After generations of slaughter on its soil, Europe found peace and economic stability through the founding of the EU in 1957. In an idealistic, co-operative post-war world looking to the future, anything was possible. The writer Gael Elton Mayo covered England with Henri Cartier-Bresson, for Robert Capa’s brainchild, Generation X, which she describes in her autobiography, The Mad Mosaic, as “the name given to the unknown generation, those who were twenty after the war, and in the middle of a century. Capa wanted to choose a young man, and young girl, in each of twelve countries and five continents, examine their way of life, and find out what they were doing, thinking and hoping for the future.” (Holiday changed ‘Generation X’ to ‘Youth of the World’ when it was published; an abbreviated version also appeared in Picture Post in 1953.)
Half a century on, from the six founding members, the EU has enlarged to 27 member states, (with Croatia, Macedonia and Turkey in accession negotiations). Its impetus seems to be shifting as it morphs into an economic, political and cultural powerhouse. In the recent travel writing issue of Granta, Jeremy Treglown writes: “The British, with their mix of insularity and transatlanticism, can find it hard to grasp that so many continental Europeans, especially the young, are patriotic about being European.”
Join us for an evening celebrating Trailblazing Women of the 20th Century @WaterstonesPicc on publication of the Virago paperback of Lesley Blanch’s posthumous memoirs, On The Wilder Shores of Love: A Bohemian Life.
Georgia de Chamberet & Anne Sebba will discuss the bohemian life of Lesley Blanch at Waterstones, Piccadilly, London W1, Thursday 12 January, 7pm.
This event is free, but please reserve your place by email: email@example.com
Editor, translator and literary consultant, Georgia de Chamberet founded BookBlast™ writing agency in 1997. She is Lesley Blanch’s god-daughter.
Daily Telegraph: This volume, edited with affection and grace by de Chamberet, is a deliciously readable monument to a writer who combined a steely resilience and capacity for hard work with an elegant frivolity and a voracious appetite for love, beauty and adventure.
“Why this promotion leading up to the London Book Fair in April?” asked one indie publisher as she merrily jumped on to BookBlast’s celebratory bandwagon. Why indeed? Even the smallest trade publisher now has a website and a vital presence on social media, however visibility remains an issue. Added to which self-published authors riding high on the digital wave often call themselves independent publishers: confusion reigns!
The New Avant-garde
Daring, risk-taking independent publishers are filling a unique niche discovering talent, publishing authentic and offbeat books which add value to the cultural landscape. The independent sector is the home of experimental writing, poetic innovation and world writing in translation. Trailblazing authors, poets and translators who write from the margins of culture portray areas of life that the traditional mainstream often ignores.
But so much is published! How can avid book readers, students on publishing courses, Media researchers and stumble-upon book browsers find the good stuff amidst the avalanche of words available online and piled high on bookshop tables? To separate the wheat from the chaff is becoming ever more essential. The need for well-informed curated recommendations and visibility is growing.
As the highlight of this special event for International Women’s Day, Elisa Segrave examines stories from her mother’s hitherto hidden wartime experiences at Bletchley Park, Bomber Command and post-war Germany. Georgia de Chamberet takes a look at the life and many worlds of Lesley Blanch, a woman whose aura of seductive glamour and erudition inspired the generation that followed her. Chaired by Claudia Fitzherbert, books editor of The Oldie.
During the day there will be numerous author signings by women who write about women, including Dame Professor Hermione Lee and Amy Mason. So come along for a bit of book browsing and then stay on for the talk and a glass of wine afterwards.
Since 2016, the online journal The BookBlast® Diary has showcased independent trade publishing and world writing in translation with a special focus on France. Reviews that give context can be savoured as slow reads. We are not influenced by fame or hype, but are curious, enthusiastic and scrupulous about making choices. Our audience of book industry insiders, influencers, writers, book lovers, booksellers, librarians, journalists and bloggers is based in the UK, US and France.
We provide exclusive Q&As with indie trade publishers, authors, poets, translators; book reviews; podcasts; in-depth ‘Spotlight’ features about the book-industry and translation; articles about awards and award winners, Top 10 reads for independent minds and Top 5 reads for Francophones.
Christopher MacLehose, MacLehose Press — “Excellent and eloquent.”
Claire Armitstead, The Guardian — “Excellent work.”
Cécile Menon, Les Fugitives — “The BookBlast diary is great — as I’m sure many writers, readers and publishers have told you before.”
Maggie Gee — “A true lover of writing and writers.”