BookBlast® 10×10 Tour | Thurs 18 Oct., Waterstones, Bristol Galleries, 6.30 p.m. Rosemarie Hudson, Peter Kalu, Qaisra Sharaz @hoperoadpubl @waterstones262

The sixth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Rosemarie Hudson, founder of HopeRoad Publishing, (African & Caribbean writing), based in West London.

rosemarie hudson hoperoad piublishing bookblast diary interview HopeRoad promotes inclusive literature with a focus on Africa, Asia and the Caribbean; and vigorously supports often neglected voices. Many of HopeRoad’s YA titles focus on issues dealing with identity, cultural stereotyping and disability. The talk has as its theme Trading Places: Bright City, Dark Secrets. Book Tickets HERE

Peter Kalu is the Manchester-based author of three CYA novels: Silent Striker, Being Me and Zombie XI. Silent Striker is a semi-autobiographical novel that has as one of its themes how the world of a teen boy, Marcus, changes when he finds himself becoming deaf. Marcus appears as a side character in Being Me which features as main protagonist the neuro-atypical, Adele Vialli. He has written nine novels in all, including science fiction, crime and comedy; he has also written for the stage and screen. He has won prizes including the BBC / Contact dangerous Comedy Award and The Kodak Short Film Pitch Award. Continue reading BookBlast® 10×10 Tour | Thurs 18 Oct., Waterstones, Bristol Galleries, 6.30 p.m. Rosemarie Hudson, Peter Kalu, Qaisra Sharaz @hoperoadpubl @waterstones262

Interview | Peter Kalu, author

Meet Peter Kalu in person at the BookBlast 10×10 Tour event, Waterstones, Bristol Galleries: 11A Union Galleries, Broadmead BS1 3XD 6.30 p.m. Thursday 18 October. Theme: Trading Places: Bright City, Dark Secrets. In conversation with Rosemarie Hudson, HopeRoad Publishing, (chair), and author Qaisra Shahraz. Book Tickets

What is your favorite quality?  Brevity.

Where were you born, and where did you grow up?  Earth. Ditto.

What sorts of books were in your family home? Paper ones.

Who were early formative influences as a writer? Tom & Jerry.

Do you write every day, and do you write many drafts? Yes. Yes.

As an author, what are you most proud (or embarrassed) of writing? Words. (Words).

Books that changed your life? Cicero: Murder Trials.

Your views on book publishing? Vague.
Continue reading Interview | Peter Kalu, author

Interview | Qaisra Shahraz, author

Meet Qaisra Shahraz in person at the BookBlast 10×10 Tour event, Waterstones, Bristol Galleries: 11A Union Galleries, Broadmead BS1 3XD 6.30 p.m. Thursday 18 October. Theme: Trading Places: Bright City, Dark Secrets. In conversation with Rosemarie Hudson, HopeRoad Publishing, (chair), and author Pete Kalu. Book Tickets

 Where were you born, and where did you grow up?
I was born in Pakistan and arrived in the UK at the age of nine. I grew up in Manchester.

What sorts of books were in your family home?
All sorts. In my childhood days, there was a book shelf stacked with volumes of Encyclopaedia Britannica  that my father bought to educate his children along with books by famous Pakistani poets, for example the work of Allama Iqbal.  Near my bed I had Enid Blyton’s Malory Tower series of six novels and the Famous Five collection. In my teenage years, quite a few Barbara Cartland books entered my bedroom. In our ancestral home in a wooden cabinet in Lahore I came across two of William Shakespeare’s plays. One was my father’s student copy of Hamlet, with margins lined with notes neatly scribbled in his elegant handwriting. As I pursued my studies of English literature, I proudly lined my bookcase with volumes of world literature, including numerous classics. I developed a literary appetite for the works of Leo Tolstoy, Henrik Ibsen, Ruth Prawar Jhabawalla,  Molière, Emile Zola, the ancient Greek tragedies, as well as the work of many popular Victorian novelists, including that of Elizabeth Gaskell. It was a proud moment when I was invited to read in her house at 84 Plymouth Grove here in Manchester.
Continue reading Interview | Qaisra Shahraz, author

BookBlast® 10×10 Tour | Interview with Robert Elms, BBC Radio London | 1 September, 2018

I was delighted to be invited on to the Robert Elms show on Saturday to talk about The BookBlast® 10×10 Tour in association with Waterstones.  

Interview with Robert Elms, BBC Radio London 

A carnival of authors, poets, translators and #indiepubs will visit 9 major cities across England, 11 September-15 November, inspiring readers to immerse themselves in authentic and offbeat writing which adds value to the cultural landscape. The independent sector is the home of experimental writing, poetic innovation and world writing in translation. With these events BookBlast® aims to unite people in the spirit of friendship and exchange.

