Vanessa Springora’s memoir, Consent, became an instant, international literary sensation when it was published in France. Her beautifully written, intimate and powerful description of her relationship in the mid-1980s with the French author Gabriel Matzneff, when she was fourteen and he fifty, is a beautifully written universal #MeToo story of power, manipulation, trauma, resilience and healing. Award-winning translator, Natasha Lehrer, captures Springora’s changes in pace and in tone, the voices and the silences, the literary milieu then and now with a sensitive ear and lexical deftness.
The second season of our weekly BookBlast Podcast series Bridging the Divide: Translation and the Art of Empathy went out in September. Our audience loved the first seven podcasts in the series so here’s the next eight for you to discover if you have not already done so!
The hosts, Georgia de Chamberet and Lucy Popescu, interview leading independent publishers, their award-winning or up-and-coming authors and highly creative translators filling a unique niche in showcasing inner and outer worlds, enriching our literary culture. Reviews of the books are featured in online journal, The BookBlast Diary.
So tune in and come on a literary adventure : it’s perfect to get you through lockdown 2.
Continue reading Podcast LIVE | Wrapping up Bridging the Divide: Translation and the Art of Empathy | season 2
Andrea Jeftanovic’s Theatre of War takes place over three acts and many scenes, and is acted out on various stages. True to its title, this is theatre in the shape of a novel, with the narrative being revealed to us in fragments, snapshots and scenes, rather than a continuous, flowing chronology. Often, however, of greater importance is what happens offstage, backstage, in the wings, behind the curtains, in the side corridors. The muffled voices, the memories, now louder, now quieter, echoes, dress rehearsals, the rumble of props being moved, the silence of anticipation, of waiting, of remembering.
“The curtain rises on the shadowy dining room of my first home. Some familiar objects: the stone statues and the flattened wolf hide. In the corner sits a table with five chairs; the one at the head wobbles. The wallpaper is stamped with faded rosettes. The spectacle of my childhood begins. Repeatedly changing houses, we are unable to anchor ourselves to any fixed point.” (p. 3)
“And this also”, said Marlow suddenly, “has been one of the dark places of the earth”
This epigraph, taken from Joseph Conrad’s Heart of Darkness, sets the tone for Lars Mytting’s sweeping investigation of legend, superstition, and the effects of industrial and ideological change on a small, secluded village in rural Norway. Marlow’s famous statement evokes both an image of literal darkness and ideas about uncivilised nations and their conquest by other – more powerful – empires: both notions are integral to this powerful contemporary narrative that is rooted in history.
Continue reading Guest Review | Rachel Goldblatt | The Bell in the Lake, Lars Mytting | MacLehose Press
Since the first seven episodes of our weekly series Bridging the Divide: Translation and the Art of Empathy went live in July, there are still eight episodes to look forward to. The hosts, Georgia de Chamberet and Lucy Popescu, interview independent publishers, their authors and highly creative translators filling a unique niche in showcasing myriad inner and outer worlds thereby enriching our literary culture.
When reading, do you “hear” the book as if it is being read to you by the author?
The voice tells us so much about a person. Where they come from, their personality and how they’re feeling. As important as the voices in writers’ heads are those that are heard by readers. Hearing authors and translators talk describe their vision and craft in our Bridging the Divide series will enhance your reading of their books.
Catch up, listen up!
Interview | J.S. Margot, author of the memoir Mazel Tov
What happens when a young Flemish woman at university in Antwerp teaches the four children of an Orthodox Jewish family to earn a bit of extra money? How does her first great love for an Iranian political refugee evolve? Read Henrietta Foster’s review HERE
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