The third talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Ra Page, founder and CEO of Comma Press, based in Manchester. Their “Reading the City” series of collected writings takes the literary adventurer down diverse explorations off the beaten track at home (such as The Book of Liverpool, The Book of Leeds) and abroad (such as The Book of Gaza, The Book of Havana, The Book of Riga, The Book of Tblisi). Continue reading BookBlast® 10×10 Tour | Thurs 20 Sept., Waterstones, Leeds, 6.30 p.m. | C. D. Rose, Ian Duhig @commapress
The BookBlast® celebration of independent publishing was kicked off in 2016 via online journal The BookBlast® Diary, idea being to showcase daring, risk-taking small publishers who fill a unique niche discovering talent, publishing authentic and offbeat books which add value to the cultural landscape.
We are now going offline and into the 9 regions of England this Autumn with THE BOOKBLAST® 10×10 TOUR 2018 in association with Waterstones.
Why not show your support for small independent publishers, writers and translators? Please spread the word and support our KICKSTARTER campaign: you can pledge, enjoy and spread the word HERE…
Come to the first tour event on 11 September at 6.30pm in Waterstones, Gower Street, or to one of the 9 regional talks! We have lots of goodies and tickets to #giveaway so visit us and let everyone know how much you love to support #crowdfunding great new writing and ideas.
The BookBlast® 10×10 Tour is about extraordinary writing inspiring readers to explore what’s happening in the world now. Audiences will encounter writers from the Middle East, Europe, Africa, Asia, the Caribbean, up-and-coming British talent.
Waterstones may be a nationwide chain, but is clearly awake to the potential of small independent publishers and showcasing them to a high-street audience.
The tour connects London and the regions and showcases some of the finest independent-spirited literature and poetry being published today.
I look forward to seeing you all on the campaign trail and at a 10×10 Tour event in the Autumn. Ciao for now! G@BB
Here at BookBlast® we have worked over the past year on an exciting tour happening this Autumn: 10 small independent trade publishers will host author/translator talks in 10 cities over 9 weeks, one in each city (11 September-15 November).
A tour of this kind has not been done before. It is all about celebrating risk-takers in publishing and giving them greater visibility, as well as connecting London and the regions.
We look forward to seeing you at one of the events! Georgia @bookblast
The publication of Amnesia Nights in the UK is a first for Quinton Skinner, the critically-acclaimed author of three novels and non-fiction books on fatherhood and rock ‘n’ roll. A former critic and magazine editor, he has written for publications including Minneapolis Star Tribune, Huffington Post, Variety, Glamour and Literary Hub. He lives in Minneapolis, USA.
Where were you born, and where did you grow up?
I was born and grew up in a working-class area of Columbus, a university city and the capital of Ohio in the U.S.
What sorts of books were in your family home?
There were quite a few. I remember The Ascent of Man, based on the BBC Series of the same name, because it captured my imagination conceptually. My father had a lovely bound series of all the Sherlock Holmes stories. I was preoccupied with an astronomy book in the home and spent a good deal of time as well with the encyclopedia and the world atlas. I also read mountains of age-appropriate stuff from the library down the street. I was the child always with his head down in some kind of printed matter.
Who were early formative influences as a writer?
Virginia Woolf for her vivid interiority. Saul Bellow for compassion and ambition. Denis Johnson for the dark alleys and the byways. Martin Amis for materialism and humor. Of course the first was Dr. Seuss, who obsessed me with his knack for the sideways hidden dimensions both in language and the visual world, a sense of the uncanny that I recognized as familiar to me, and essential to the way I saw (and heard, and spoke) things. There was also a series of crime-solving books revolving around a character called Encyclopedia Brown, which may not be read anymore but which were essential crime procedurals for the under-10 set. Continue reading Interview | Quinton Skinner, author
THE BOOKBLAST® 10×10 TOUR
A CELEBRATION OF INDEPENDENT PUBLISHING
11 SEPTEMBER – 15 NOVEMBER 2018
A Nationwide Festival of Independent Publishing!
A carnival of authors, poets, translators and publishers, under the banner of trailblazing agency BOOKBLAST® created by Georgia de Chamberet, will be travelling to major cities across England, showcasing some of the finest independent-spirited literature and poetry being published today.
