Anna Kim’s The Great Homecoming, published by Granta Books just before Lockdown is a sweeping tale of friendship and betrayal that explores the devastating impact of the Korean War, Russian and American politicking and the Cold War on individuals, families and cities in Korea and Japan during the 1950s and ’60s.
Anna Kim was born in Daejeon, South Korea but grew up in Austria and wrote the novel in German. She has garnered much praise and recognition for her previous work, and is the recipient of, among other accolades, the Austrian State Fellowship for Literature and the 2012 European Union Prize for Literature, for her second novel Frozen Time. This slick and accomplished translation by Jamie Lee Searle is sure to widen Kim’s fanbase and acclaim, and rightly so.
The novel begins in the present day. A young translator, Hanna, who was born in South Korea but then adopted by a German couple, visits an elderly Korean man, Yunho Kang, who lives in the American missionary quarter in Seoul. When Hanna translates a letter that Yunho has received from America informing him of the death of a Mrs Eve Lewis, he embarks on reminiscing about Eve Moon, or Yunmee – for she is a woman of many names and identities – and his friend Johnny, in Seoul in 1959. Continue reading Guest Review | Rachel Goldblatt | The Great Homecoming, Anna Kim | Granta Books
T. J. Gorton’s debut novel Only the Dead: A Levantine Tragedy (Quartet Books) has been shortlisted for the Author’s Club First Novel Award. The winner will be announced tomorrow, Sunday 17th May, at the Authors’ Club LitFest Online 2020.
The narrative moves back and forth between civil war in Beirut and the Levant of 1915-18, as Vartan Nakashian, an Armenian from Aleppo, looks back over his tumultuous life, involving espionage, betrayal and revenge at a time of war and genocide. Here is an extract to give you a taste of the author’s style and voice. You can buy a copy of the novel HERE
“Dust motes danced in the sunbeams. Leaning back, he watched their senseless, ceaseless movement and for some reason thought again of old Bustros, the patriarch of a great Greek Orthodox tribe. He would be amazed to see his house today, nearly two hundred years after he built it; surrounded by roads and overlooked by an office block, its gar- dens bulldozed for another road that never happened, was never intended to happen. Turned into a no-man’s land where the militias dump bodies, sometimes burning them. Another reason to keep the windows shut, the oily smoke reeking of gasoline and barbecue. As though anyone cared to identify yesterday’s victims. It’s tomorrow’s they’re worried about. Continue reading Extract | Only the Dead: A Levantine Tragedy, T. J. Gorton
The Horseman’s Song is the sixth in the Martin Bora series and follows on from the success of Road to Ithaca, Tin Sky, A Dark Song of Blood, Lumen and Liar Moon, also published by Bitter Lemon Press.
“Bora felt kinship for the dead. The ancient and the new, the long buried and the exposed, those over whom people wept, and the dead whose name or gravesite no one knew. All of them claimed brotherhood with him tonight. It might be the balmy scent of the evergreens brushing against his boots, or the day closing like an eye, or knowing that Lorca was dead, as was Colonel Serrano’s son. The man from Mockau, too, was as dead “as all the dead of the earth”, in Lorca’s own words. It might be any of those things, but his narrow escape only made him kin to the bones of Spain.”
A whole generation was passionately entangled in the Spanish Civil War – politically, militarily and ideologically – preceding World War Two. Foreign volunteers actively participated, siding with different factions. Several countries defied the Non-Intervention Agreement, and also took sides, contributing arms, funds or fighters. Picasso’s Guernica is the most famous image of the 1936-1939 clash of bourgeois democracy vs. Fascist aggression. Continue reading Review | The Horseman’s Song, Ben Pastor | Book of the Week