Sophie Lewis is a London-born writer, editor and translator from French (since 2005) and Portuguese (since 2012). She has translated works by Stendhal, Verne, Marcel Aymé, Violette Leduc, Emmanuelle Pagano, Noémi Lefebvre, João Gilberto Noll and Sheyla Smanioto, among others. She was Senior Editor at indie trade publisher And Other Stories from 2010 to 2016. In 2016 she co-founded Shadow Heroes, a workshop series introducing aspects of translation to GCSE-level students. She is now Managing Editor at the Folio Society. This Tilting World by Colette Fellous, published by Les Fugitives on 16 September, is her latest translation.
Where did you grow up? Have you always lived in London? I grew up in Islington in North London. I’m happy to call myself a born and bred Londoner, though my parents were not from here, nor were their parents from where they grew up. I spent my childhood and adolescence in London, and was back and forth between Oxford, Paris and London as a student. My big, very sensible adventure was a move to Rio de Janeiro at the beginning of 2011. My husband got a teaching job there and we took a weekend to decide this was a great plan, despite never having set foot on the continent before. It was a great plan. We stayed for four and a half years. Now we’re back in London we can’t help speculating about making another similar move, though to somewhere as different again. Languages play their part, of course.Continue reading Interview | Sophie Lewis | Translator of the Week
What can the novels Wild Woman by Marina Šur Puhlovski and Under Pressure by Faruk Šehić tell us about the breakup of Yugoslavia which caused such a tectonic shift in Balkan identity?
Each to their war and its troubled aftermath: one in the domestic sphere, the other out on the field and in the trenches. Both are informed by terror, brutality, power struggles and stubborn memories which refuse to go away. The gender split seems clear: survivors of domestic violence are primarily women and war veterans are mainly men – each to their trauma.
So refugee week is over. The fact that the UK is the only country in Europe where refugees who arrive looking for a safe haven are detained indefinitely, and are often sent back home to face persecution, torture or death, will be kicked into the long grass once again. Certain politicians continue to use the language of disaster and provoke fear by swelling numbers of arrivals, backed by box-ticking Home Office officials.
Lucy Popescu is a author, editor and arts critic with a background in human rights. She worked with the English PEN for over twenty years and was Director of its Writers in Prison Committee from 1991 to 2006. Her most recent anthology is A Country to Call Home which focuses on the experiences of young refugees (Unbound, 2018). Lucy is the chair of the Authors’ Club Best First Novel Award; teaches creative writing at the Working Men’s College in Camden; curates literary evenings at Waterstones; is a Trustee of the JMK Award for Theatre Directors; and mentors refugee writers at Write to Life, Freedom from Torture’s creative writing group.
Tell us about your childhood and where you grew up I grew up in Oxfordshire. My late mother was the children’s author, Christine Pullein-Thompson so I was put on a pony before I could walk. It’s a beautiful part of England and I loved hurtling round the woods and hills on a pony – following in my mother’s hoof steps – she grew up in Peppard. Years later, I found out that I had lived in a world that many horse mad girls envied.
Were your parents great readers? What were the books that made you fall in love with reading? I come from a family of writers and grew up surrounded by books. I read hand me downs of Charles Kingsley’s The Water Babies and E. Nesbit’s The Phoenix and the Carpet and loved C.S. Lewis’s Narnia books as a young child. I also read all my mother’s books and then the books written by her sisters . . . That took some time. I was a precocious reader. I wanted to know why, aged nine, I was banned from reading Vladimir Nabokov’s Lolita. I also read Wuthering Heights too young and thought Heathcliff was a romantic hero. I devoured JD Salinger’s Catcher in the Rye as a teenager.Continue reading Interview | Lucy Popescu | Author of the Week
“So many books have been written with Paris as a character and there are so many clichés about its seductive beauty, as a writer you need to find your Paris and step away from the great dark magnet that it is. Often the dark Paris is what is most interesting.” Alicia Drake
The vision of Paris as an intellectual’s city with writers and artists chain-smoking on café terraces, arguing about literature, art and Existentialism has been consigned to the attic by most contemporary novelists at work today who are worth reading. Tatiana de Rosnay and Alicia Drake are two such writers whose vision of the City of Light is anything but a picture postcard. They graced the stage at this year’s Beyond Words French Literature Festival at the French Institute in South Kensington.
There is, of course, some superb non fiction on offer which gives a genuine, riveting, and rather more leftfield take beyond the usual stereotypical reads – my favourite being the memoirs of late, great John Calder who I was lucky enough to know. The Garden of Eros: The Story of the Paris Expatriates and the Post-war Literary Scene is essential reading for anyone curious about visionary entrepreneurs operating in the publishing industry of yesteryear, and the Paris-London-New York golden triangle.