THE BOOKBLAST® 10×10 TOUR
A CELEBRATION OF INDEPENDENT PUBLISHING
11 SEPTEMBER – 15 NOVEMBER 2018
A Nationwide Festival of Independent Publishing!
A carnival of authors, poets, translators and publishers, under the banner of trailblazing agency BOOKBLAST® created by Georgia de Chamberet, will be travelling to major cities across England, showcasing some of the finest independent-spirited literature and poetry being published today.
THE BOOKBLAST® 10×10 TOUR, in association with Waterstones, will visit nine regions of England, celebrating risk-taking publishers who fill a unique niche in discovering talent. The tour connects London and the regions.
This tour is about extraordinary writing. Writing that surprises, amazes and intrigues. Writing that challenges, disrupts and demands. Writing that is from the margins of culture portraying areas of life that the traditionalist mainstream often ignores. The tour will inspire readers, existing and new, to explore what’s happening in different parts of the world now, and to immerse themselves in the unfamiliar. Audiences will encounter writers from the Middle East, Europe, Africa, Asia and the Caribbean. With these events, BookBlast® aims to unite people in the spirit of friendship and exchange.
THE BOOKBLAST® 10×10 TOUR launches in Waterstones Gower Street, located in the heart of Bloomsbury, London, followed by a series of themed talks, each one chaired by a small independent publisher, held in flagship regional branches of Waterstones over 9 weeks. It promises to be a hugely exhilarating celebration of the most electrifying prose and poetry being created today. Continue reading Media Release | THE BOOKBLAST® 10×10 TOUR in association with Waterstones
Toby Litt grew up in Bedfordshire. He has worked as a teacher, bookseller and subtitler. A graduate of Malcolm Bradbury’s Creative Writing M.A. at the University of East Anglia, Toby is a Granta Best of Young British Novelist and a regular on Radio 3’s The Verb. He edited the 13th edition of New Writing (the British Council’s annual anthology of the finest contemporary writing in fiction, non-fiction and poetry). His story ‘John and John’ won the Manchester Fiction Prize. He teaches creative writing at Birkbeck College. The author of over fifteen books, Toby Litt’s latest book, Wrestliana, is a memoir which interweaves reminiscences and an exploration of manhood.
How has Ampthill changed from when you were growing up there in the 1970s?
When I was five or six, there was a dairy a few doors along from our house. It had a Mynah bird, in a side room, in a cage, which would occasionally say a word: a word that shocked my mother, if I was lucky. The diary sold milk, butter and chestnut yogurts from a refrigerated glass display cabinet. When I remember details like this, I start to believe I grew up on the peripheries of a story by Isaac Bashevis Singer. Continue reading Interview | Toby Litt | Author of the Week
This month’s top 10 reads take in calypso and a debut children’s book by Junot Díaz; Europe and the Middle East; murder most foul in the Australian Outback; tales of survival and hope; and life on the road.
Listing in alphabetical order according to publisher @carcanet @commapress @elandpublishing @gingkolibrary @hauspublishing @oneworldnews @peirenepress @peepaltreepress @pushkinpress
The Ink Trade: Selected Journalism 1961-1993 by Anthony Burgess. Edited by Will Carr (Carcanet) buy here
“The general public does not care much for genius. Originality is dangerous, so is the naked truth . . . How can you explain to the great public that one of the most important things in the world is to invent a new way of saying things? But nobody cares about style, language, the power of the word. They prefer to hear about failure really being success, about a great writer killing himself at the early age (my age) of 62.” ― Anthony Burgess
Best known for his novel, A Clockwork Orange, Anthony Burgess was born in Manchester in 1917. A novelist, poet, playwright, composer, linguist, translator and critic, he wrote over 60 books of fiction, non-fiction and autobiography, as well as classical music, plays, film scripts, essays and articles. Burgess contributed to newspapers and periodicals around the world, among them the Observer, the Times Literary Supplement, the New York Times, Playboy, and Le Monde. During his lifetime, he published two substantial collections of journalism, Urgent Copy (1968) and Homage to Qwert Yuiop (1986); a posthumous collection of occasional essays, One Man’s Chorus, was published in 1998. Continue reading BookBlasts® | Top 10 Reads for Independent Minds | June 2018
JOURNEY INTO THE MIND’S EYE: FRAGMENTS OF AN AUTOBIOGRAPHY
by Lesley Blanch, introduction by Georgia de Chamberet
18.95 $ (20% off)15.16 $
Available in Paperback on July 10, 2018
“My book is not altogether autobiography, nor altogether travel or history either. You will just have to invent a new category,” Lesley Blanch wrote about Journey into the Mind’s Eye, a book that remains as singularly adventurous and intoxicating now as when it first came out in 1968.
