Our April top 10 indie reads take in Albania, Arabia, Sri Lanka, Turkey, the Balkans, the Caribbean, Mediterranean, Indian and Pacific Oceans, along with the Best of British crime, poetry, and experimentalism.
Negative Space by Lulketa Lleshanaku trs. Ani Gjika (Bloodaxe Books) buy here Winner of an English PEN Award
“At night the voice of the river is totalitarian
like his alcoholic father’s breath
that blows against his neck after a haircut.
And he doesn’t dare look back at what he did.
His vision doubles, two pasts,
two version of the truth,
two women to fall in love with,
two lives to escape.
But which of them is real? Which an illusion?”
“As far as Jamal could tell, only two things were wrong: a dirty yellow vapour was streaming from the canister and everyone in the compound was dead. The smoke that made Jamal cough and choke in his hut was partly from the contents of the canister and partly from Auntie Sheema, who had fallen onto the cooking fire.” [page5]
Is it a bird? Is it a plane? No, it’s a terrorist!
Jamal lives in West Africa. His hut is set apart, away from the family compound, because of something that makes him twitch, something that may or may not be in his head, which may be evidence of black magic. “After his mum died and his grandfather left, taking all the palm wine from his uncle’s store, everyone told Jamal that he was unlucky.” The fact that he is “marked by spirits” is what saves the boy when terrorists attack the village, since he is overlooked.Continue reading Review | The Ghosts & Jamal, Bridget Blankley | Book of the Week
Our eclectic November top ten reads rejoice in strong women and have a radical, cosmopolitan flavour. We continue our celebration of 15 years of the Childrens’ Bookshow, highlighting two more books featured in this year’s tour. Happy reading! Georgia @bookblast
Rasputin and Other Ironies by Teffi (Pushkin Press) buy here Translated by Robert Chandler, Elizabeth Chandler, Rose France, Anne Marie Jackson
“A semi-literate peasant and a counsellor to the Tsar, a hardened sinner and a man of prayer, a shape-shifter with the name of God on his lips. They called him cunning. Was there really nothing to him but cunning? I shall tell you about my two brief encounters with him . . .” Teffi’s portrait of Rasputin, and her description of his unwanted advances, is a disturbing reminder of how sex-pests using positions of power to get their dirty way are not a new phenomenon. All of the women saying #MeToo on Twitter are standing on the shoulders of the women who came before them.
Nadezhda Aleksandrovna Lokhvitskaya – who wrote under the pseudonym Teffi – was born in 1872 into a family prominent in Saint Petersburg society. An essayist, poet and playwright, she became so popular that there were Teffi sweets and a Teffi perfume. She supported socialism and the 1905 revolution, and worked for the first Bolshevik paper, New Life, which was later shut down by the Leninist authorities. She left Russia in 1919 and settled in France, where she died in 1952. Her engaging, witty and empathic writing belies a bleak undertow of loss and nostalgia for lost worlds as she writes about life before the revolution, fellow writers, emigration, and life in Paris.
Oriana Fallaci by Cristina de Stefano (Other Press) buy here Translated from the Italian by Marina Harss
Good writing and good ideas of all kinds make the world go round! Since we first began our celebration of independent publishing in February 2015, seasonal newsletters rounding up our exclusive interviews and curated eclectic reads have been emailed to friends in the publishing and media industries in the UK, US and France. All the wonderful feedback received over the years has been sustaining and heartening. For readers who have missed out on our latest activity, here’s a taste of what’s been happening . . .
“To define is to limit” ― Oscar Wilde
Dandy at Duskpublished by Head of Zeus on 5 October, is hailed as a “future classic” by Nicky Haslam, the interior designer and founder of the London-based interior design firm, NH Studio Ltd. Meet the author, Philip Mann, to whom we asked, “Why do you write?” . . . “Because I inexplicably missed out on being a film star.” He writes about Soho Bohemia, in his exclusive guest feature: “For thirty years I hid my fame in taverns“. Our other guest writer this month, freelance writer, journalist and cultural historian C.J. Schüler, writes about all things dandy. Continue reading BookBlasts® | Autumn Reads for Independent Minds
Our monthly round up of deliciously eclectic, mind-altering reads to see us into the Autumn now that summer is over.
