Héloïse Press champions world-wide female talent by giving voice to emerging and well-established female writers from home and abroad.
Erica Mou (b. 1990) studied Literature, Publishing and Journalism at the University of Bari. She is an Italian singer-songwriter and the recipient of numerous international awards. Thirsty Sea, winner of the Readers’ Award of the Lungano Literary Festival 2020, is her debut novel. Erica wrote this book at the kitchen table of her rented accommodation in London.
The image maybe be near-perfect but what lies behind it? Inside a person is like inside the sea: all that lies beneath the surface is not immediately visible.
Nicola is an aeroplane pilot, a very good cook and the ideal son-in-law. He is “the kind of person who doesn’t kill spiders but catches them in jars and frees them out of the window”. He is a perfect catch for Maria who runs an oddball eco-friendly business. As a gift-buying consultant, she is paid by clients to come up with ideas for presents. So her shop is just a big empty space with a table, a chair and a phallic sculpture in the corner reminiscent of Rocking Machine, the art piece created by Dutch sculptor and artist Herman Makkink for Stanley Kubrick’s film A Clockwork Orange. There is “nothing on sale, no shelves, just brilliant ideas.”
Continue reading Review | Thirsty Sea, Erica Mou trs. Clarissa Botsford | Héloïse Press
The daughter of immigrants, Bel Olid is a prizewinning writer, translator and teacher of literature and creative writing. The President of the European Council of Associations of Literary Translators, and President of the Association of Writers in Catalan, she is well known and well respected in Europe for her activism in defense of women and children.
“Those fleeing war are always better received than those trying to escape poverty, especially if the poverty is in a black skin, as if poverty isn’t a bomb that will end up killing you.” (page 14) Continue reading Review | Wilder Winds, Bel Olid | Fum d’Estampa Press
Poetry and fiction by Vladimir Sharov, a medieval historian by education, was first published in the late 1970s. Be Like Children was a finalist for the Russian Booker and Big Book awards.
“My own experience has taught me that being at the centre of events makes you the worst possible witness,” writes the main character of Be As Children (p. 39), introducing a sense of uncertainty and improbability that permeates this long, rambling, immersive novel. Continue reading Guest Review | Vladimir Sharov, Be As Children (trs. Oliver Ready) | Dedalus Books
Continuing BookBlast’s series of interviews with the founders of independent presses, we catch up with Justin David, the publisher at www.inkandescent.co.uk and author of The Pharmacist and Kissing the Lizard ; and Nathan Evans, the editor at www.inkandescent.co.uk and author of Threads and CNUT. His forthcoming novella, One Last Song, is due for imminent release.
Are (were) your parents great readers? What were the books that made you fall in love with reading?
JUSTIN: Both of my parents are avid readers. As a child, I always saw my whole family with books in their hands. I wouldn’t say they exactly read widely but the act of reading was popular. Dad was always a fan the Douglas Reeman novels about Richard Bolitho and mum was much more of a Catherine Cookson and Mills and Boon type so I wasn’t exactly inspired to go and read the Canon as it were. Though both of them now read my own work.
I can’t remember a time when I didn’t enjoy reading, so it’s difficult to say when and which book made me fall in love with the act of reading. What I can say is that I became more excited about reading was when I was allowed to choose my own books at the library and then when I got to secondary school we were made to read an awful lot of apocalyptic dystopian novels like John Wyndham — The Triffids, The Chrysalids, The Midwich Cuckoos. And then later on I got into horror and science-fiction which meant Stephen King and J.G. Ballard, back then. I don’t think I realised there was such a thing as queer literature though it would’ve been helpful in those days to have been introduced writers like Jeanette Winterson and Patrick White. Truth be told, it was when I was at art school that I started reading the children’s fiction of Philip Ridley and his adult plays like The Fastest Clock in the Universe and the Pitchfork Disney. The college library was full of this stuff and I just swallowed it all up. That’s when I realised that there was so much more to be explored. Continue reading Interview | Justin David and Nathan Evans, Directors, Inkandescent | Indie Publisher of the Week
East London-based independent publisher Inkandescent “was ‘founded by outsiders for outsiders’ to celebrate original and diverse talent and to publish voices and stories the mainstream neglects – specifically those of the working class and financially disadvantaged, ethnic minorities, the LGBTQ+ community and, crossing the Venn diagram, those with physical disabilities and mental health issues,” write Justin David and Nathan Evans in their introduction to MAINSTREAM. Continue reading BookBlast® Discoveries | Top 5 Reads for Independent Minds from Inkandescent