We live in an increasingly polarised mad and maddening world seemingly going from bad to worse. The hunger for “how to be happy” and “how to achieve more success in life” top tips type reading fodder is countered by our apparent preference for bad news over the good, (motivated by schadenfreude, a heightened vigilance for threats thanks to a daily Media diet of disasters, shock value . . . or so the thinking goes).
If it bleeds, it leads
Sam Jordison’s series Crap Towns became a cult hit. Now he has pulled another winner out of his hat – The 10 Worst of Everything: The Big Book of Bad. It is an entertaining and thoroughly-researched book of alternative general knowledge. Factual and informative lists ranging across the natural world, history, popular culture, sports, food, medicine, science, economics, politics, drugs, divorce and crystal-ball gazing balls-ups are seasoned with tongue-in-cheek personal asides. It is a particularly cheering read if your own life is in the doldrums, or for some Christmas fun and games. So quiz each other and laugh when no one knows the answers: there is invariably someone worse off than you! Continue reading Review | The 10 Worst of Everything: The Big Book of Bad, Sam Jordison | Book of the Week
BookBlast® presents our curated monthly top 10 reads, a little late because of taking time out in New York and Rhode Island.
Sex, Drugs, Rock’n’Roll
Trouble Boys: The True Story of the Replacementsby Bob Mehr (Da Capo, Boston) buy here
The definitive biography of one of the last great rock ‘n’ roll bands of the twentieth century. Though they hated punk bands that is how they were on and off stage.
Reclusive singer-songwriter Paul Westerberg, bassist Tommy Stinson, and the family of late guitarist Bob Stinson opened up to Bob Mehr. Described by Alfred Soto in The Chicago Reader as being “A roaring rock ‘n’ roll adventure, a heartrending family drama, and a cautionary showbiz tale,” the book features new interview material and 72 rare photos.
Sixteen-year-old Lucia Stanton’s father is dead, her mother is catatonic in a mental institute, and she lives in an unheated garage with her elderly impoverished aunt. She’s all in black and angry at our materialistic, capitalist society. Expelled from school for pencil-stabbing a boy who invaded her space, she is intelligent, interesting and impossible to be with, which comes clear as she relates the events of her life in a series of diary entries. To Lucia, arson is a form of class warfare. “I . . . thought about the fire. I know it was just an abandoned building but I felt like something had happened, a real thing for once. My aunt’s stroke had felt pretty real too. I guess real things happen all at once, and then you go back to the false parade of garbage that characterizes modern life.”