Established in 2019, Fum d’Estampa Press publishes award-winning Catalan language poetry, fiction and essays in English translation. Its founder, Doug Suttle, tells us what inspired him, why the attraction to Catalan language and literature in particular, and what is so special about Barcelona.
Tell us a bit about your childhood and where you grew up.
I grew up in a leafy suburb of south London before heading up to Nottingham for my teenage years.
Were your parents great readers? What were the books that made you fall in love with reading?
My parents read a lot. They always have. I remember my father reading The Lord of the Rings and The Little Grey Men Go Down the Bright Stream to me as bedtime stories when I was a child. I remember going to sleep dreaming of Shadowfax and Ring Wraiths! I was also surrounded by Penguin Ladybird books about history and explorers, etc. I then quickly moved into reading whatever I could get my hands on. I think I was a pretty avid reader growing up. And that’s thanks to my parents.
A journalist, translator and editor . . . how did you end up in Catalonia?
Long story! I was looking for a change and had been travelling around Latin America for a while but was keen to try out something a little closer to the UK. I ended up in Catalonia. It’s got it all – mountains, an amazing coastline, wonderful cities, and a rich, varied culture.
Continue reading Interview | Douglas Suttle, founder, Fum d’Estampa Press | Indie Publisher of the Week
In the Company of Men – The Ebola Tales by Véronqiue Tadjo is a beautifully written and translated, stark collection of concise narratives about the Ebola epidemic of 2014. A short but unforgettable novel, it offers a poetic vision of sustained horror, fear, and excruciating pain. It questions the blindness of humanity in the face of potential catastrophic collapse as rampant greed, willful ignorance and avoidable self-destruction threaten to decimate planet earth.
Originally published in France in 2017, there is something prophetic about these tales in light of today’s coronavirus pandemic, and the grim topicality of potential or ongoing infectious disease threats.
Continue reading Review | In the Company of Men – The Ebola Tales, Véronqiue Tadjo | HopeRoad Publishing
Vanessa Springora’s memoir, Consent, became an instant, international literary sensation when it was published in France. Her beautifully written, intimate and powerful description of her relationship in the mid-1980s with the French author Gabriel Matzneff, when she was fourteen and he fifty, is a beautifully written universal #MeToo story of power, manipulation, trauma, resilience and healing. Award-winning translator, Natasha Lehrer, captures Springora’s changes in pace and in tone, the voices and the silences, the literary milieu then and now with a sensitive ear and lexical deftness.
Continue reading Podcast LIVE | In conversation with Natasha Lehrer, translator of Consent by Vanessa Springora
The second season of our weekly BookBlast Podcast series Bridging the Divide: Translation and the Art of Empathy went out in September. Our audience loved the first seven podcasts in the series so here’s the next eight for you to discover if you have not already done so!
The hosts, Georgia de Chamberet and Lucy Popescu, interview leading independent publishers, their award-winning or up-and-coming authors and highly creative translators filling a unique niche in showcasing inner and outer worlds, enriching our literary culture. Reviews of the books are featured in online journal, The BookBlast Diary.
So tune in and come on a literary adventure : it’s perfect to get you through lockdown 2.
Continue reading Podcast LIVE | Wrapping up Bridging the Divide: Translation and the Art of Empathy | season 2
Andrea Jeftanovic’s Theatre of War takes place over three acts and many scenes, and is acted out on various stages. True to its title, this is theatre in the shape of a novel, with the narrative being revealed to us in fragments, snapshots and scenes, rather than a continuous, flowing chronology. Often, however, of greater importance is what happens offstage, backstage, in the wings, behind the curtains, in the side corridors. The muffled voices, the memories, now louder, now quieter, echoes, dress rehearsals, the rumble of props being moved, the silence of anticipation, of waiting, of remembering.
“The curtain rises on the shadowy dining room of my first home. Some familiar objects: the stone statues and the flattened wolf hide. In the corner sits a table with five chairs; the one at the head wobbles. The wallpaper is stamped with faded rosettes. The spectacle of my childhood begins. Repeatedly changing houses, we are unable to anchor ourselves to any fixed point.” (p. 3)
Continue reading Guest Review | Andrew McDougall | Theatre of War, Andrea Jeftanovic | Charco Press