What an odd post-pandemic year 2022 has been, deranged in so many ways, over and beyond the realities of Brexit hitting home, and the depressing normalization of exploitation by the Government and giant corporates across the board, as we enter “a different kind of recession where there are still lots of jobs but the recession is around our wages,” according to James Reed.
Established in 2019, Fum d’Estampa Press publishes award-winning Catalan language poetry, fiction and essays in English translation. Its founder, Doug Suttle, tells us what inspired him, why the attraction to Catalan language and literature in particular, and what is so special about Barcelona.
Tell us a bit about your childhood and where you grew up.
I grew up in a leafy suburb of south London before heading up to Nottingham for my teenage years.
Were your parents great readers? What were the books that made you fall in love with reading?
My parents read a lot. They always have. I remember my father reading The Lord of the Rings and The Little Grey Men Go Down the Bright Stream to me as bedtime stories when I was a child. I remember going to sleep dreaming of Shadowfax and Ring Wraiths! I was also surrounded by Penguin Ladybird books about history and explorers, etc. I then quickly moved into reading whatever I could get my hands on. I think I was a pretty avid reader growing up. And that’s thanks to my parents.
A journalist, translator and editor . . . how did you end up in Catalonia?
Long story! I was looking for a change and had been travelling around Latin America for a while but was keen to try out something a little closer to the UK. I ended up in Catalonia. It’s got it all – mountains, an amazing coastline, wonderful cities, and a rich, varied culture.
“He stood at the edge of the pavement, exactly on the corner, a full head higher than those around him. Olivia waited for him to dip his head as a sign of respect, but he stood there, very still, his hard blue eyes fixed on the oak coffin. Then he stepped forward and it seemed for a moment that he wanted to touch the coffin, to make the last contact with her grandmother before she was buried. Slowly, he lifted his head back, looking to the sky, then he jerked forward and spat a long stream down the window of the hearse.”
When all else fails and no peaceful solution can be found to end a struggle to control a country or a region, to achieve independence, or to force a change in government policy, warring camps form, families and communities are divided, and the killings and atrocities begin. The time and place and context might vary but the root cause for people taking up arms against each other is always the same: the pernicious polarisation of hate.
Today the United Kingdom, after over three years of turmoil, officially leaves the European Union. Plus ça change. Its relationship with Europe over the past thousand years has always been one of conflict and collaboration. The historian David Starkey has argued that Henry VIII’s break from the Catholic Church in Rome made him the first Eurosceptic. “Catholic Europe was now the threat, the launch pad for invasion. In other words Henry was the first Eurosceptic: the xenophobic, insular politics he created have helped to define English history for the past five centuries.”
The exuberant 10th anniversary of a small European literary festival, Literaturhaus Europa, held in the Wachau region of Austria, throws into sharp relief the cultural poverty we potentially face post-Brexit.
European Literature Days frequently punches above its weight, luring prominent international writers to participate in workshops and panel discussions over a long weekend. The theme this year was film, literature and literary adaptation. Continue reading Guest Feature | Lucy Popescu @lucyjpop | European Literature Days, Literaturhaus Europa