#Marina Warner, President of the Royal Society of Literature, announcing the arrival of the Choix Goncourt in the UK, said: “When the date of this event was set, nobody knew that a crucial election would be taking place. In the light of what has happened, I feel alarmed and frightened of the future. I am therefore proud to be marking a moment of Franco-British solidarity. The spirit of European culture built on the common ground of imagination and a long intertwined history is under strain, but it shall not be broken . . .” Continue reading Spotlight | The Choix #Goncourt UK | @AcadGoncourt @RSLiterature @Edlolivier @maclehosepress
“He is off his head. He has episodes when he zones out. It is not unpleasant. From time to time, he tries to reason with himself: he cannot stay here indefinitely, it has been a cold summer, he will catch another bout of flu, he needs to take care of himself, he needs to go back down into the city, find some clean clothes, do something [ . . .] Painfully, he climbs over the railings separating the communal garden from the property where he has taken to sleeping. He grips the branches and hoists his body up almost falling flat on his face on the other side. He ends up kneeling on the ground. He wishes he could feel sorry for himself, or disgust. Anything. But no, nothing. Nothing but this absurd calm.”
Look who’s back . . . and sleeping rough now that sofa surfing is a thing of the past: Vernon, Mr. Superstar D.J. and former owner of cult record shop ‘Revolver’. At the end of Vernon Subutex 1 he was beaten up by a gang of neo-Nazis – along with his TV screenwriter friend, Xavier, who was trying to rescue him but ended up comatose in hospital instead. Continue reading Review | Vernon Subutex 2, Virginie Despentes | Maclehose Press
New year, new in from France: here is our list of top 5 reads in French creating a buzz across the Channel for all of you Francophiles out there . . . Special thanks to our friends in Paris for their recommendations.
The books reviewed are listed alphabetically by author surname. @EditionsGrasset @beigbedersays @robert_laffont #francoisjonquet @olivierguez @jschnerf
@robert_laffont @EditionsduSeuil @EditionsZulma
I, Self, Me: social media and the human condition in the digital age
A Life Without End (Une Vie Sans Fin) Frédéric Beigbeder (Grasset)
59 million people die every year. But Beigbeder refuses to submit to such a fate, and sets off instead to discover the secret to eternal life. His journalistic investigation morphs into a work of literature – “a book of ‘non-fiction science’; a novel in which all the scientific developments have been published in Science or Nature.”
Beigbeder is as irreverent and rebellious and original as he was twenty-three years ago when I first read him. He has lost none of his self-deprecating humour and mischievous attitude underpinned by an eclectic body of knowledge; quite the contrary, he has matured and honed his skills. Twenty years ago he despaired of making love last – today he despairs of making life last.
“To publish your photo is now more important than your signature on a cheque, or on a marriage contract.” A radio-TV host celebrity in France, Beigbeder’s relationship with image and selfies is paradoxical: he is delighted when fans ask to pose with him, yet is intensely irritated by the one-upmanship involved. When Robert Pattinson a.k.a. Harry Potter is promoting his new film Maps to the Stars at Cannes, he signs a photo for Romy, one of Beigbeder’s two daughters. She is disappointed not to have snapped a selfie with her hero to post online for all her friends to see. Her father is hurt that his daughter has never asked him for a selfie (while other kids do, as he’s on TV).
“I’d been drifting from one studio apartment to another for several years already. I didn’t feel at home anywhere. In July 2013 I ended up in this little place. And I never suspected that the secrets it concealed might one day lead to a book,” writes Clara Beaudoux in the preface to this unusual read.
The mixing up of genres and categories that is characteristic of the way we read online has gradually fed into new forms of writing ‘in print’. Daniel Glattauer’s Love Virtually (Gut gegen Nordwind, translated from the German by Katharina Bielenberg and Jamie Bulloch) tells the story of an internet love affair through the emails of Leo and Emmi. Other Ways of Seeing (Un Autre Regard) is based on blogger Emma’s comic strip. Her take on news stories and accepted “truths” challenges the status quo and questions what liberté, égalité, fraternité really means in France today. Shaun Usher’s blog ‘Letters of Note, an online museum of notable letters’, was published in book form in 2013 to international acclaim. The internet is a numbers game: if you hit the jackpot, it’s life-changing. Continue reading Review | The Madeleine Project: Uncovering a Parisian Life, Clara Beaudoux | Book of the Week