Dina Nayeri is the author of The Ungrateful Refugee, one of the most widely shared 2017 Long Reads in The Guardian. Winner of the 2018 UNESCO City of Literature Paul Engle Prize, a National Endowment for the Arts literature grant (2015), O. Henry Prize(2015), Best American Short Stories (2018), and fellowships from the McDowell Colony, Bogliasco Foundation, and Yaddo, her stories and essays have been published by The New York Times, New York Times Magazine, The Guardian, Los Angeles Times, New Yorker, Granta New Voices, Wall Street Journal, and numerous others. www.dinanayeri.com @dinanayeri
Where were you born, and where did you grow up? I was born in Tehran, lived in Isfahan until I was eight, then spent sixteen months as a refugee, arriving in Oklahoma when I was ten years old.
Did, or do, your family ever talk about life in Iran before the 1979 Islamic revolution? Constantly. The nostalgia around pre-revolutionary Iran was so visceral that it became a part of my growing up. All the joys and the rituals and the arts went underground or behind closed curtains, but we still had them. And our parents talked all the time about what Iran used to be.
What sorts of books were in your family home? You had to be careful about what books you kept. So my parents kept very few novels, history books, or anything cultural, political, or even allegorical. Of course we kept the old poets: Rumi and Hafez and Sa’adi. There was The Shahnameh, of course. And lots of medical books. Shelves and shelves of medical books. Continue reading Interview | Dina Nayeri | Author of the Week
“History is not the past, it is the present. We carry our history with us,” James Baldwin
Pete Ayrton, editor and publisher, who in 1986 founded Serpent’s Tail which he retired from in 2016, has teamed up with Rosemarie Hudson, the founder of HopeRoad (2010) to head up a new imprint: Small Axes.
The publication and promotion of literature from Africa, Asia and the Caribbean which challenges cultural stereotyping is becoming ever more urgent in the face of rising authoritarianism in the US, UK and across Europe.
The Small Axes list will focus on republishing post-colonial classics that helped to shape cultural shifts at the time of their printing and remain as relevant today as when they were first published.
“He lapsed into bitterness, as people tended to do now, despite some shreds of conviction that still remained that Britain was an honourable adversary. ‘Over three hundred lives,’ he said. ‘A hundred Indians for each Briton. That is their scale, the scale by which they value themselves and against which we are measured. That is what we are up against: not their greed, or their anger, nor land hunger, nor the need to trade, but their arrogance, the mentality that produces such policies and acts.’”Continue reading Review | The Nowhere Man, Kamala Markandaya | Small Axes
So refugee week is over. The fact that the UK is the only country in Europe where refugees who arrive looking for a safe haven are detained indefinitely, and are often sent back home to face persecution, torture or death, will be kicked into the long grass once again. Certain politicians continue to use the language of disaster and provoke fear by swelling numbers of arrivals, backed by box-ticking Home Office officials.
Lucy Popescu is a author, editor and arts critic with a background in human rights. She worked with the English PEN for over twenty years and was Director of its Writers in Prison Committee from 1991 to 2006. Her most recent anthology is A Country to Call Home which focuses on the experiences of young refugees (Unbound, 2018). Lucy is the chair of the Authors’ Club Best First Novel Award; teaches creative writing at the Working Men’s College in Camden; curates literary evenings at Waterstones; is a Trustee of the JMK Award for Theatre Directors; and mentors refugee writers at Write to Life, Freedom from Torture’s creative writing group.
Tell us about your childhood and where you grew up I grew up in Oxfordshire. My late mother was the children’s author, Christine Pullein-Thompson so I was put on a pony before I could walk. It’s a beautiful part of England and I loved hurtling round the woods and hills on a pony – following in my mother’s hoof steps – she grew up in Peppard. Years later, I found out that I had lived in a world that many horse mad girls envied.
Were your parents great readers? What were the books that made you fall in love with reading? I come from a family of writers and grew up surrounded by books. I read hand me downs of Charles Kingsley’s The Water Babies and E. Nesbit’s The Phoenix and the Carpet and loved C.S. Lewis’s Narnia books as a young child. I also read all my mother’s books and then the books written by her sisters . . . That took some time. I was a precocious reader. I wanted to know why, aged nine, I was banned from reading Vladimir Nabokov’s Lolita. I also read Wuthering Heights too young and thought Heathcliff was a romantic hero. I devoured JD Salinger’s Catcher in the Rye as a teenager.Continue reading Interview | Lucy Popescu | Author of the Week
“The flooding was not going to subside. Linden had turned off the TV. He had felt slightly nauseous. The Seine’s upwelling had upset him, but his parents’ state worried him all the more. The bad timing of their visit to Paris stupefied him. How could their family weekend have turned into such an ordeal?”