THE BOOKBLAST® 10×10 TOUR, in association with Waterstones, will visit nine regions of England, celebrating risk-taking publishers who fill a unique niche in discovering talent. The tour connects London and the regions.
This tour is about extraordinary writing. Writing that surprises, amazes and intrigues. Writing that challenges, disrupts and demands. Writing that is from the margins of culture portraying areas of life that the traditionalist mainstream often ignores. The tour will inspire readers, existing and new, to explore what’s happening in different parts of the world now, and to immerse themselves in the unfamiliar. Audiences will encounter writers from the Middle East, Europe, Africa, Asia and the Caribbean. With these events, BookBlast® aims to unite people in the spirit of friendship and exchange.
THE BOOKBLAST® 10×10 TOUR launches in Waterstones Gower Street, located in the heart of Bloomsbury, London, followed by a series of themed talks, each one chaired by a small independent publisher, held in flagship regional branches of Waterstones over 9 weeks. It promises to be a hugely exhilarating celebration of the most electrifying prose and poetry being created today. Continue reading Media Release | THE BOOKBLAST® 10×10 TOUR in association with Waterstones
“Chilli bean paste was big business, had been for Gran’s family for four or five generations. Sichuan peppers, on the other hand, were the sort of thing any small trader could sell. All they needed was a place to set up their stall. But, humble though the trade was, the Sichuan pepper was as essential as chilli bean paste at all Pingle Town dinner tables [. . .] Dad had kicked around the chilli bean paste factory for over twenty years, learning the ins and outs of his trade under the tutelage of his shifu, Chen, and if it had taught him one thing, it was that people were born to sweat. You ate chilli bean paste, and Sichuan peppers, and ma-la spicy hotpot, to work up a good sweat, and screwing a girl made you sweat even more. The more you sweated, the happier you felt, Dad reckoned. He remembered the fiery heat that the sweat-soaked bed-sheets in Baby Girl’s house gave off.”
The Chilli Bean Paste Clan is essentially a rags-to-riches tale about a small-town Chinese family’s survival following on from China’s rapid industrial revolution during Mao Zedong’s rule, and the later economic turmoil of the 1990s. Economic growth entailed a rise in social corruption in all areas of life along with social alienation and a breakdown in moral values.
The Chilli Bean Paste Clan is in the tradition of the neighbourhood novel – a kind of literary soap. The big three authors of the genre are Naguib Mahfouz, William Faulkner and Vasco Pratolini (who did for Florence in the 1940s what Elena Ferrante has done for Naples today; Pratolini became a screenwriter, collaborating in films such as Paisà by Roberto Rossellini, Rocco e i suoi fratelli by Luchino Visconti and Le quattro giornate di Napoli by Nanni Loy.)
A Loving Family
Widowed matriarch, May Xue, is the archetypal grandmother of olden times who loves her family with steely resolve, an overriding concern with social status, and much meddling. She is the owner of the Mayflower Chilli Bean Paste Factory which is run by her youngest son, Shengqiang. His clever, handsome older brother, Duan Zhiming, is away at university being a brilliant Professor while his sister Coral Xue – the family peace-maker – lives in the big city with her family and is a successful TV news presenter. Narrated by Xingxing, the daughter of Shengqiang and Anqin, the tone is warm, sharp-eyed and irreverent.
Shengqiang endured a harsh apprenticeship in the factory stirring the vat of chilli bean paste while his brother went off to university, but now in his forties he is very successful. Money is everything to him – as are regular sex, food and getting drunk with his friends since they make him feel good about himself. His wife is “the only woman in Pingle Town who is fortunate enough to have found a husband as rich and as generous as Dad.” Anqin plays mah-jong, reads novels, goes shopping using her husband’s credit cards and turns a blind eye to his succession of mistresses, until one falls pregnant . . .
Shengqiang was close to his older brother Zhiming when growing up, since “he got good marks, he could play snooker and he could pull the girls, [. . .] and was the coolest dude in Pingle Town.” But after Zhiming screwed Baby Girl in the notorious red light district, an intense rivalry had developed and intensified over time.
