“The story of Langford Grove School is a period piece. It is the story of the remarkable headmistress and sole proprietor, Elizabeth Curtis. Whether it was gin and scallops for lunch with Frank Auerbach; a fireside chat with David Wynne; Sir Thomas Beecham holding up his orchestra until Curty took her seat; driving Vanessa Bell’s daughter Angelica to Blakeney Point; encouraging early orienteering on Bodmin Moor; caring for and educating Basque children escaping Franco’s cruelty; deciding at the drop of a hat that all lessons one particular term should be learnt in French; or following the Wartime exploits of her Naval Officer son, on whom Ian Fleming was said to have based some James Bond characteristics – this was “Curty”. Curty was a progressive educationalist who wanted the very best in artistic experiences in beautiful surroundings for the sixty or so pupils in her care at Langford Grove,” from the Preface by Lucinda Curtis, grand-daughter of “Curty”
A century ago, being an educated and intelligent woman meant learning a European language, singing, dancing and music. Women who wanted to go to university were referred to as “blue stockings” (from the group of women who in the 1750s held “conversations” to which they invited men of letters and members of the aristocracy with literary interests.) Continue reading Review | The Story of Langford Grove School 1923-62 | Blue Horizon Press
Héloïse Press champions world-wide female talent by giving voice to emerging and well-established female writers from home and abroad.
Erica Mou (b. 1990) studied Literature, Publishing and Journalism at the University of Bari. She is an Italian singer-songwriter and the recipient of numerous international awards. Thirsty Sea, winner of the Readers’ Award of the Lungano Literary Festival 2020, is her debut novel. Erica wrote this book at the kitchen table of her rented accommodation in London.
The image maybe be near-perfect but what lies behind it? Inside a person is like inside the sea: all that lies beneath the surface is not immediately visible.
Nicola is an aeroplane pilot, a very good cook and the ideal son-in-law. He is “the kind of person who doesn’t kill spiders but catches them in jars and frees them out of the window”. He is a perfect catch for Maria who runs an oddball eco-friendly business. As a gift-buying consultant, she is paid by clients to come up with ideas for presents. So her shop is just a big empty space with a table, a chair and a phallic sculpture in the corner reminiscent of Rocking Machine, the art piece created by Dutch sculptor and artist Herman Makkink for Stanley Kubrick’s film A Clockwork Orange. There is “nothing on sale, no shelves, just brilliant ideas.”
Continue reading Review | Thirsty Sea, Erica Mou trs. Clarissa Botsford | Héloïse Press
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events.
Tune in to hear a lively conversation with Fatima Daas and podcast host Georgia de Chamberet, about literary inspiration, handling her surprise overnight success, and the pressures directed at women from religion and from society, and more besides. The Last One is published in English, by HopeRoad Publishing. The interview is in both French and English.
Produced by BookBlast | Duration 26:25
The Last One by Fatima Daas, translated by Lara Vergnaud | HopeRoad Publishing | 192 pp 27 January 2022 | ISBN 978-1913109851
Buy THE LAST ONE from bookshop.org
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Emerging from a time of great turmoil . . . all depending on your experiences over the past two years . . . Love in Five Acts could either strike a strong chord of recognition, inspire relief at being in a secure relationship, or prompt joy at being single and happy.
The lives of five very different middle-aged women – Paula, Judith, Brida, Malika and Jorinde – loosely criss-cross over each other in a cat’s cradle of love and loss, desire, infidelity and torment. Luck and happenstance play a central role. Continue reading Review | Love in Five Acts, Daniela Krien (trs. Jamie Bulloch) | MacLehose Press
Imbued with her hallmark humour and heightened sensitivity, Faïza Guène’s Men Don’t Cry (Un homme, ça ne pleure pas) is her latest offering to lovers of good fiction in translation, deftly rendered into English by Sarah Ardizzone. We witness a family struggling with exile and integration as experienced by Mourad, born in Nice to Algerian parents.
He is keen to escape the clutches of his well-meaning but excessively controlling mother who imposes traditional ways of thinking and living on her three children – along with copious helpings of home-cooked food – handing down community values and morality in a bid to fend off the potentially corrupting influence of the host culture, and to impose order on the complexities of modern France. Continue reading Review | Men Don’t Cry, Faïza Guène | Cassava Republic Press