Anne Serre is a remarkable and unusual writer; her pen a scalpel dissecting the human condition with painful precision. The Fool & Other Moral Tales – three novellas – is lyrical and disturbing, wonderful and terrible, arousing and devastating. The hallucinatory, and at times nightmarish quality, is beautifully rendered by translator Mark Hutchinson.
All three tales adventure through the multiple guises and meanings of The Fool. Is he a fallen angel, a grotesque carrier of vice and folly bringing wisdom in his wake as a consequence of blind faith, hopeless romance and reckless desire, or is he an abortive saint, a mistaken revolutionary? The ultimate shapeshifter, he can lead you to Heaven or Hell or, if you get stuck, into the abyss.
Continue reading Review | The Fool & Other Moral Tales, Anne Serre | Les Fugitives
Only yesterday, yet another story about small boats carrying migrants crossing the English Channel hit the headlines. Since the pandemic, the journey has become even more perilous. And it has recently become illegal for asylum seekers arriving in the UK via people smugglers to remain: they will be asked to leave the UK, either voluntarily or by force. What lies behind the desperation to seek safety and a better life in the UK and Europe?
“They say that Boko Haram is everywhere. That even little-little girls with the sheet over their heads can come here and Boko Haramise us.” Continue reading Review | A Long Way From Douala, Max Lobe (trs.) Ros Schwartz | HopeRoad Publishing
Alastair Niven is the author of four books and numerous scholarly articles on aspects of Commonwealth and post-colonial literature. A judge of the Booker Prize for Fiction in 1994 and of the Man Booker Prize in 2014, he was also for twenty years Chairman of the Commonwealth Writers’ Prize. He was director of literature at the Arts Council and at the British Council and is a former president of English PEN. His memoirs In Glad or Sorry Hours are published by Starhaven Press.
Where were you born and brought up? Were you a happy child?
I was born in a nursing home in Edinburgh. It is now a Hilton hotel, where the judging of the Stakis Prize for Scottish Writer of the Year took place in 1998. I found myself deliberating with my fellow judges in the room in which I first saw the light of day. I had come full circle. As for a happy childhood – by and large, except when my father was on his daily rant about a misplaced towel or some crumbs on the carpet. Continue reading Interview | Alastair Niven OBE LVO | Writer, lecturer & arts administrator
Worldwide interest in Korean fiction and film has blossomed and bloomed since Please Look After Mom by Kyung-sook Shin won the 2011 Man Asian Literary Prize; The Vegetarian by Han Kang won the Man Booker International Prize 2016; and the film Parasite (written, directed and produced by Bong Joon Ho) carried off four Oscars in 2020.
The latest recently-published offerings on our radar are The Great Homecoming by Anna Kim (Granta) which will be reviewed in the Spring; and Winter in Sokcho; its author, Elisa Shua Dusapin, is Franco-Korean, born to a French father and a South Korean mother, like the heroine of her first novel.
“Old Park hadn’t moved on from the days after the war, when guests were lured like squid to their nets, dazzled by strings of blinking lights. From the boiler room, on clear days, I could see the beach stretching all the way to the Ulsan mountains that swelled on the horizon . . . People washed up there by chance when they’d had too much to drink, or missed the last bus home.” Continue reading Review | Winter in Sokcho by Elisa Shua Dusapin | Daunt Books Publishing
Are (were) your parents great readers? Tell us a bit about yourself.
My mum has always read books, there were lots of books around her house when I was growing up. But as a child and teenager I didn’t read all that much – I was too busy playing football, cricket and skateboarding to bother sitting down to read. I started to take reading seriously when I was about eighteen.
Did you want to work in the publishing industry from the start?
Hell no. Have you seen the people that work in publishing? I never thought it was a place for me. I’m joking, but not joking at the same time. I’ve met lots of great people in the industry but from the outside it appears to be a very elitist, English Literature Graduate kind of place. That’s not my background, so it wasn’t something I ever considered. Starting Influx Press with my school friend Gary Budden was kind of a way of (very slowly and ineffectively) knocking down those closed doors. Continue reading Interview | Kit Caless, Influx Press | Indie Publisher of the Week