Continuing BookBlast’s series of interviews with the founders of independent presses, we catch up with Justin David, the publisher at www.inkandescent.co.uk and author of The Pharmacist and Kissing the Lizard ; and Nathan Evans, the editor at www.inkandescent.co.uk and author of Threads and CNUT. His forthcoming novella, One Last Song, is due for imminent release.
Are (were) your parents great readers? What were the books that made you fall in love with reading?
JUSTIN: Both of my parents are avid readers. As a child, I always saw my whole family with books in their hands. I wouldn’t say they exactly read widely but the act of reading was popular. Dad was always a fan the Douglas Reeman novels about Richard Bolitho and mum was much more of a Catherine Cookson and Mills and Boon type so I wasn’t exactly inspired to go and read the Canon as it were. Though both of them now read my own work.
I can’t remember a time when I didn’t enjoy reading, so it’s difficult to say when and which book made me fall in love with the act of reading. What I can say is that I became more excited about reading was when I was allowed to choose my own books at the library and then when I got to secondary school we were made to read an awful lot of apocalyptic dystopian novels like John Wyndham — The Triffids, The Chrysalids, The Midwich Cuckoos. And then later on I got into horror and science-fiction which meant Stephen King and J.G. Ballard, back then. I don’t think I realised there was such a thing as queer literature though it would’ve been helpful in those days to have been introduced writers like Jeanette Winterson and Patrick White. Truth be told, it was when I was at art school that I started reading the children’s fiction of Philip Ridley and his adult plays like The Fastest Clock in the Universe and the Pitchfork Disney. The college library was full of this stuff and I just swallowed it all up. That’s when I realised that there was so much more to be explored. Continue reading Interview | Justin David and Nathan Evans, Directors, Inkandescent | Indie Publisher of the Week
East London-based independent publisher Inkandescent “was ‘founded by outsiders for outsiders’ to celebrate original and diverse talent and to publish voices and stories the mainstream neglects – specifically those of the working class and financially disadvantaged, ethnic minorities, the LGBTQ+ community and, crossing the Venn diagram, those with physical disabilities and mental health issues,” write Justin David and Nathan Evans in their introduction to MAINSTREAM. Continue reading BookBlast® Discoveries | Top 5 Reads for Independent Minds from Inkandescent
BookBlast® @bookblast presents the first of its monthly Top 10 reads, showcasing the internationalist diversity of indie publishers. There’s something for everyone – enjoy!
FANTASY & SHAMANISM
Lin Man-Chiu | The Ventriloquist’s Daughter (trs. Helen Wang) | Young adult fiction, Balestier Press ISBN 1911221050 buy here | Review, Global Literature in Libraries Initiative | @BalestierPress @HelenWangLondon
Move over Hollywood and all those creepy doll horror movies! This sours-weet story is compellingly weird and shamanic. When Luir’s mother dies, her father, a thwarted artist working as a doctor in the family hospital, is overcome with grief. He goes abroad to study and promises he will bring home a doll for his six-year-old daughter, Luir, who is left in the care of her grandparents. But the doll brought home from Peru by daddy is a menacing presence in the house, causing strife within the family.
The Ventriloquist’s Daughter was longlisted for the 2014 Found in Translation Award.
TARANTINO ON THE PAGE
Quentin Mouron | Three Drops of Blood and a Cloud of Cocaine (trs. Donald Wilson) | Crime fiction, Bitter Lemon Press ISBN 1908524836 buy here | Review, Crime Time | @bitterlemonpub @QuentinMouron1
This fast-paced and entertaining thriller is cocaine-fuelled Tarantino on the page. “Gomez lifts the top of the sheet. McCarthy is dumbfounded. He has seen dead bodies in Watertown before – the tragic residue of drunken brawls outside bars or nightclubs, victims of muggings committed by drug-starved addicts or illegals awaiting deportation; he has also had to deal with the settling of scores between motorcycle gangs; he even saw the lifeless corpse of Tamerlan Tsarnaev, the Boston bomber, before the Feds took it away. Bodies with their throats cut like Jimmy’s aren’t rare. Yet this is the first time he has been confronted with a corpse with the eyes slashed, the tongue cut out, and the cheeks gashed up to the ears.”
Swiss poet, novelist and journalist, Quentin Mouron won the prix Alpes-Jura for his novel Au point d’effusion des égouts in 2011.
Continue reading BookBlasts® | Top 10 Reads for Independent Minds | July 2017
“Our own, personal experience of the event – as it unfolded live in front of us – gets over-written, overlain with any narrative available that complies with Thomas Carlisle’s ‘Great Man’ theory, that ‘history is but the biography of great men’, that the rest of us, the ‘bystanders’, aren’t part of history. The short story rejects this version of events because, as a form, it has evolved to prioritise the non-heroes – the bystanders, the disenfranchised, the ‘submerged’ (as Frank O’Connor would say). And when it comes to ‘world events’, none are more suited to the short story than the protest. In a protest, we’re all bystanders, we’re all there because of some attempt to marginalise us; the bystanders are the people making history,” writes Ra Page, editor of Protest! Stories of Resistance.
The workings of the state when it is under threat are not pretty. One man’s system is another man’s nightmare. Protest! takes the long view. From the Peasants’ Revolt sparked by the Poll Tax of 1381 to the anti-Iraq War demo of 2003, the 20 movements featured in this superb book have parallels in terms of ideas and tactics and emotional charge. The framework of the anthology brings to life the events and the people involved. A short story like a snapshot in time is followed by an afterword by an academic who, in certain recent cases, was an eyewitness.
Prior protests loom large over present ones. This struck me forcibly while reading the stories and simultaneously following Westway 23’s facebook posts about the Grenfell Tower Protest in my neighbourhood. It is no coincidence that safe Tory seat, Kensington, went to Labour by a narrow margin for the first time ever in the recent snap election. The gruesome fire has illuminated years of institutionalised abuse and disregard for the law on the part of the corrupt powers-that-be. Establishment standard bearers The Sun, The Daily Mail and The Spectator have been accusing the ‘hard left’ of ‘hijacking’ the Grenfell fire tragedy for their own ends. Plus ça change.
Continue reading Review | Protest! Stories of Resistance, Ra Page (ed.) | Book of the Week