“The flooding was not going to subside. Linden had turned off the TV. He had felt slightly nauseous. The Seine’s upwelling had upset him, but his parents’ state worried him all the more. The bad timing of their visit to Paris stupefied him. How could their family weekend have turned into such an ordeal?”
After a prolonged separation, the Malegarde family is set to celebrate the fortieth wedding anniversary of Paul and his wife Lauren, as well as his seventieth birthday. It is a shock for the elderly couple used to secluded rural life in the Drôme valley to arrive in a capital saturated by monsoon-like rain. Linden and Tilia, based in San Francisco and London respectively, join their parents in Chatterton Hotel in the 14th arrondissement. The family has not been reunited in such a way since they were teenagers. Continue reading Review | The Rain Watcher, Tatiana de Rosnay | Book of the Week
Human beings are violent creatures so exposure to traumatic events which leave an unspoken legacy is nothing new. What is new is 24/7 web browsing, social media, TV and online streaming creating multiple exposure and repetition, and endless cyber avenues of escape from a painful reality.
Different people react in different ways to similar events – not all people who experience the same traumatic event will be severely disrupted. It is estimated that 80% of those in rehab for addiction in the UK and US have been traumatised at some point.
If what happened has been forgotten or silenced, memory and feelings can live on, and be passed on down the generations. These emotional legacies are generally hidden, encoded in myriad ways, from gene expression to everyday language, playing a far greater role in emotional and physical health than has been realised until now, since discoveries have been made thanks to the revolution in neuroscience research.Continue reading Review | Unspoken Legacy, Claudia Black | Central Recovery Press
Maggie Gee was born to working-class parents, and climbed into an uneasy place between classes. She was educated at state schools, and won a major open scholarship to Somerville College, Oxford where she did an MA in English literature and an MLitt on Surrealism in England. She was one of the original Granta 20 Best of Young British Novelists in 1983.
Gee has published fifteen books, thirteen of which are novels, including her latest, which is published by Fentum Press, Blood. A new, extended and updated edition of her 2014 novel Virginia Woolf in Manhattan has just been published by Fentum in the US.
She is a Fellow and Vice-President of the Royal Society of Literature, a Professor of Creative Writing at Bath Spa University, and was awarded an OBE for services to literature in 2012. She is a Non-executive Director of the Authors’ Licensing and Copyright Society.
Hear the Podcast of our conversation if audio is your thing
You grew up in Dorset before moving to the Midlands. Tell us about your early years. My first memories are of running on a beach, which is probably significant since I’ve always been drawn back to the sea. I had a brother so we ran around and I did boy’s things. Continue reading Interview | Print & Podcast | Maggie Gee, author
What sorts of books were in your family home? My childhood home was packed with books. There were a lot of scripts and poetry collections as well as books that my parents used for research. I remember flicking through a book about witchcraft when I was about six or seven and asking Mum if I could take it to school. I imagine at the time my father was doing a production of ‘the Scottish play’ as he’d call Macbeth.Continue reading Interview | Lucy Tertia George | Author of the Week
The Governesses by Anne Serre | Translated by Mark Hutchinson | Les Fugitives
Published 25 March, 2019 | PB 120 pages ISBN 978-978-0993009396
“Experience had shown you, however, that no pact lasts forever. You knew that the members of the household would once again be shuffled together like playing cards, and that when the next hand was dealt the alliances would fall out differently.”
The Governesses is a most unusual erotic fable about sex and power, illusion and eroticism, beautifully translated from the French into supremely elegant, languid prose. Its atmosphere is reminiscent of Alain Fournier and Julien Green.
Inès, Laura and Eléonore are governesses, responsible for four boys. The “mistresses of games and pleasure” they radiate a wild and frisky innocence, and have the run of the upstairs salons in the country house of Monsieur Austeur and his wife, Julie. “The excessive silence of the households they wait upon” may be “conducive to reading thinking and raising little boys who are champion hoop rollers, and to the elderly gentleman’s repose, and the waning love of Monsieur and Madame Auster,” but it is stultifying. Their employers’ home is “a boundless void.” The young women have nowhere to go, and there are no distractions.Continue reading Book 2 Review | The Governesses, Anne Serre & Now, Now Louison, Jean Frémon | Les Fugitives
The Book of Birmingham is the latest title to be published by Comma Press in their cities in short fiction series which serves as an excellent introduction to some superb contemporary writers. The ultimate in armchair city tours, the series is ideal for discovering other places, other lives.
The Book of Birmingham – focusing on the second largest city in the UK after London which “sits atthe central crossroads of England, the industrial heartland of the country” – brings together short stories by some writers known to me, (Kit de Waal, Bobby Nayyar, C.D. Rose, Sharon Duggal, Kavita Bhanot), and some not, (Sibyl Ruth, Malachi McIntosh, Joel Lane, Jendella Benson, Alan Beard, Balvinder Banga). The city’s “working-class foundation is inseparable from the city’s literature, reflected in the voices of its best-known contemporary authors: Jonathan Coe, Catherine O’Flynn, Benjamin Zephaniah, Kit de Waal, Joel Lane . . .”
Are (were) your parents great readers? Tell us a bit about yourself. My Mum is a big reader of Crime Fiction. It helped her solve a real life crime while she was working in a Kenyan orphanage a few years ago. They were both “people of The Book,” hosting Parish Bible studies. This made them more learned than the average parents. The Church was my first exposure to people with higher education. I read a lot from a very young age, I had a box of those cassettes with ding turn the page books. I would put the headphones in myself and read for hours. I remember making a zoo out of envelopes. Each one contained a different animal.
Did you want to work in the publishing industry from the start? If not, why now? No, but something I wanted to do as a Writer was understand every dimension of books. I studied Sculpture because I thought this would teach me about composition in a more general sense than doing English or Creative Writing. I went on to become a master bookbinder and printer too. I became a publisher partly because I wanted to understand, and maybe undermine, distribution and bookselling. It’s another extension to my writing. I guess that’s what it means to be a Modernist in an industrial, networked world. Why now? We were invited in by big publishers a few times to consult, using our publishing methods. We also worked on several print commissions in our studio for Independents. One title we illustrated is almost at the Million Copies mark. We realised we had an extraordinary range of expertise and there were so many good manuscripts I knew of being turned down for bad reasons. The Poets made me do it!Continue reading Interview | David Henningham, co-founder, Henningham Family Press | Indie Publisher of the Week
The fifth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Peirene Press which focuses on European & World Literature, much of it in translation. It was founded in 2008 by Meike Ziervogel who is both a novelist and a publisher. She grew up in northern Germany and lives in North London. In 2012 Meike was voted as one of Britain’s 100 most innovative and influential people in the creative and media industries by the “Time Out and Hospital Club 100 list”. Meike is the author of four novels, all published by Salt. Her alter ego, “The Nymph” regularly writes about The Pain & Passion of a Small Publisher for Peirene online and is a must-read blog.
Meet Dan Micklethwaite in person at the BookBlast® 10×10 Tour discussion at Waterstones, Newcastle, 6.30 p.m. Wednesday 12 SEPT. Theme: The Northern Influence on Culture. With Kevin Duffy BLUEMOOSE BOOKS chair, authors Dan Micklethwaite (The Less than Perfect Legend of Donna Creosote) and Colette Snowden (The Secret to not Drowning). Book Tickets