Stalking the Atomic City by Markiyan Kamysh must be one of the strangest examples of tourist literature ever written. Its focus is about visits to ‘the Zone’: the radioactive Exclusion Zone around the devastated nuclear power plant at Chornobyl (the Ukrainian spelling of the place). Markiyan Kamysh describes his frequent illegal visits to the Zone during the 2010s, before the Russian invasion. At first, these sound unbelievable. Why would anyone want to crawl through barbed-wire fences, run from border guards and — in winter — suffer below freezing temperatures as they spent days and nights sleeping rough in decaying apartments and collapsing industrial machinery?
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Guest Review | Victor Meadowcroft | A Musical Offering, Luis Sagasti | Charco Press
A Musical Offering is Argentinian author Luis Sagasti’s second novel to appear in English. His first, Fireflies (also published by Charco Press and reviewed for The BookBlast Diary) saw translator Fionn Petch nominated for a TA First Translation Prize in 2018, and this is another fine performance from Petch, convincingly reproducing the author’s erudite but effortless prose, with occasional poetic flourishes.
A Note-Perfect Ode to Wonder
The novel opens with an account of the origins of Johann Sebastian Bach’s Goldberg Variations. Suffering from insomnia, Bach’s patron, Count Keyserling, tasks the composer with devising a piece of music that will lull him to sleep. Once completed, the composition is to be played by virtuoso harpsichordist Johann Gottlieb Goldberg, who will deliver these “musical sleeping pills” until the Count finally dozes off. From here, Sagasti leads us into the twentieth century, introducing two famous recordings of the Goldberg Variations performed by Canadian piano prodigy Glenn Gould, one at the beginning and one near the end of his career. Continue reading Guest Review | Victor Meadowcroft | A Musical Offering, Luis Sagasti | Charco Press
Guest Review | Lucy Popescu | The Blessed Rita, Tommy Wieringa | Scribe UK
The Blessed Rita is a compelling portrait of the forgotten, and Tommy Wieringa makes a convincing case for empathy with those living on the margins of society. There is a chilling beauty to many bleak landscapes and this stark portrait of a remote Dutch community, expertly translated by Sam Garrett, reminds us that the same is true in literature. Continue reading Guest Review | Lucy Popescu | The Blessed Rita, Tommy Wieringa | Scribe UK
Interview | Lucy Popescu | Author of the Week
Lucy Popescu is a author, editor and arts critic with a background in human rights. She worked with the English PEN for over twenty years and was Director of its Writers in Prison Committee from 1991 to 2006. Her most recent anthology is A Country to Call Home which focuses on the experiences of young refugees (Unbound, 2018). Lucy is the chair of the Authors’ Club Best First Novel Award; teaches creative writing at the Working Men’s College in Camden; curates literary evenings at Waterstones; is a Trustee of the JMK Award for Theatre Directors; and mentors refugee writers at Write to Life, Freedom from Torture’s creative writing group.
Tell us about your childhood and where you grew up
I grew up in Oxfordshire. My late mother was the children’s author, Christine Pullein-Thompson so I was put on a pony before I could walk. It’s a beautiful part of England and I loved hurtling round the woods and hills on a pony – following in my mother’s hoof steps – she grew up in Peppard. Years later, I found out that I had lived in a world that many horse mad girls envied.
Were your parents great readers? What were the books that made you fall in love with reading?
I come from a family of writers and grew up surrounded by books. I read hand me downs of Charles Kingsley’s The Water Babies and E. Nesbit’s The Phoenix and the Carpet and loved C.S. Lewis’s Narnia books as a young child. I also read all my mother’s books and then the books written by her sisters . . . That took some time. I was a precocious reader. I wanted to know why, aged nine, I was banned from reading Vladimir Nabokov’s Lolita. I also read Wuthering Heights too young and thought Heathcliff was a romantic hero. I devoured JD Salinger’s Catcher in the Rye as a teenager. Continue reading Interview | Lucy Popescu | Author of the Week
Interview | Ben Pastor, novelist | Author of the Week
Author, BEN PASTOR, lived for thirty years in the United States, working as a university professor, before returning to Italy to write historical thrillers. Bitter Lemon Press have published six of her novels to date.
Where were you born, and where did you grow up?
I was born in Rome, and grew up in the hill country southeast of the city. Ten elements typified our small town: Roman ruins; rainy springs; olive groves; sparkling red wine; farm women dressing in beautiful traditional garb on holidays; the Thursday fair; more steps than streets (a problem and a good exercise for my family doctor father); a tall church steeple from where you could glimpse the sea in the far distance; cats, dogs, and farm animals of all kinds; the feeling that the world was orderly, cyclical, and safe.
What sorts of books were in your family home?
All sorts (except pornography) and too many to count. As children, my sister Simona and I used to read avidly, and then have a picnic on top of the tall bookshelves of the family library. Years later, we found mummified little pieces of sandwiches behind the furniture when we moved out. Mother had a passion for nineteenth-and-twentieth-century literature: the great French, English, Spanish, Russian, Italian, American authors . . . Father loved geography, history and mysteries; all of us had a fondness for poetry and art. From The Epic of Gilgamesh to Nicholas Nickleby, from Blood and Sand to Dead Souls, the steps to culture and to our picnic place were all there! Continue reading Interview | Ben Pastor, novelist | Author of the Week