Interview | Janet Todd | Author of the Week

Where were you born, and where did you grow up?
Born in mid Wales. Grew up in Wales, England, Scotland, Bermuda, Sri Lanka — we moved around a lot! Boarding school in Dolgellau.

What sorts of books were in your family home? Who were early formative influences?
Early years were spent abroad in houses with just a few books already there, usually popular novels by authors like Marguerite Steen, Somerset Maugham and Nevil Shute. I loved the children’s classics especially Alice in Wonderland and often read adult books I couldn’t possibly understand — just for the words. My bent was towards adventure stories like Kidnapped and The Flight of the Heron — that is once I’d passed through Enid Blyton’s The Famous Five. In my teens, being an outsider in each new school I fancied myself as an intellectual and started quite early on reading existentialists like Sartre — understanding very little! Continue reading Interview | Janet Todd | Author of the Week

Review | Silent Women: Pioneers of Cinema, Melody Bridges & Cheryl Robson (Eds.) | Book of the Week

Women continue to be statistically underrepresented in creative positions in Hollywood, at the centre of the US film industry. It is becoming increasingly shocking that the number of women at the top of the film industry remains so low, despite the 2009 best director Oscar going to a woman (Kathryn Bigelow for ‘The Hurt Locker’).

Silent Women: Pioneers of Cinema is the first book to give an overview of early women filmmakers in the USA, Europe and beyond. It has fantastic b/w photos which will appeal to all lovers of the cinema and its early years.

marion wong Continue reading Review | Silent Women: Pioneers of Cinema, Melody Bridges & Cheryl Robson (Eds.) | Book of the Week

Lesley Blanch Archive | W.R.N.S. on the Job, British Vogue, November 1941

Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics. She covered various aspects of Britain at war for the Ministry of Information, and documented the lives of women in the forces with her friend the photographer Lee Miller.

It is an indisputable fact that occupations and professions breed their own particular type. There are occupational faces, as there are occupational diseases, except in the case of the bored, spoiled, overfed idler, now fortunately rarely seen, save at luxurious hotels in ‘safe’ areas, where the face, and its accompanying malaise, might be described as non-occupational.

The ostler cannot be mistaken for the chauffeur, though doctors and lawyers, like poets and scientists, often pair indistinguishably. But the soldier, the sailor, and the airman are each distinct and apart front each other.

Continue reading Lesley Blanch Archive | W.R.N.S. on the Job, British Vogue, November 1941

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