“Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken they beg to be remade into the image of the native.”
A blend of memoir and reportage, The Ungrateful Refugee packs a powerful punch and should be recommended reading for secondary school aged children.
Dina Nayeri describes her personal experience intertwined with that of the people she interviews as they all flee from persecution and death. Boats are braved and seas crossed by people fuelled by terror, courage and hope. The refugees are rescued and pitied — often by the regimes that created the trouble and strife they are escaping from in the first place. This small but important fact is invariably overlooked as the new arrivals are demonised by populist rhetoric that is bolstered by polices that reek of organised selfishness. Refugees “need friendship, not salvation.”
Nayeri revisits her own chaotic past in 2016 when she becomes a mother. “I had changed my face and hair, my friends, my education, my country and job so often, that my skin felt raw.” The five sections of her narrative — Escape, Camp, Asylum, Assimilation, Cultural Repatriation — recount the fate of individuals from different backgrounds as well as refugee support volunteers, lawyers and other decent human beings. The uniting theme is that refugees be given a voice, an identity, and that their stories be heard.
Continue reading Review | The Ungrateful Refugee, Dina Nayeri | Canongate Books
How is it that great leaders can delude themselves that they are working for the greater good, but engage in behavior that is morally wrong? This conundrum lies at the heart of King of the World which is a rich and rewarding read.
Philip Mansel gave me a tantalising taste of the life and times of Louis XIV, the most dazzling and mesmerising monarch of a sovereign country in European history.
Continue reading Podcast LIVE | In conversation with Philip Mansel, author | A Life of Louis XIV
[sg_popup id=”4″ event=”onload”][/sg_popup]Indie Publishing vs. Self Publishing vs. Traditional Publishing
With commissioning editors at mainstream publishers increasingly under the corporate cosh, any literary submissions calculated to sell less than 5000 copies are turned down regardless, which leaves the field open for independent publishers to come in and have a go at the roulette table imagining winners that might come their way.
An experienced commissioning editor may be able to spot high-quality writing and know their target readership, but s/he is no less a gambler than anyone else playing the publishing game. Their gut instinct counts for little in the corporate boardroom nowadays, even though the way in which advances are calculated is an inexact science, and tales of legendary rejections make for juicy water-cooler chat. Harry Potter and the Philosopher’s Stone was rejected 12 times before being picked up; Gone with the Wind got the thumbs down 32 times; Under the Frog 22 times; Dune 20 times; and The Tale of Peter Rabbit was rejected so many times it was self-published.
Smaller publishers generally avoid formulaic writing for the genre market, provide greater personalised support, and – as opposed to a vanity press – do not ask the author for money. Added to which crowdfunding has become a more than viable option, not only to raise funds, but to develop a community of readers ahead of publication (Peirene Now! No. 3, Shatila Stories was recently successfully funded with 327 backers pledging £13,350 via Kickstarter). Best not confuse authors self-publishing their own books only – generally via a digital platform such as Amazon or Kobo – with indie publishers; the term indie authors would be more accurate.
According to a recent report in The Guardian, “Independent publishers have unleashed a boom in sales,” and “turnover across the Arts Council England-funded portfolio surged above its budget by almost £100,000 this year, reaching £277,930.”
Continue reading Spotlight | The seemingly unstoppable boom in indie publishing & The Republic of Consciousness Prize
BookBlast™ reviews Greek crime novel in translation, Blood & Gold.
Blood & Gold, and an earlier thriller by Leo Kanaris, Codename Xenophon, are perfect examples of how well-crafted detective fiction from another culture opens windows on to a brave new world, and shows that there are more similarities than differences between us all as we get on with the business of living in failing Western societies.
As the post-war liberal bandwagon begins to roll backwards, overtaken by the populist demagogue’s juggernaut of lies, we need more cracking good crime stories like this one, to entertain, illuminate, and inform.
Continue reading Review | Leo Kanaris, Blood & Gold | Book of the Week