“My name is Fatima Daas. The name of a girl from Clichy who crosses the tracks to get to school.”
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events. Continue reading Review | The Last One, Fatima Daas, trs. Lara Vergnaud | HopeRoad Publishing
Continuing BookBlast’s series of interviews with the founders of independent presses, we catch up with Justin David, the publisher at www.inkandescent.co.uk and author of The Pharmacist and Kissing the Lizard ; and Nathan Evans, the editor at www.inkandescent.co.uk and author of Threads and CNUT. His forthcoming novella, One Last Song, is due for imminent release.
Are (were) your parents great readers? What were the books that made you fall in love with reading?
JUSTIN: Both of my parents are avid readers. As a child, I always saw my whole family with books in their hands. I wouldn’t say they exactly read widely but the act of reading was popular. Dad was always a fan the Douglas Reeman novels about Richard Bolitho and mum was much more of a Catherine Cookson and Mills and Boon type so I wasn’t exactly inspired to go and read the Canon as it were. Though both of them now read my own work.
I can’t remember a time when I didn’t enjoy reading, so it’s difficult to say when and which book made me fall in love with the act of reading. What I can say is that I became more excited about reading was when I was allowed to choose my own books at the library and then when I got to secondary school we were made to read an awful lot of apocalyptic dystopian novels like John Wyndham — The Triffids, The Chrysalids, The Midwich Cuckoos. And then later on I got into horror and science-fiction which meant Stephen King and J.G. Ballard, back then. I don’t think I realised there was such a thing as queer literature though it would’ve been helpful in those days to have been introduced writers like Jeanette Winterson and Patrick White. Truth be told, it was when I was at art school that I started reading the children’s fiction of Philip Ridley and his adult plays like The Fastest Clock in the Universe and the Pitchfork Disney. The college library was full of this stuff and I just swallowed it all up. That’s when I realised that there was so much more to be explored. Continue reading Interview | Justin David and Nathan Evans, Directors, Inkandescent | Indie Publisher of the Week
East London-based independent publisher Inkandescent “was ‘founded by outsiders for outsiders’ to celebrate original and diverse talent and to publish voices and stories the mainstream neglects – specifically those of the working class and financially disadvantaged, ethnic minorities, the LGBTQ+ community and, crossing the Venn diagram, those with physical disabilities and mental health issues,” write Justin David and Nathan Evans in their introduction to MAINSTREAM. Continue reading BookBlast® Discoveries | Top 5 Reads for Independent Minds from Inkandescent
Turf Wars is the second of Olivier Norek’s Captain Coste trilogy, set in the banlieues of Paris.
Norek has an unusual C.V. Born in Toulouse in 1975, he worked for a humanitarian charity in in the 1990s, and contributed to the re-construction of hospitals and refugee camps in Guyana and the former Yugoslavia. He then joined the French marines for two years, before becoming a policeman in 1997. After working in the police force in Paris for eighteen years, he started his fourth career: crime writer. To date, he’s published six novels and he was one of the writers for the sixth series of Engrenages (Spiral). Continue reading Guest Review | Turf Wars (2) Olivier Norek trs. Nick Caistor | MacLehose Press
Sverker Johansson’s The Dawn of Language, adroitly translated by Frank Perry, weighs in at over 400 pages. We’re in the age of Great Simplifiers: each month produces a new crop of hefty volumes.
The Great Simplifiers
Each new volume aims to survey and simplify complex, important scientific arguments for a fairly well-educated reading public. These tomes resemble each other in their ambitions: they review tons of recent research; they give their readers an impression of the intensity and importance of debates; they’re stuffed with colourful examples to hold their reader’s attention; and – usually – they conclude on a vaguely re-assuring, half-optimistic note. As you look closer, differences become apparent. Continue reading Guest Review | Sharif Gemie | The Dawn of Language: Axes, lies, midwifery and how we came to talk – Sverker Johansson | MacLehose Press