Russia seized Lesley Blanch when she was still a child. A mysterious traveler — swathed in Siberian furs, bearing Fabergé eggs and icons as gifts along with Russian fairy tales and fairy tales of Russia — came to visit her parents and left her starry-eyed. Years later the same man returned to sweep her off her feet. Her love affair with ‘the Traveller’, as she calls him, transformed her life and fueled an abiding fascination with Russia and Russian culture, one that would lead her to dingy apartments reeking of cabbage soup and piroshki on the outskirts of Paris in the 1960s, and to Siberia and beyond. Continue reading Media Release | New York Review of Books Classics 10-07-2018 | Journey into the Mind’s Eye, Lesley Blanch
Where were you born, and where did you grow up?
I was born in Harare, Zimbabwe and have lived here all my life.
What sorts of books were in your family home?
As a family we belonged to a small municipal library up the road and every second Saturday, religiously, we would go to the library and browse books, make selections. I think this is where my love of books and reading was fostered, really. At home I always remember there being a great deal of Enid Blyton, Agatha Christie, Roald Dahl and Gerald Durrell, amongst others; some would have been library books; some we owned (or where perhaps “former” library books!). Plus there was this whole other unreachable top shelf of alluring paperbacks I suspected at the time were not intended for the eyes of a young, inquisitive boy. When I was finally old enough to reach that shelf, its contents were actually, on the face of it, quite disappointing. Except there was a copy of Lady Chatterley’s Lover, but I was such a pathetic loser as a kid I could never seem to find the bits that made it so notorious! Continue reading Interview | Ian Holding | Author of the Week
Originally a fringe experiment dreamed up by novelist Neil Griffiths, and now in its second year, The Republic of Consciousness Prize for Small Presses 2018 is making waves and highlighting the superb and genuinely original writing being published by diverse independent publishers.
“Most writers make less than 600GBP per year from writing and the average sales of a literary fiction title is 264 copies, so literary fiction is a super niche area of the arts,” according to Griffiths. “An award points readers towards overlooked gems with a specialized appeal.” This echoes what was expressed to me back in February 2016 by publishers and punters when I launched the BookBlast® celebrates independent publishing promotion online via The BookBlast® Diary, and the inspiration outlined in the piece: Why Independence Matters.
“The books shortlisted include one turned down by almost every mainstream publisher and one that was too experimental to even be considered . . . the Inpress roster of 60 small presses shows how small presses do something else, something different, and something all-important. There are no artificial bestsellers here. This is the age of small presses,” declared Griffiths from the stage in the University of Westminster’s oak-pannelled Fyvie Hall. The screen behind him flashed up the shortlisted authors, book covers and publisher logos. Continue reading Spotlight | The Republic of Consciousness Prize for Small Presses 2018
Indie Publishing vs. Self Publishing vs. Traditional Publishing
With commissioning editors at mainstream publishers increasingly under the corporate cosh, any literary submissions calculated to sell less than 5000 copies are turned down regardless, which leaves the field open for independent publishers to come in and have a go at the roulette table imagining winners that might come their way.
An experienced commissioning editor may be able to spot high-quality writing and know their target readership, but s/he is no less a gambler than anyone else playing the publishing game. Their gut instinct counts for little in the corporate boardroom nowadays, even though the way in which advances are calculated is an inexact science, and tales of legendary rejections make for juicy water-cooler chat. Harry Potter and the Philosopher’s Stone was rejected 12 times before being picked up; Gone with the Wind got the thumbs down 32 times; Under the Frog 22 times; Dune 20 times; and The Tale of Peter Rabbit was rejected so many times it was self-published.
Smaller publishers generally avoid formulaic writing for the genre market, provide greater personalised support, and – as opposed to a vanity press – do not ask the author for money. Added to which crowdfunding has become a more than viable option, not only to raise funds, but to develop a community of readers ahead of publication (Peirene Now! No. 3, Shatila Stories was recently successfully funded with 327 backers pledging £13,350 via Kickstarter). Best not confuse authors self-publishing their own books only – generally via a digital platform such as Amazon or Kobo – with indie publishers; the term indie authors would be more accurate.
