Rosa’s Bus by Fabrizio Silei, who refers to himself as a “researcher of human stories and events”, is a perfect early learning book for children from the age of seven upwards. Beautifully illustrated by Maurizio A. C. Quarello, and sensitively translated from the Italian by Siân Williams, it is both heartbreaking and heartwarming.
What does Grandpa want to show Ben?
Why is Ben being told such a scary story about men in white hoods with eyeholes?
What happened to the dignified lady taken off the bus in handcuffs like a criminal?
Why did her one action and the protest that followed change history?
It was a delight to return, in person, to European Literature Days (ELit) a three-day literary festival, held in Krems, lower Austria. This year the theme was ‘Comedy and Crisis’. As Walter Grond, the festival’s founder and artistic director suggests: “Black humour often prevails where sheer hopelessness prevails, it is a fundamental human approach.”
Ukrainian writer, translator and journalist, Natalka Sniadanko opened the festival with a stirring address. Her debut novel, Collection of Passions, was published in 2001, and in 2013, her novel Frau Muller isn’t Disposed to Pay More was shortlisted for the BBC Ukrainian Book of the Year award. Essays and stories of hers have appeared in English in publications such as The New York Times, The Guardian, The New Republic, Brooklyn Rail, and Two Lines, translated by Jennifer Croft. Continue reading Guest Feature | Lucy Popescu @lucyjpop | European Literature Days 2022
A prolific and acclaimed writer in his Italian homeland, Erri De Luca’s thought-provoking, philosophical investigation builds in suspense ending with an emotional bomb. Although a work of fiction, to what extent Impossible is inspired by his actual experiences of being sued for an alleged incitement to sabotage to the Lyon-Turin high speed train line on environmental grounds is open for debate. (De Luca was cleared on 19 October 2015 when a not-guilty verdict was pronounced.)
A senator from the centre-left Democratic party supportive of the high speed train line, referred to De Luca as being a relic of the ‘years of lead’, the restless political period of the 1970s-‘80s when left-and-right-wing activists carried out numerous violent attacks, including the abduction and murder of former Prime Minister, Aldo Moro.
Héloïse Press champions world-wide female talent by giving voice to emerging and well-established female writers from home and abroad. Erica Mou (b. 1990) studied Literature, Publishing and Journalism at the University of Bari. She is an Italian singer-songwriter and the recipient of numerous international awards. Thirsty Sea, winner of the Readers’ Award of the Lungano Literary Festival 2020, is her debut novel. Erica wrote this book at the kitchen table of her rented accommodation in London.
The image maybe be near-perfect but what lies behind it? Inside a person is like inside the sea: all that lies beneath the surface is not immediately visible.
Nicola is an aeroplane pilot, a very good cook and the ideal son-in-law. He is “the kind of person who doesn’t kill spiders but catches them in jars and frees them out of the window”. He is a perfect catch for Maria who runs an oddball eco-friendly business. As a gift-buying consultant, she is paid by clients to come up with ideas for presents. So her shop is just a big empty space with a table, a chair and a phallic sculpture in the corner reminiscent of Rocking Machine, the art piece created by Dutch sculptor and artist Herman Makkink for Stanley Kubrick’s film A Clockwork Orange. There is “nothing on sale, no shelves, just brilliant ideas.”
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events.
Tune in to hear a lively conversation with Fatima Daas and podcast host Georgia de Chamberet, about literary inspiration, handling her surprise overnight success, and the pressures directed at women from religion and from society, and more besides. The Last One is published in English, by HopeRoad Publishing. The interview is in both French and English.
Produced by BookBlast | Duration 26:25
The Last One by Fatima Daas, translated by Lara Vergnaud | HopeRoad Publishing | 192 pp 27 January 2022 | ISBN 978-1913109851