After a prolonged separation, the Malegarde family is set to celebrate the fortieth wedding anniversary of Paul and his wife Lauren, as well as his seventieth birthday. It is a shock for the elderly couple used to secluded rural life in the Drôme valley to arrive in a capital saturated by monsoon-like rain. Linden and Tilia, based in San Francisco and London respectively, join their parents in Chatterton Hotel in the 14th arrondissement. The family has not been reunited in such a way since they were teenagers. Continue reading Review | The Rain Watcher, Tatiana de Rosnay | Book of the Week
Human beings are violent creatures so exposure to traumatic events which leave an unspoken legacy is nothing new. What is new is 24/7 web browsing, social media, TV and online streaming creating multiple exposure and repetition, and endless cyber avenues of escape from a painful reality.
Different people react in different ways to similar events – not all people who experience the same traumatic event will be severely disrupted. It is estimated that 80% of those in rehab for addiction in the UK and US have been traumatised at some point.
If what happened has been forgotten or silenced, memory and feelings can live on, and be passed on down the generations. These emotional legacies are generally hidden, encoded in myriad ways, from gene expression to everyday language, playing a far greater role in emotional and physical health than has been realised until now, since discoveries have been made thanks to the revolution in neuroscience research.Continue reading Review | Unspoken Legacy, Claudia Black | Central Recovery Press
Maggie Gee was born to working-class parents, and climbed into an uneasy place between classes. She was educated at state schools, and won a major open scholarship to Somerville College, Oxford where she did an MA in English literature and an MLitt on Surrealism in England. She was one of the original Granta 20 Best of Young British Novelists in 1983.
Gee has published fifteen books, thirteen of which are novels, including her latest, which is published by Fentum Press, Blood. A new, extended and updated edition of her 2014 novel Virginia Woolf in Manhattan has just been published by Fentum in the US.
She is a Fellow and Vice-President of the Royal Society of Literature, a Professor of Creative Writing at Bath Spa University, and was awarded an OBE for services to literature in 2012. She is a Non-executive Director of the Authors’ Licensing and Copyright Society.
Hear the Podcast of our conversation if audio is your thing
You grew up in Dorset before moving to the Midlands. Tell us about your early years. My first memories are of running on a beach, which is probably significant since I’ve always been drawn back to the sea. I had a brother so we ran around and I did boy’s things. Continue reading Interview | Print & Podcast | Maggie Gee, author
What sorts of books were in your family home? My childhood home was packed with books. There were a lot of scripts and poetry collections as well as books that my parents used for research. I remember flicking through a book about witchcraft when I was about six or seven and asking Mum if I could take it to school. I imagine at the time my father was doing a production of ‘the Scottish play’ as he’d call Macbeth.Continue reading Interview | Lucy Tertia George | Author of the Week
The Governesses by Anne Serre | Translated by Mark Hutchinson | Les Fugitives
Published 25 March, 2019 | PB 120 pages ISBN 978-978-0993009396
“Experience had shown you, however, that no pact lasts forever. You knew that the members of the household would once again be shuffled together like playing cards, and that when the next hand was dealt the alliances would fall out differently.”
The Governesses is a most unusual erotic fable about sex and power, illusion and eroticism, beautifully translated from the French into supremely elegant, languid prose. Its atmosphere is reminiscent of Alain Fournier and Julien Green.
Inès, Laura and Eléonore are governesses, responsible for four boys. The “mistresses of games and pleasure” they radiate a wild and frisky innocence, and have the run of the upstairs salons in the country house of Monsieur Austeur and his wife, Julie. “The excessive silence of the households they wait upon” may be “conducive to reading thinking and raising little boys who are champion hoop rollers, and to the elderly gentleman’s repose, and the waning love of Monsieur and Madame Auster,” but it is stultifying. Their employers’ home is “a boundless void.” The young women have nowhere to go, and there are no distractions.Continue reading Book 2 Review | The Governesses, Anne Serre & Now, Now Louison, Jean Frémon | Les Fugitives