Venetia Welby’s futuristic second novel, Dreamtime, has an altogether different atmosphere and resonance to her first, Mother of Darkness, set in London’s Soho. Both novels, however, feature central characters in crisis seeking to put themselves back together one way or another as they struggle with their instincts and the conscious/unconscious part of their personality. Both are super-charged and simmering narratives with a twist, which suck you right in. Dreamtime is an unusual novel that lingers in the mind.
The Law of contagion
“Nature is not dead but livid. Here she is thriving: alive with seething, uncontrollable rage. A devouring Mother Earth despairing of her children, washing them away with floods and burning them with electricity from the sky. And here are her minions, her monsters of the sea [. . .] A sea full of krakens.” Continue reading Review | Dreamtime, Venetia Welby | Salt Publishing
“He stood at the edge of the pavement, exactly on the corner, a full head higher than those around him. Olivia waited for him to dip his head as a sign of respect, but he stood there, very still, his hard blue eyes fixed on the oak coffin. Then he stepped forward and it seemed for a moment that he wanted to touch the coffin, to make the last contact with her grandmother before she was buried. Slowly, he lifted his head back, looking to the sky, then he jerked forward and spat a long stream down the window of the hearse.”
When all else fails and no peaceful solution can be found to end a struggle to control a country or a region, to achieve independence, or to force a change in government policy, warring camps form, families and communities are divided, and the killings and atrocities begin. The time and place and context might vary but the root cause for people taking up arms against each other is always the same: the pernicious polarisation of hate.
Continue reading Review | The Settlement, Ruth Kirby-Smith | 2QT Publishing, Yorkshire
“And this also”, said Marlow suddenly, “has been one of the dark places of the earth”
This epigraph, taken from Joseph Conrad’s Heart of Darkness, sets the tone for Lars Mytting’s sweeping investigation of legend, superstition, and the effects of industrial and ideological change on a small, secluded village in rural Norway. Marlow’s famous statement evokes both an image of literal darkness and ideas about uncivilised nations and their conquest by other – more powerful – empires: both notions are integral to this powerful contemporary narrative that is rooted in history.
Continue reading Guest Review | Rachel Goldblatt | The Bell in the Lake, Lars Mytting | MacLehose Press
Editor and publisher, Philip Gwyn Jones, has 25 years’ high-level experience at the heart of literary publishing in the UK. Most recently, he founded Portobello Books in 2004 and joined Scribe UK in 2014. He is a passionate and persuasive campaigner for great writing and has worked with both the conglomerates and the independents, as well as charities championing writing and writers, universities teaching the history and craft of writing and publishing, and literature festivals. @PGJpublishing @ScribeUKbooks
Are (were) your parents great readers? Tell us a bit about yourself.
My father read [and watched and listened to] only news, news, news. My mother was an aspirational reader and even more aspirational for her only child when he eventually arrived, and dutifully followed the advice in the women’s magazines of the 1960s-’70s from the likes of Kaye Webb about what books a child should be given to read. I ended up with a marvellous library of paperback kids’ books, mostly Puffins, from that time, which was largely ignored by my own children, and is now boxed up in the attic to be ignored by generations to come.
What was the book that made you fall in love with reading?
Alice’s Adventures in Wonderland, which remains to me the greatest book of them all, containing, as it does, everything and its undoing and its explaining. Plus Asterix, in those puntastic Anthea Bell translations. Continue reading Interview | Philip Gwyn Jones, Scribe UK | Indie Publisher of the Week
“I always stay at the Louisiane when I’m in Paris, if only for sentimental reasons. It is not the most comfortable of hotels, but I like to think of figures such as Henry Miller and Ezra Pound staying there in the years between the wars. There is still a lingering louche whiff of a hôtel de passe, and of what I imagine Paris to have been like in the immediate post-war period, with those cobbled streets, open-backed buses and the faces that you see in Brassaï’s photographs.”
Madeleine is a perfectly-formed, psychologically acute first novel of love and war, shameful secrets and cowardly treachery. Euan Cameron’s prose sparkles with unsettling beauty and intelligence as he vividly brings to life the world of the French haute bourgeoisie that is shot through with chauvinism, moralistic posturing and anti-Semitism.
Continue reading Review | Madeleine, Euan Cameron | MacLehose Press