The BookBlast® 10×10 Tour catalogue can be viewed or downloaded HERE

Buy Tickets HERE

Check out our kickstarter campaign your support will make a huge difference for all the artists, publishers and arts organisations involved.

Pledge HERE

Review | The Ghosts & Jamal, Bridget Blankley | Book of the Week

As far as Jamal could tell, only two things were wrong: a dirty yellow vapour was streaming from the canister and everyone in the compound was dead. The smoke that made Jamal cough and choke in his hut was partly from the contents of the canister and partly from Auntie Sheema, who had fallen onto the cooking fire.” [page5]

Is it a bird? Is it a plane? No, it’s a terrorist!

Jamal lives in West Africa. His hut is set apart, away from the family compound, because of something that makes him twitch, something that may or may not be in his head, which may be evidence of black magic. “After his mum died and his grandfather left, taking all the palm wine from his uncle’s store, everyone told Jamal that he was unlucky.” The fact that he is “marked by spirits” is what saves the boy when terrorists attack the village, since he is overlooked. Continue reading Review | The Ghosts & Jamal, Bridget Blankley | Book of the Week

Interview | Rosemarie Hudson, founder, HopeRoad Publishing | Indie Publisher of the Week

Did you want to work in the publishing industry from the start?
No, I only started my career in publishing twenty years ago; previously I spent most of the time in the film industry.

Has your vision from when you started HopeRoad 7 years ago changed?
No, in that I still want to continue to publish authors and writings from Asia, Africa and the Caribbean. It’s a big, rich vision that will last my lifetime.

How do you balance originality and profitability?
Our remit is to publish books of quality – to add a third word – that would otherwise not see the light of day. Profitability is something one can depend on when selling shoes, for instance – but book sales are mainly a gamble. Perhaps most publishers would agree with this! However, I believe in every single title we publish and gain great satisfaction from seeing these books in print and also from working with talented writers. We are still looking forward to that “big win”, but in the meantime, with occasional help from Arts Council England, along with grants for our translations, we are able to keep going, and to keep our standards high.

Continue reading Interview | Rosemarie Hudson, founder, HopeRoad Publishing | Indie Publisher of the Week

Interview | Bridget Blankley | Author of the Week

Where were you born, and where did you grow up?
I was born in Nottingham, as were my parents, but I grew up in Southern Nigeria. When we came back to the UK we moved around a bit before settling in Essex. I stayed there until I had my children.

What sorts of books were in your family home?
There was a real spread of genres. My sister read historical fiction, lots of it, we were always battling for space on our joint bookshelves. My Dad liked humour and detective fiction, the Father Brown Stories, Simenon’s Maigret, and Jeeves and Wooster. There were also quite a lot of autobiographies in the house, I’m not sure who brought them, probably mum, but we all read them.

I was lucky as a child, there was no limit on what we could read. If it was in the house anyone could read it. My dad believed that if it was too advanced for us we would lose interest in the book and put it back on the shelf. I think it probably worked. I never felt I had to finish a book that I wasn’t enjoying, but I never felt that any books were beyond me.

Continue reading Interview | Bridget Blankley | Author of the Week

Viva BookBlast! | est. 1997

The BookBlast® Diary

The BookBlast® Diary is the online journal which showcases independent publishing and writing from France. It is the offspring of BookBlast® writing agency, founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.

A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“.  I am an active idealist and a blasty kind of person when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.

The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.

BookBlast® Celebrates Independent Publishing

Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.

Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Balestier Press specialising in contemporary Asian literature, Bluemoose Books showcasing new writers and working class voices, leading poetry publisher Carcanet Press, Comma Press releasing  groundbreaking short stories by new and established writers, Dedalus Press showcasing contemporary English and European fiction, HopeRoad Publishing specialising in African and  Caribbean writing, Istros books which publish and promote literature in translation from SE Europe and the Balkans and have had six winners of the EU Prize for Literature, Galley Beggar Press with their new British modernists, Peirene Press publishing world writing in translation, and Saqi Books the leading publisher for writing from the Middle East.

Other indie trade publishers which we have featured include: CB Editions, Galileo Publishing, Little Island Press, Charco Press, Les Fugitives, New Vessel Press, Dodo Ink, Eland Books, Gecko Press, Salt, Papillote Press, Gallic & Aardvark, Eyewear Publishing, Darf Publishers, Bitter Lemon Press, Hispabooks, Grub Street, RedDoor Publishing, Interlink Books and Aurora Metro.

And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have so much choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997