Lesley Blanch Archive | Arabian Aromas (1989)

Everywhere in Arab lands from Jordan to the Saudi-Arabian ports along the Red Sea and the lavish Gulf Emirates, food is very highly spiced — but it is a quite different gamut of spices to those of India — or so it has always seemed to me. In each town, or village souk, the spice booths are fascinating and magnetic — my first port of call. Mysterious powdered substances overflow big sacks and are scooped out by the pound, unlike the midget-stoppered jars of this and that to which we are accustomed. Nor do these great open landslides of spices, dusty brown, violet, yellow, green or orange, seem to lose their potency, thus exposed. In Oman, along the enchanting waterfront of Muscat, the lacy white-fretted balconies of the old houses and all the alleyways swim in heady odours wafted from the nearby spice bazaar. In the blue bay, sheltered by a sharp-cragged coastline, amongst all the turmoil of a modern port there are still some of those curiously formed high-pooped wooden craft such as the baghala or gangha, age-old pride of the Omani shipbuilders at Sohar. Such craft will have returned from Zanzibar — the spice island o f legend — with an entire cargo of cloves. Such is the demand, hereabouts. Continue reading Lesley Blanch Archive | Arabian Aromas (1989)

BookBlasts® | Top 10 Reads for Independent Minds | August 2017

BookBlast® presents our curated monthly top 10 reads, a little late because of taking time out in New York and Rhode Island.

bob mehr bookblastSex, Drugs, Rock’n’Roll

Trouble Boys: The True Story of the Replacements by Bob Mehr (Da Capo, Boston) buy here

The definitive biography of one of the last great rock ‘n’ roll bands of the twentieth century. Though they hated punk bands that is how they were on and off stage.
Reclusive singer-songwriter Paul Westerberg, bassist Tommy Stinson, and the family of late guitarist Bob Stinson opened up to Bob Mehr. Described by Alfred Soto in The Chicago Reader as being “A roaring rock ‘n’ roll adventure, a heartrending family drama, and a cautionary showbiz tale,” the book features new interview material and 72 rare photos.

Teen Rebellion 

How To Set A Fire And Why by Jesse Ball (Text Publishing Company, Melbourne) buy here

Sixteen-year-old Lucia Stanton’s father is dead, her mother is catatonic in a mental institute, and she lives in an unheated garage with her elderly impoverished aunt. She’s all in black and angry at our materialistic, capitalist society. Expelled from school for pencil-stabbing a boy who invaded her space, she is intelligent, interesting and impossible to be with, which comes clear as she relates the events of her life in a series of diary entries. To Lucia, arson is a form of class warfare. “I . . . thought about the fire. I know it was just an abandoned building but I felt like something had happened, a real thing for once. My aunt’s stroke had felt pretty real too. I guess real things happen all at once, and then you go back to the false parade of garbage that characterizes modern life.”

These first two books are recommended by a bookseller&lover working at one of the best  bookstores in NYC: The Strand, 828 Broadway (& 12th Street), NY 10003. Continue reading BookBlasts® | Top 10 Reads for Independent Minds | August 2017

Viva BookBlast! | est. 1997

The BookBlast® Diary

The BookBlast® Diary is the online journal which showcases independent publishing and writing from France. It is the offspring of BookBlast® writing agency, founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.

A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“.  I am an active idealist and a blasty kind of person when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.

The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.

BookBlast® Celebrates Independent Publishing

Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.

Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Balestier Press specialising in contemporary Asian literature, Bluemoose Books showcasing new writers and working class voices, leading poetry publisher Carcanet Press, Comma Press releasing  groundbreaking short stories by new and established writers, Dedalus Press showcasing contemporary English and European fiction, HopeRoad Publishing specialising in African and  Caribbean writing, Galley Beggar Press with their best new British writers, Peirene Press publishing world writing in translation, and Saqi Books the leading publisher for writing from the Middle East.

And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have so much choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997