As Gran’s eightieth birthday approaches, the family comes together to plan a great celebration for her. Zhiming takes over organising of the event, reminding his brother Shengqiang that, “We’re the Duan-Xue family. It’s got to be grand, and really classy, but it mustn’t be tacky. The Prince’s Mansion Hotel or whatever, that’s fine, but getting signers along is just a way of throwing money around! The Duan-Xue family’s not like other families. Pingle townsfolk are really uneducated, right? . . . They just do things so-so . . . We’re going to make this a very grand occasion indeed.”
Secrets and Lies
Since Grandad’s death, Shengqiang has been the head of the family, a role which he fills with alcohol-and-nicotine-fuelled capability and underlying irritation. He sets up his mistress Jasmine in an apartment in the same block as his mother, and helps out his brother in law, Liu, when he gets a mistress on the quiet. “That day, like a proper head of the family, he got out the keys and gave them to Uncle Liu. ‘I’ve paid six months’ rent in advance,’ he told him. ‘Now it’s down to you’.” Shengqiang does this despite his action being a betrayal of his sister; he realises that “this was the worst thing he had done to a woman in his whole life.”
Debilitating secrets gradually emerge as preparations are made to hold Gran’s birthday celebration in the Mayflower Chilli Bean Paste Factory yard; programming all manner of festivities entails the involvement of various locals. As tensions build, Shengqiang feels increasingly put upon. His internal monologue comprising lurid thoughts and rude comments – indicative of his emotional immaturity – is both hilarious and bordering on the tragic since on the surface he continues to be the usual compliant son and brother. His frustration boils up to a fever pitch.
It turns out that Gran’s ruthlessness in furthering the family fortunes meant that she forced arranged marriages on her children. As skeletons rattle out of the closet, even she is not immune to the embarrassment of past misdemeanours coming to light.
Gentrification – Chinese-style
The dynamic tension of the Duan-Zue clan mirrors China as it enters the modern era. The fictional protagonists navigate the distinct social and economic peregrinations of where they live; with the neighbourhood playing a central role. The narrative is littered with references to limousines, hostesses, brothels, the County Party Committee, new apartment blocks, the single-child policy, Chinese Mandarin vs. Sichuan dialect, and other tidbits affording insights into Chinese life – as well as food glorious food! I felt increasingly hungry as I read: Sichuan cuisine is delicious, hot and spicy.
“There were no dirt roads left in Pingle Town, and you didn’t see many telegraph poles either. In 2000, or 2001, the powers-that-be got some mad idea into their heads that the town needed a facelift. Up went the stepladders, and the buckets of paint, and all the buildings on, and off; the four main roads were covered in white paint. They looked like they’d been plastered with stage make-up. After that, the stalls and pushcarts were driven out: the purveyors of cold dressed rabbit, chilli turnips and spring rolls, Sichuan eggy pancakes, riceflour shortbread and griddled buns filled with brown sugar, even the scissor-menders and knife-grinders, were all swept ruthlessly from the face of the town. All those old faces so familiar from his childhood just vanished. The few souls that remained retreated into their shells like tortoises and made do with shopfronts as narrow as the gap between your front teeth.”
A curse of capitalism the world over is the homogenising effect of gentrification: towns and neighbourhoods that are cleaned up means that the eccentrics, creatives and impoverished misfits are swept away out of sight and out of mind. This is a global phenomenon: from Ladbroke Grove W10 to The Marais in Paris and the Lower East Side in Manhattan – as in a small town near Chengdu, the capital of China’s Sichuan province, Money makes the world go around . . .
Nicky Harman’s dignified, pacey, idiomatic translation featuring colloquialisms and colourful insults radiates erudite energy, drawing the reader into a world of muddle and intrigue, blending farce and nostalgia.
Yan Ge was a Chinese literary sensation age seventeen, and has twelve young adult books to her name. She is one of the most exciting writers to emerge from contemporary China. The Chilli Bean Paste Clan is one of a trilogy of adult fiction: what will happen next in Pingle Town, Sichuan Province?
The Chilli Bean Paste Clan by Yan Ge, translated by Nicky Harman | Balestser Press 13.99GBP 18.99 USD trade paperback 270pp | ISBN 978 1 911221227 | Winner English PEN award
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Cafés, books and debate are a mainstay of French culture in a uniquely seductive way, so to savour some French flair, head to the Institut français in London this week for the second Beyond Words Festival. Forty writers, translators, actors, musicians and journalists are taking part in talks and live performances, presenting iconic films, and engaging the broader public, not just Francophiles.
