Blanch côtoya quantité de stars et travailla avec George Cukor.
After generations of slaughter on its soil, Europe found peace and economic stability through the founding of the EU in 1957. In an idealistic, co-operative post-war world looking to the future, anything was possible. The writer Gael Elton Mayo covered England with Henri Cartier-Bresson, for Robert Capa’s brainchild, Generation X, which she describes in her autobiography, The Mad Mosaic, as “the name given to the unknown generation, those who were twenty after the war, and in the middle of a century. Capa wanted to choose a young man, and young girl, in each of twelve countries and five continents, examine their way of life, and find out what they were doing, thinking and hoping for the future.” (Holiday changed ‘Generation X’ to ‘Youth of the World’ when it was published; an abbreviated version also appeared in Picture Post in 1953.)
Half a century on, from the six founding members, the EU has enlarged to 27 member states, (with Croatia, Macedonia and Turkey in accession negotiations). Its impetus seems to be shifting as it morphs into an economic, political and cultural powerhouse. In the recent travel writing issue of Granta, Jeremy Treglown writes: “The British, with their mix of insularity and transatlanticism, can find it hard to grasp that so many continental Europeans, especially the young, are patriotic about being European.”
December: a time of merry abandon, or seasonal reflection? Our round up of eclectic reads to delight and inspire you takes in both . . . Happy Christmas! Georgia @bookblast
Titles are in alphabetical order according to publisher @bitterlemonpub @darfpublishers @commapress @belgraviab @hoperoadpublish @hauspublishing @ibtauris @maclehosepress @pointedleaf @pushkinpress
Life without friends is like life on a desert island
Friendships by Mark Girouard (Bitter Lemon Press) buy here
Mark Girouard, the architectural writer, and authority on the country house, gathers together thirty letters of note and other communications from friends, alongside his writing about them. A few are or were famous, some are grand, and others not at all. The point of the book is that friendship has nothing to do with fame or success, but all to do with that sudden click of reciprocity, and pleasure in companionship that helps make life worth living.Continue reading BookBlasts® | Top 10 Reads for Independent Minds | December 2017
Where were you born, and where did you grow up? I was born in Chatham in Kent and grew up in the surrounding towns – called the Medway towns – so in and around Rochester, Chatham (on various estates), Gillingham. I left when I was seventeen and moved to London, but even though I’ve not lived there for a long time, Medway remains a potent influence.
What sorts of books were in your family home? Who were early formative influences? My mother and grandmother were avid readers, and I was taught to read and love books from a very early age; but they were busy, working class women who’d left school early so the books in our homes tended to be Catherine Cookson and romances, Mills and Boon etc. Having said that I had lots of classic children’s books and I had a couple of teachers who were pretty amazing in encouraging me to read widely. When I was teenager I skipped school to go the library in town and would read anything and everything curled up in a chair by a window that looked out over the River Medway. I read a lot of Dickens, Daphne du Maurier and Stephen King. I used to read any of the Penguin Classics, because that seemed to be a foolproof method of reading; I was hungry to learn, but hated school. I suppose my earliest influences that I was consciously reading to learn to write were Angela Carter, Plath and Sexton and John Steinbeck. I loved his work.Continue reading Interview | Heidi James | Author of the Week
“I’d been drifting from one studio apartment to another for several years already. I didn’t feel at home anywhere. In July 2013 I ended up in this little place. And I never suspected that the secrets it concealed might one day lead to a book,” writes Clara Beaudoux in the preface to this unusual read.
The mixing up of genres and categories that is characteristic of the way we read online has gradually fed into new forms of writing ‘in print’. Daniel Glattauer’s Love Virtually(Gut gegen Nordwind, translated from the German by Katharina Bielenberg and Jamie Bulloch) tells the story of an internet love affair through the emails of Leo and Emmi. Other Ways of Seeing (Un Autre Regard) is based on blogger Emma’s comic strip. Her take on news stories and accepted “truths” challenges the status quo and questions what liberté, égalité, fraternité really means in France today. Shaun Usher’s blog ‘Letters of Note, an online museum of notable letters’, was published in book form in 2013 to international acclaim. The internet is a numbers game: if you hit the jackpot, it’s life-changing.Continue reading Review | The Madeleine Project: Uncovering a Parisian Life, Clara Beaudoux | Book of the Week
Where were you born, and where did you grow up? I was born and raised in Paris.
What sorts of books were in your family home? Who were early formative influences? There were many books in my family home, and my parents were used to take me to the library when I was a kid. I remember Roald Dahl, a magazine for kids called Astrapi and some comics like Marion Duval.
Are (were) your parents great readers? Tell us a bit about yourself. ROSE: No, but there were books around. I was quite a lonely child and books were a marvellous escape and provided adventure, friends and role models – Noel Streatfield, E. Nesbit, Johanna Spyri, L. L. Montgomery, Louisa M. Alcott and Lucy M. Boston. Just remembering makes me want to get back under the sheets and counterpane with a pile of them. BARNABY: No, I can remember them both being rather concerned that I was reading “yet another book” instead of riding a pony, or playing with the dogs. There were many books in the tiny, dark Tudor cottage in which I was brought up, but they were mostly all inherited. They included a vast shelf of bound Punch magazines and a full set of Jorrocks. At a young age I used my pocket money to acquire the Ladybird history books but before the age of seven I had graduated to Jackdaws – fascinating folders of facsimile historic documents and maps.
Did you want to work in the publishing industry from the start? ROSE: No. I was in the film business at first, but I married a bookaholic, and books took over our lives. BARNABY: No, I had imagined I would either be a Naval Officer like my father and grandfather, or in the cavalry like my other grandfather, which would be combined in old age by brewing beer, or becoming a clergyman like my ancestors.Continue reading Interview | The Directors of Eland Books | Indie Publisher of the Week
A chronicle of dandyism and decadence from Regency England to the late twentieth century.
“Philip Mann does for the sartorial arts what Mario Praz has done for interior design, and more. A future classic,” Nicky Haslam, interior designer
Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity via portraits of Regency England’s Beau Brummell – the first dandy – and six twentieth-century figures: Austrian architect Adolf Loos, The Duke of Windsor, neo-Edwardian couturier Bunny Roger, writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema enfant terrible and inverted dandy Rainer Werner Fassbinder.
He blends memorable anecdotes with acute analysis to explore their style, identity and influence and interweaves their stories with an entertaining history of tailoring and men’s fashion. The Dandy at Dusk contextualises the relationship between dandyism, decadence and modernism, against the background of a century punctuated by global conflict and social upheaval.
AUTHOR Born in Germany, Philip Mann has lived in England since 1988 and has a degree in the History of Art. He has written for Frankfurter Allgemeine Zeitung and Vogue and has lectured on sartorial matters in Vienna, New York, Bern and London.
Publication Date: 5th October 2017 Hardback price: £25.00
For more information please contact Suzanne Sangster at Head of Zeus email Suzanne@headofzeus.com telephone 020 7553 7992