On a night of political disunity and meltdown as Brexit hit the buffers, we were delighted to host the final event of this year’s inaugural BookBlast 10×10 tour at WestBank Art & Music in Thorpe Close, W10, under the Westway.
Kit Caless from INFLUX PRESS led the discussion with Susan from ISTROS BOOKS and Elizabeth from SAQI BOOKS about how #indiepubs play such an important role in the cultural ecosystem; translation, rigid mindsets and choosing to publish books written without market trends in mind; the importance of buying books directly from #indiepubs websites; how best to access buyers at the major bookselling chains deciding on what and how much to purchase (tricky in some instances when there is just one fiction buyer for a whole chain!).
The audience of publishing consultants, book distributors, bloggers, indie film makers, readers and writers raised the issues of how Amazon goes after publisher profit margins with crippling consequences for indies; and the lack of publicity in the Media which is ironic given the growing demand for eclectic, nongeneric, unconventional writing of the kind that is supplied by the smaller publishers who are regularly winning prizes. Continue reading Breaking News | It’s a wrap! The BookBlast 10×10 Tour in association with Waterstones
“Too poetical that about the sad. Music did that. Music hath charms. Shakespeare said. Quotations every day in the year. To be or not to be. Wisdom while you wait.” – James Joyce
“What is modernism?” was one of the questions addressed during the recent BookBlast 10×10 Tour talk held in Waterstones, Norwich, featuring Galley Beggar Press authors Alex Pheby (hailed as “the new Beckett” by Stephen Bumphrey on BBC Radio Norfolk), Paul Stanbridge and Paul Ewen.
“Modernism consists of fragments put back together to make a whole out of disunity,” was one answer, “Being aware of the text and stepping outside it,” was another . . . along with stream of consciousness, multiple points of view, dense allusions, ambiguity and a phenomenal play of words on the page.Continue reading Review | Dedalus, Chris McCabe | Book of the Week
Where were you born, and where did you grow up? Mill Road hospital Liverpool, and then in Liverpool (built on the site of a Victorian workhouse), until moving to London in my early twenties. I now live in Liverpool and work in London.
What sorts of books were in your family home? My dad was an autodidact, acquiring a good collection of books through joining various book clubs. As a result there was an impressively wide range of books on our shelves at home, from history (The World at War;The Rise and Fall of the Roman Empire; The Third Reich), fiction (The Lord of the Rings, all the novels of Thomas Hardy), complete Shakespeare and most useful for my development as a writer and poet, the works of Dylan Thomas and James Joyce.Continue reading Interview | Chris McCabe @mccabio | Author of the Week
Are (were) your parents great readers? Tell us a bit about yourself. My Mum is a big reader of Crime Fiction. It helped her solve a real life crime while she was working in a Kenyan orphanage a few years ago. They were both “people of The Book,” hosting Parish Bible studies. This made them more learned than the average parents. The Church was my first exposure to people with higher education. I read a lot from a very young age, I had a box of those cassettes with ding turn the page books. I would put the headphones in myself and read for hours. I remember making a zoo out of envelopes. Each one contained a different animal.
Did you want to work in the publishing industry from the start? If not, why now? No, but something I wanted to do as a Writer was understand every dimension of books. I studied Sculpture because I thought this would teach me about composition in a more general sense than doing English or Creative Writing. I went on to become a master bookbinder and printer too. I became a publisher partly because I wanted to understand, and maybe undermine, distribution and bookselling. It’s another extension to my writing. I guess that’s what it means to be a Modernist in an industrial, networked world. Why now? We were invited in by big publishers a few times to consult, using our publishing methods. We also worked on several print commissions in our studio for Independents. One title we illustrated is almost at the Million Copies mark. We realised we had an extraordinary range of expertise and there were so many good manuscripts I knew of being turned down for bad reasons. The Poets made me do it!Continue reading Interview | David Henningham, co-founder, Henningham Family Press | Indie Publisher of the Week
The sixth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Galley Beggar Press (Modernist Contemporary) in Castle Street, Norwich. Co-director, Sam Jordison, is also an author, teacher and journalist. Galley Beggar have an eye for literary talent. Their early success with experimental debut novel A Girl is A Half-Formed Thing by Eimear McBride, which soared up the Amazon best-seller charts and won four awards, was a game-changer. Book Tickets
On Thurs 11 Oct 6.30 p.m. @NorwichStones Sam Jordison will lead a discussion with authors Alex Pheby, Paul Stanbridge, Paul Ewen, with as its theme: All Hail the New Modernists! Experimentalism & Contemporary Literature.