Communiqué de Presse | LA TABLE RONDE 19-04-2018 | Croquis d’une vie de bohème, Lesley Blanch

lesley blanch la table ronde edition 2018CROQUIS D’UNE VIE DE BOHÈME | Lesley Blanch

Préfacé et présenté par Georgia de Chamberet | Traduit de l’anglais par Lucien d’Azay

Écrivain et voyageuse, fascinée par l’Orient, Lesley Blanch est restée célèbre en Angleterre pour Vers les rives sauvages de l’amour, un quartet biographique où elle raconte la vie d’aventurières extravagantes, à son image. Après une enfance dans une famille bourgeoise de Londres à l’époque édouardienne, cette Anglaise spirituelle et raffinée mena une vie passablement nomade; elle était décoratrice de théâtre et rédactrice de l’édition britannique de Vogue quand elle épousa Romain Gary pendant la Seconde Guerre mondiale. La carrière diplomatique de celui-ci les conduisit à Paris, à Sofia, à New York, en Bolivie et enfin à Hollywood où Lesley Blanch côtoya quantité de stars et travailla avec George Cukor.

Continue reading Communiqué de Presse | LA TABLE RONDE 19-04-2018 | Croquis d’une vie de bohème, Lesley Blanch

Review | Crystal Wedding, Xu Xiaobin | Book of the Week

On their first date, in the park, they got down to some serious petting. He gave Tianyi a blow-by-blow account, making her blush with his frankness: ‘She undid her bra so I could feel her breasts,” he stammered. ‘Then she pushed my hand down there . . .’
‘Is she pretty?”
‘No, but she’s curvy, and she’s really hot.’
‘So she fits the bill?’ Tianyi asked with a touch of sarcasm.
‘Yes, she does,’ Jin went pink. ‘So I need your help, I’ve been wanting to do an experiment, to watch a girl’s reaction to having sex . . .’
‘That’s not fair, if she really loves you . . .’
‘But I might fall in love with her during the experiment. So there’s nothing unfair about it . . .’
‘It’s crazy.’

It’s not every day you come across a novel in which a mainland Chinese author writes openly about women, sex and corruption − affording the reader a voyeuristic glimpse into intimacy and relationships, Chinese style.

Continue reading Review | Crystal Wedding, Xu Xiaobin | Book of the Week

BookBlast® Archive | Empire Windrush, Onyekachi Wambu (ed) | Victor Gollancz 1998

BookBlast® was founded in 1997 to give voice to new or neglected writers, and to showcase world writing. The agency was one of the first in the UK to adopt online technology — the company website went live in 2000. It was selected by the curators of Bodleian Electronic Archives and Manuscripts, Bodleian Libraries, Oxford, as being of lasting research value and worthy of permanent preservation in the Web Archive of the Bodleian Libraries in March 2015.

At a young age, I was introduced to writers, stories and imaginary worlds from many lands.   To cross cultural boundaries and explore alternate ways of seeing and being is a great gift to give a child.

Sorting through the BookBlast agency archive has thrown up happy and sad memories, not only in terms of the projects and writers I have been lucky enough to collaborate with, but also the visionary commissioning editors who backed untried-and-tested writers and projects.

Continue reading BookBlast® Archive | Empire Windrush, Onyekachi Wambu (ed) | Victor Gollancz 1998

Viva BookBlast! | est. 1997

The BookBlast® Diary

The BookBlast® Diary is the online journal which showcases independent publishing and writing from France. It is the offspring of BookBlast® writing agency, founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.

A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“.  I am an active idealist and a blasty kind of person when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.

The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.

BookBlast® Celebrates Independent Publishing

Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.

Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Balestier Press specialising in contemporary Asian literature, Bluemoose Books showcasing new writers and working class voices, leading poetry publisher Carcanet Press, Comma Press releasing  groundbreaking short stories by new and established writers, Dedalus Press showcasing contemporary English and European fiction, HopeRoad Publishing specialising in African and  Caribbean writing, Istros books which publish and promote literature in translation from SE Europe and the Balkans and have had six winners of the EU Prize for Literature, Galley Beggar Press with their new British modernists, Peirene Press publishing world writing in translation, and Saqi Books the leading publisher for writing from the Middle East.

Other indie trade publishers which we have featured include: CB Editions, Galileo Publishing, Little Island Press, Charco Press, Les Fugitives, New Vessel Press, Dodo Ink, Eland Books, Gecko Press, Salt, Papillote Press, Gallic & Aardvark, Eyewear Publishing, Darf Publishers, Bitter Lemon Press, Hispabooks, Grub Street, RedDoor Publishing, Interlink Books and Aurora Metro.

And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have so much choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997