How Paris changed the world
Baudelaire looked at what being a bohemian meant and invented the word “modern”; Hemingway made Paris an obligatory destination for aspiring young American writers on their European Grand Tour; the French capital was home to Gertrude Stein, James Joyce, Samuel Beckett, Eugène Ionesco; and Nabokov was published there.
May 2018 marks the 50th anniversary of May 1968 when French workers joined student protesters in Paris with a one-day general strike. Although the government was not overthrown, the protests ushered in a cultural revolution.
The Photo Exhibition AU COEUR DE MAI ’68 by the late French photographer Philippe Gras tells the story of May ’68, fifty years after the event. There is free access to the exhibition at the Institut français during La Médiathèque’s opening hours, until 19 May. Continue reading Spotlight | Staging France: Beyond Words Festival of French Literature, London SW7
Where were you born, and where did you grow up?
I was born in San Juan, Puerto Rico and lived in Gurabo until I was five. After that, my mother moved to Maryland so I spent a lot of my time both there and in my father’s house in Puerto Rico. (And in airplanes. Lots and lots of airplanes).
What sorts of books were in your family home?
I’m not sure actually. I know my mother has several boxes of children’s books somewhere in the basement, but I don’t really remember those. Most of my books growing up were from the library. I’d go once a week, stick my nose in the corner of the fantasy section, and come out with an armful. I know it took several years of rereading before my mother finally gave me the Harry Potter box set for Christmas.
Who were early formative influences as a writer?
Sandra Cisneros — she was the first (and only) Latina writer I ever came across in a classroom growing up. After that I think came the epiphany of “Oh, I can use Spanish in my writing?” Also I still credit my fiction teacher at Brown University, Michael Stewart, for teaching me not only how fiction worked, but how to think about writing for myself.
Gabriel Josipovici is a pre-eminent British novelist, short story writer, critic, literary theorist, playwright, and a regular contributor to the Times Literary Supplement. Georgia’s exclusive interview for BookBlast® celebrates the publication this week of his latest novel, The Cemetery in Barnes, (Carcanet).
You were born during World War Two in Occupied France, what are your memories of that time?
I was born in Nice but we escaped to La Bourboule and Le Mont Dore in the Massif Central during the war. They were spa resorts for people suffering from lung problems, and so were full of hotels – La Bourboule was for children and Le Mont Dore for adults.
My parents had arrived in France newly-married from Egypt. My father had done his studies in French and wanted to go to a French university so he got a place at the University of Aix-Marseille. They lived in Aix while he did his doctorate, and then bought a house in Vence. Somehow they failed to take on board all that was happening. War started and I was born in Nice in October 1940, on the last day they could have got out back to Egypt as they had tickets for a ship. Nice was not the zone libre, but it was under tutelage of the Italians who were good to their Jews.
Continue reading Interview | Gabriel Josipovici, author & critic
Theatre director and writing coach, Andrew Harmon, gives us an exclusive interview from his home near Palm Springs CA. He talks about 1950s Hollywood, writing for the screen and stage, producing ‘Improvisathon ‘85’ for Live Aid at the Donmar Warehouse in Covent Garden, directing and teaching in Scandinavia in the 1980s, and the importance of Zen meditation to boost creativity. The ‘big mind’ process helped Andy to develop his ideas behind the Four Crises of Change and the Change Dialogue techniques which he uses with writers as well as at ‘small is beautiful’ executive development consultancy Actor’s Mind™.
His recently published book, Change Journey: Voices of the Creative Quest, moves through the four crises of authorship, and takes us through the landscape of dramatic storytelling, and the archetypes of mythic drama. Of the various ‘how to’ books available for writers who find themselves stuck down a structural and imaginative rabbit hole, Change Journey is one of the better and decidedly more original ones, offering insights and solutions in a concise and entertaining way.
Harmon’s ‘scientific fairytale’, Freud’s Golem, is a play inspired by Freud’s case studies of The Ratman and The Wolfman. It imagines the case, The Psychoanalysis of a Vampire. Continue reading Interview | Andrew Harmon, theatre director & writing coach