What an odd post-pandemic year 2022 has been, deranged in so many ways, over and beyond the realities of Brexit hitting home, and the depressing normalization of exploitation by the Government and giant corporates across the board, as we enter “a different kind of recession where there are still lots of jobs but the recession is around our wages,” according to James Reed.
Continue reading 2022 in Review (part 1): Annie Ernaux, Olivier Guez, Empire Windrush & more