On 9 November, the German newspaper Der Tagesspiegel published a list of 33,293 people who died trying to emigrate to Europe between 1993 and May of this year. The vast majority drowned in the Mediterranean. As a death toll, the figure is numbing. As a proportion of the EU’s population of 510 million, it is less than 0.007 percent – smaller than the population of, say, Skelmersdale or Haywards Heath – an influx that could easily be accommodated within our large, wealthy continent.
Jenny Erpenbeck, the brilliant German novelist whose four previous books have probed her country’s troubled 20th century history, has now turned to the greatest challenge it has faced in the 21st: the refugee crisis. Her latest book, Go, Went, Gone, eschews the magical realist elements of its predecessors in favour of a crisp documentary approach. It also draws on that classically German genre, the Bildungsroman, a novel charting the moral education of its protagonist. Continue reading Guest Review | C. J. Schüler | Go, Went, Gone, Jenny Erpenbeck
Tell us a little bit about yourself.
I was born in Sligo, Ireland and while I was a good student, and a precociously gifted musician, I did very little to maximize my talents. I went to Trinity College Dublin to study English and Philosophy, but as a young gay man just coming out (in a conservative, deeply Catholic country), I feel in love, slipped off the radar and left university without finishing my degree. It was the end of my first real relationship that prompted me to move to Paris (to a country and a city I have never visited, with rudimentary secondary-school French that I had never been called on to speak aloud). From there, a series of curious but fortunate accidents led to me translating bandes dessinées, working as a publishers’ reader and finally, in 1998, embarking on my first literary translation. So, while I am passionate about languages, and cannot imagine anything more fulfilling than literary translation, I can hardly claim that I had a career path, or worked towards it. In fact, it never occurred to me that I would be “allowed” to translate novels, assuming vaguely that such herculean feats were reserved for some rarefied species.
When you were growing up, what books had an impact on you?
From a very early age, I was a voracious reader – not that our house was filled with books or my parents were particularly bookish, but I haunted the local library and read anything and everything I could lay hands on. My early reading tastes were probably no different to any boy of my generation: C.S. Lewis, Emil and the Detectives, Richmal Crompton and later Tolkien, Philip K. Dick, Robert Heinlein and A.E. Van Vogt. By my teens, I was reading Joyce and Woolf and Dostoevsky (I was idiotically precocious, and my reading of them was through a glass darkly) and marvelling at what words could do, how they could create worlds, affect moods, inspire thoughts, mould dreams. I was determined to be a writer. I wrote my first (truly awful) novel at about fourteen, my second (modernist, sub-Salinger) novel at about sixteen. Thankfully, neither has survived to embarrass me. Books, for me were both a world, and an escape from the world.
Continue reading Interview | Frank Wynne | Translator of the Week