A Musical Offering is Argentinian author Luis Sagasti’s second novel to appear in English. His first, Fireflies (also published by Charco Press and reviewed for The BookBlast Diary) saw translator Fionn Petch nominated for a TA First Translation Prize in 2018, and this is another fine performance from Petch, convincingly reproducing the author’s erudite but effortless prose, with occasional poetic flourishes.
A Note-Perfect Ode to Wonder
The novel opens with an account of the origins of Johann Sebastian Bach’s Goldberg Variations. Suffering from insomnia, Bach’s patron, Count Keyserling, tasks the composer with devising a piece of music that will lull him to sleep. Once completed, the composition is to be played by virtuoso harpsichordist Johann Gottlieb Goldberg, who will deliver these “musical sleeping pills” until the Count finally dozes off. From here, Sagasti leads us into the twentieth century, introducing two famous recordings of the Goldberg Variations performed by Canadian piano prodigy Glenn Gould, one at the beginning and one near the end of his career. Continue reading Guest Review | Victor Meadowcroft | A Musical Offering, Luis Sagasti | Charco Press
The Blessed Rita is a compelling portrait of the forgotten, and Tommy Wieringa makes a convincing case for empathy with those living on the margins of society. There is a chilling beauty to many bleak landscapes and this stark portrait of a remote Dutch community, expertly translated by Sam Garrett, reminds us that the same is true in literature. Continue reading Guest Review | Lucy Popescu | The Blessed Rita, Tommy Wieringa | Scribe UK
Since the first seven episodes of our weekly series Bridging the Divide: Translation and the Art of Empathy went live in July, there are still eight episodes to look forward to. The hosts, Georgia de Chamberet and Lucy Popescu, interview independent publishers, their authors and highly creative translators filling a unique niche in showcasing myriad inner and outer worlds thereby enriching our literary culture.
When reading, do you “hear” the book as if it is being read to you by the author?
The voice tells us so much about a person. Where they come from, their personality and how they’re feeling. As important as the voices in writers’ heads are those that are heard by readers. Hearing authors and translators talk describe their vision and craft in our Bridging the Divide series will enhance your reading of their books.
Catch up, listen up!
Interview | J.S. Margot, author of the memoir Mazel Tov
What happens when a young Flemish woman at university in Antwerp teaches the four children of an Orthodox Jewish family to earn a bit of extra money? How does her first great love for an Iranian political refugee evolve? Read Henrietta Foster’s review HERE
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Continue reading Podcast LIVE | The latest on Bridging the Divide: Translation and the Art of Empathy
Starting a new job in the middle of a global pandemic is not something many people would find enviable, though I was obviously delighted for the opportunity as so many others were being furloughed. When I began working for BookBlast in West London, it was in the context of not knowing what the weeks and months ahead had in store. I was meant to be starting an internship at Bloomsbury in April, which was postponed indefinitely due to Covid-19. With the prospect of an endless stretch of time ahead with no work, and any notions of career progression firmly on hold, I had a sinking sense of dread about the rest of 2020. Continue reading Guest Feature | Rachel Goldblatt | Dispatches from the Intern’s Desk
Tazmamart was an underground military prison in southeast Morocco where those considered enemies of the king were detained from 1972 to 1991. It was built after two failed coup d’états against Hassan II of Morocco. On 10 July 1971, around a thousand soldiers were driven to Skhirat palace, where the king was celebrating his birthday and when a shot was fired, panic ensued. Hassan survived the mayhem and those deemed responsible were rounded up and dispatched to Kenitra prison. Many of those detained were unwitting participants in the alleged coup and, like Aziz BineBine, a recent graduate of the Royal Military Academy, had not fired a shot. He was one of several army officers sent to Kenitra and later to Tazmamart. Continue reading Guest Review | Lucy Popescu | Tazmamart: 18 Years in Morocco’s Secret Prison, Aziz BineBine | Haus