According to a recent report in The Guardian, “Independent publishers have unleashed a boom in sales,” and “turnover across the Arts Council England-funded portfolio surged above its budget by almost £100,000 this year, reaching £277,930.”
Continue reading Spotlight | The seemingly unstoppable boom in indie publishing & The Republic of Consciousness Prize
“What was the grand plan? Build a clifftop church and then hurry away back to London when it was finished? Or was he to remain and become a spiritual guide of some kind? He didn’t know . . .”
Midlife crisis, existentialist angst, spiritual awakening, burnout, soul loss . . . the list of labels is a long one, but whatever the inner crisis, transformation or degeneration are among the possible outcomes.
Proctor McCullough and his business partner Jim are consultants on catastrophe – “futurology at its most pessimistic“. They run an “independent agency that analysed behaviour during terrible events and helped businesses plan better resolution strategies . . . Their small client base included corporations, broadcasters, and now the government.” He and his partner Holly, a solicitor for asylum seekers, have been together for 13 years and have six year old twins, Pearl and Walter. They live in a semi-detached Victorian house in Wandsworth. Continue reading Review | As a God Might Be, Neil Griffiths | Book of the Week
BookBlast® reviews Writers, Lovers, Soldiers, Spies: A History of the Authors’ Club of London 1891-2016.
“The history of the Authors’ Club is studded with famous names: Arthur Conan Doyle, Thomas Hardy, Rider Haggard, Ford Madox Ford, Graham Greene. Yet in the course of writing this history, I have learned that life, the culture, and often the very survival of the club have depended on others who are not so well remembered today. A healthy literary culture is not sustained by a handful of greats alone; it requires a significant number of dedicated, skilful practitioners who may not achieve critical accolade or vast commercial success yet persist in writing worthwhile, interesting books.” C J Schüler
Founded in July 1891, the aim being to “advance the cause of Letters”, the Authors’ Club was originally the social arm of the Society of Authors; admitting journalists, editors, men of science, dramatists and academics, and not only the writers of books. “While many clubs, including the Athenaeum and the Savile, had a number of literary figures among their numbers, none was specifically aimed at them. For an example of what he was trying to achieve, Walter Besant had to look across the Atlantic to New York, where an Authors’ Club had been founded in 1882, and included Mark Twain, Theodore Roosevelt and Andrew Carnegie among its members.” The Copyright act had just been passed, allowing British authors to receive royalties on American sales of their work. At the club’s inaugural dinner, Oscar Wilde raged at the Lord Chamberlain’s inspector censoring his new play, Salomé, with Sarah Bernhardt in the lead role.
Continue reading Review | A History of the Authors’ Club of London 1891-2016 by C. J. Schüler
The Quartet Years was first published in Fulfilment & Betrayal 1975-1995 by Naim Attallah (Quartet Books).
Gael Elton Mayo & The Magnum Photographic Group
My mother, Gael Elton Mayo, the novelist, painter and ‘Girl Friday’ for Robert Capa, Henri Cartier-Bresson and David Seymour at Magnum Photographers in its early years, was introduced to Naim Attallah by Patrick Seale. Quartet Books published her autobiography, The Mad Mosaic, which sold unexpectedly well and was reprinted, leading to the later publication of her account of surviving cancer for twenty years, Living With Beelzebub.
Quartet was avant-garde, innovative and independent, rather like Canongate today. I was going nowhere fast after leaving university, so was sent by my mother to see Naim Attallah in his plush Poland Street offices. He hired me to work with Quartet’s production director, Gary Grant.
1990s avant garde indie publishing
So one Autumn day in 1987, I turned up at 27 Goodge Street, a Dickensian building in London’s West End. I was greeted at the head of the stairs by an intriguing and enigmatic individual, who disappeared into a small office piled high with books and manuscripts, making a remark as he did so about the bars on his office window and the Birdman of Alcatraz. This was Quartet’s editorial director, Stephen Pickles. His office on the first floor was at the back of the building, next to Gary’s and mine at the front, overlooking Goodge Street. Quartet had a good reputation for publishing lavish, high-quality art and photography books and Gary was an expert at overseeing such projects, when not in the pub across the road. Production was not really my thing, so I began to do occasional odd jobs for Pickles, which rather annoyed Gary. Initially I made telephone calls to Charlotte Rampling, Lothar Schirmer and Joanna Richardson.
Continue reading BookBlast® Archive | The Quartet Years, Georgia de Chamberet (2007)