The multimedia artist, Graham Fink, is one of the world’s most awarded creatives. Formerly at Ogilvy China, his decades-long career has included senior creative posts at CDP, GGT and M&C Saatchi. Some of his most well-known work includes British Airways’ Face, PlayStation’s Blood and Mental Wealth poster campaigns, and Coke hands, Coca-Cola’s most-awarded ad.
He has developed software which enables him to draw with his eyes, and is agent to the AI robot, Sophia, at Hanson Robotics. His latest exhibition In Transition at VVA VirginiaVisualArts, a new contemporary gallery space in Central London, is on until 10 April.
Continue reading Spotlight | John-Paul Pryor & Graham Fink in conversation | Mortimer House, Fitzrovia W1
Today the United Kingdom, after over three years of turmoil, officially leaves the European Union. Plus ça change. Its relationship with Europe over the past thousand years has always been one of conflict and collaboration. The historian David Starkey has argued that Henry VIII’s break from the Catholic Church in Rome made him the first Eurosceptic. “Catholic Europe was now the threat, the launch pad for invasion. In other words Henry was the first Eurosceptic: the xenophobic, insular politics he created have helped to define English history for the past five centuries.”
Continue reading Review | French New Wave – A Revolution in Design | Tony Nourmond, Graham Marsh, Christopher Frayling | Reel Art Press