Are (were) your parents great readers? Tell us a bit about yourself. Yes, my parents were very encouraging. Always recommending books and passing things on to me, reading to me as a child, finding new things for me to read, feeding my Roald Dahl habit . . . My Mum was a librarian too.
Did you want to work in the publishing industry from the start? Depends how you define start! I started out writing books and working as a journalist (mainly writing about books) – and those experiences led me into publishing. But I’ve wanted to be around books ever since I realised I couldn’t sing and would never be Mick Jagger.
Has your vision from when you started Galley Beggar five years ago changed? Not really. Our hope has always just been to publish the very best quality books we can. I guess the thing that has changed is that we now hope to really be able to nurture our writers and keep publishing them, and keep doing the best editorial and production jobs we can for them . . . So we’re looking at careers as well as individual books. But that was something we aspired to quite early on. I suppose the change is that we have a track record now, so don’t have that element of surprise or coming from nowhere. But I still feel and hope we offer something different.Continue reading Interview | Sam Jordison, co-founder, Galley Beggar Press | Indie Publisher of the Week
“Why was he so curious? Perhaps it was partly because of her mystique, her hold over him, and partly because her world was not his. Were they really so different? Maybe they were and maybe he believed that if he could only figure her out, emulate her – her gestures, her attitude – then maybe he could be invincible, extraordinary, like her.”
The novel tells the story of Marcus Murray, “forty-ish with a small paunch and a few grey hairs,” and his fascination with gorgeous free-spirit, Melanie, who had disappeared when he was seventeen. “It’s as if she was a figment of my imagination . . .” Not only is there a dead body virtually on the first page, but also a missing person, presumed dead.
Where were you born, and where did you grow up? I was born in Chatham in Kent and grew up in the surrounding towns – called the Medway towns – so in and around Rochester, Chatham (on various estates), Gillingham. I left when I was seventeen and moved to London, but even though I’ve not lived there for a long time, Medway remains a potent influence.
What sorts of books were in your family home? Who were early formative influences? My mother and grandmother were avid readers, and I was taught to read and love books from a very early age; but they were busy, working class women who’d left school early so the books in our homes tended to be Catherine Cookson and romances, Mills and Boon etc. Having said that I had lots of classic children’s books and I had a couple of teachers who were pretty amazing in encouraging me to read widely. When I was teenager I skipped school to go the library in town and would read anything and everything curled up in a chair by a window that looked out over the River Medway. I read a lot of Dickens, Daphne du Maurier and Stephen King. I used to read any of the Penguin Classics, because that seemed to be a foolproof method of reading; I was hungry to learn, but hated school. I suppose my earliest influences that I was consciously reading to learn to write were Angela Carter, Plath and Sexton and John Steinbeck. I loved his work.Continue reading Interview | Heidi James | Author of the Week
In the popular imagination, Africa is one great big game reserve where man can hunt to his heart’s content, relishing the thrill of the dangerous chase. Theodore Roosevelt, and Ernest Hemingway (that hackneyed darling of writing course instructors), recounted testosterone-fuelled tales of derring-do as they pursued their prey across the vast “uncivilized” plains of Africa. Roosevelt returned to the US with thousands of specimens – lions, elephants, rhinoceros – duly donated to the Smithsonian Institution. Disney’s film The Lion King is the second-highest-grossing Disney film of all time. It depicts all kinds of animals frolicking across great, untamed African landscapes devoid of human beings – whereas the reality is more likely to be that Africa becomes a great landscape empty of animals.
Green Lion is a deftly-executed novel about man and beast and extinction; about bereavement, animal magic and the human desire for connection. It opens with the mauling of volunteer zoo keeper, Mark Carolissen, who ends up in hospital in a coma. He was looking after a rare black-maned Cape Lion, Dmitri, kept in kept in captivity for breeding with lioness, Sekhmet. Visitors gawp in thrilling terror at the kings of the animal world, safe behind glass.Continue reading Review | Green Lion, Henrietta Rose-Innes | Book of the Week
Good writing and good ideas of all kinds make the world go round! Since we first began our celebration of independent publishing in February 2015, seasonal newsletters rounding up our exclusive interviews and curated eclectic reads have been emailed to friends in the publishing and media industries in the UK, US and France. All the wonderful feedback received over the years has been sustaining and heartening. For readers who have missed out on our latest activity, here’s a taste of what’s been happening . . .
“To define is to limit” ― Oscar Wilde
Dandy at Duskpublished by Head of Zeus on 5 October, is hailed as a “future classic” by Nicky Haslam, the interior designer and founder of the London-based interior design firm, NH Studio Ltd. Meet the author, Philip Mann, to whom we asked, “Why do you write?” . . . “Because I inexplicably missed out on being a film star.” He writes about Soho Bohemia, in his exclusive guest feature: “For thirty years I hid my fame in taverns“. Our other guest writer this month, freelance writer, journalist and cultural historian C.J. Schüler, writes about all things dandy. Continue reading BookBlasts® | Autumn Reads for Independent Minds