Uncovering a Parisian Life
The Madeleine Project by Clara Beaudoux, translated by Alison Anderson (New Vessel Press) buy here
A young woman moves into a Paris apartment and discovers a storage room filled with the belongings of the previous owner, a certain Madeleine who died in her late nineties, and whose treasured possessions nobody seems to want. In an audacious act of journalism driven by personal curiosity and humane tenderness, Clara Beaudoux embarks on The Madeleine Project, documenting what she finds on Twitter with text and photographs, introducing the world to an unsung 20th century figure. Along the way, she uncovers a Parisian life indelibly marked by European history. This is a graphic novel for the Twitter age, a true story that encapsulates one woman’s attempt to live a life of love and meaning together with a contemporary quest to prevent that existence from slipping into oblivion. Through it all, The Madeleine Project movingly chronicles, and allows us to reconstruct, intimate memories of a bygone era.
The BookBlast® Diary will be running a review and an exclusive interview with the Author at the end of the month.
“A room without books is like a body without a soul,” Cicero.
Little children do what grown-ups do. So when mother and father read aloud to them at bedtime and enjoy doing it, a positive precedent is set. As books and ideas become a staple of home life, the pleasures of discussion and debate continue into adulthood. Reading also alleviates boredom and loneliness, which I remember from my own childhood: books were my first friends.
Home learning is one thing, school learning another. As the curriculum gets more and more intense, packed with demanding schedules, the fun of learning dissipates. In her exclusive interview with BookBlast®, Siân Williams, the founder of The Children’s Bookshow says that a core aim of the tour is “to bring the children joy”. Writers and illustrators who go to schools to do workshops and work with the children on their own creative writing are bringing with them the gift of storytelling. Once learned it is never forgotten – a bit like riding a bike – even though exams, and then life, take over. After all, as adults, we are surrounded by every imaginable kind of storytelling, in myriad forms.Continue reading Review | Yours Sincerely, Giraffe & The Fire Horse by Megumi Iwasa & Mayakovsky, Mandelstam, Kharms
Tell us a little bit about yourself. I grew up in Canada and came to Japan when I was 20 without knowing any Japanese. After a year of studying the Japanese language in Kyoto, I entered a university in Tokyo where I majored in Cultural Anthropology. My first job after graduating was translating project reports from Japanese into English for a Japanese-based consulting engineering firm. I worked there for 3 years, learning how to translate on the job. During that period, I got married to a Japanese architect and, just after our first child was born, we moved to the island of Shikoku. I began translating freelance while raising two children and have continued translating in a variety of fields ever since.
When you were growing up, what books had an impact on you? From a fairly young age, I read anything and everything I could get my hands on, which in our house was a lot as my grandmother was once a children’s librarian. Books were my escape from the reality of school life, which I found quite unkind at times, so I read a lot of fantasy, adventure stories and historical fiction. Books I particularly remember and that I kept going back to include The Chronicles of Narnia, Lord of the Rings, The Earthsea Cycle, Alice in Wonderland, especially all the crazy poetry, The Last Unicorn and The Once and Future King. I also loved things like Ann of Green Gables, Emil and the Detectives, Heidi, Paddington, Who Has Seen the Wind by W.O. Mitchell, and Russian Fairy Tales, as well as such authors as Margaret Lawrence, Farley Mowat, Gerald Durrell, Rosemary Sutcliffe, Madeleine L’Engle, and Patricia McKillip. I could go on and on so I will stop here!!Continue reading Interview | Cathy Hirano | Translator of the Week
What is The Children’s Bookshow and how did you dream up the idea? It’s a national tour which takes place each autumn in theatres across the country ranging from the Old Vic to the Liverpool Philharmonic – 15 venues in total. The tour takes writers and illustrators into those theatres to read their work to children, and to go to schools to do workshops afterwards and work with the children on their own creative writing. The idea came about because the Centre for Literacy in Primary Education for which I was doing some freelance publicity brought out a book – a compilation – called Simply the Best Books for Children. Since it was an institution rather than a publisher, it was very difficult for them to get distribution and I knew that having been a publisher. So I said, “If we can’t get it into the bookshops since they aren’t keen on books which are a bit out of the normal, what we’ll do, is promote it like Captain Corelli’s Mandolin which became famous by word of mouth.” And so we took the book into libraries and bookshops with some of the writers who were in the book. We had a marvellous first tour with Quentin Blake, James Berry, John Agard and others. That’s how it began.