“Louis XIV was both King of France and a global ruler with global ambitions. He founded colonies in America, Africa and India, tried to seize Siam (as Thailand was then known), sent missionaries and mathematicians to the Emperor of China and launched the struggle for France’s global markets which continues to this day . . . Louis was a man in pursuit of glory, a king devoted to dynastic aggrandisement and a leader bent on national expansion. He is also an argument . . .” from the introduction by Philip Mansel.
King of the World is the most comprehensive and up-to-date historical biography in English of Europe’s longest-reigning monarch: Louis XIV. Taking seven years to complete, it draws on all the latest research in France, Britain and America and pays special attention to the culture of the court, on which Philip Mansel is an acknowledged expert.
How is it that great leaders can delude themselves that they are working for the greater good, but engage in behavior that is morally wrong? This conundrum lies at the heart of King of the World which is a rich and rewarding read.
Continue reading Podcast LIVE | In conversation with Philip Mansel, author | A Life of Louis XIV
Indie Publishing vs. Self Publishing vs. Traditional Publishing
With commissioning editors at mainstream publishers increasingly under the corporate cosh, any literary submissions calculated to sell less than 5000 copies are turned down regardless, which leaves the field open for independent publishers to come in and have a go at the roulette table imagining winners that might come their way.
An experienced commissioning editor may be able to spot high-quality writing and know their target readership, but s/he is no less a gambler than anyone else playing the publishing game. Their gut instinct counts for little in the corporate boardroom nowadays, even though the way in which advances are calculated is an inexact science, and tales of legendary rejections make for juicy water-cooler chat. Harry Potter and the Philosopher’s Stone was rejected 12 times before being picked up; Gone with the Wind got the thumbs down 32 times; Under the Frog 22 times; Dune 20 times; and The Tale of Peter Rabbit was rejected so many times it was self-published.
Smaller publishers generally avoid formulaic writing for the genre market, provide greater personalised support, and – as opposed to a vanity press – do not ask the author for money. Added to which crowdfunding has become a more than viable option, not only to raise funds, but to develop a community of readers ahead of publication (Peirene Now! No. 3, Shatila Stories was recently successfully funded with 327 backers pledging £13,350 via Kickstarter). Best not confuse authors self-publishing their own books only – generally via a digital platform such as Amazon or Kobo – with indie publishers; the term indie authors would be more accurate.
According to a recent report in The Guardian, “Independent publishers have unleashed a boom in sales,” and “turnover across the Arts Council England-funded portfolio surged above its budget by almost £100,000 this year, reaching £277,930.”
Continue reading Spotlight | The seemingly unstoppable boom in indie publishing & The Republic of Consciousness Prize
BookBlast™ reviews Greek crime novel in translation, Blood & Gold.
Blood & Gold, and an earlier thriller by Leo Kanaris, Codename Xenophon, are perfect examples of how well-crafted detective fiction from another culture opens windows on to a brave new world, and shows that there are more similarities than differences between us all as we get on with the business of living in failing Western societies.
As the post-war liberal bandwagon begins to roll backwards, overtaken by the populist demagogue’s juggernaut of lies, we need more cracking good crime stories like this one, to entertain, illuminate, and inform.
Continue reading Review | Leo Kanaris, Blood & Gold | Book of the Week