We live in an increasingly polarised mad and maddening world seemingly going from bad to worse. The hunger for “how to be happy” and “how to achieve more success in life” top tips type reading fodder is countered by our apparent preference for bad news over the good, (motivated by schadenfreude, a heightened vigilance for threats thanks to a daily Media diet of disasters, shock value . . . or so the thinking goes).
If it bleeds, it leads
Sam Jordison’s series Crap Towns became a cult hit. Now he has pulled another winner out of his hat – The 10 Worst of Everything: The Big Book of Bad. It is an entertaining and thoroughly-researched book of alternative general knowledge. Factual and informative lists ranging across the natural world, history, popular culture, sports, food, medicine, science, economics, politics, drugs, divorce and crystal-ball gazing balls-ups are seasoned with tongue-in-cheek personal asides. It is a particularly cheering read if your own life is in the doldrums, or for some Christmas fun and games. So quiz each other and laugh when no one knows the answers: there is invariably someone worse off than you! Continue reading Review | The 10 Worst of Everything: The Big Book of Bad, Sam Jordison | Book of the Week
Andrew Crumey: “Art is the expression of value and science is the explanation of phenomena . . . I’m interested in the borderline of the explanatory and the expressive.”
Alasdair Gray, James Kelman, A.L. Kennedy, Allan Massie, Val McDermid, Andrew O’Hagan, Ian Rankin, Ali Smith, Irvine Welsh, Alan Warner . . . the list of fine Scottish writers is a long one.
Andrew Crumey was in conversation with doyenne of translators, Margaret Jull Costa, and Eric Lane, founder of Dedalus Books at the opening event of the BookBlast 10×10 Tour at Waterstones in Gower Street, Bloomsbury, on 11 September. HEAR HERE
On a night of political disunity and meltdown as Brexit hit the buffers, we were delighted to host the final event of this year’s inaugural BookBlast 10×10 tour at WestBank Art & Music in Thorpe Close, W10, under the Westway.
Kit Caless from INFLUX PRESS led the discussion with Susan from ISTROS BOOKS and Elizabeth from SAQI BOOKS about how #indiepubs play such an important role in the cultural ecosystem; translation, rigid mindsets and choosing to publish books written without market trends in mind; the importance of buying books directly from #indiepubs websites; how best to access buyers at the major bookselling chains deciding on what and how much to purchase (tricky in some instances when there is just one fiction buyer for a whole chain!).
The audience of publishing consultants, book distributors, bloggers, indie film makers, readers and writers raised the issues of how Amazon goes after publisher profit margins with crippling consequences for indies; and the lack of publicity in the Media which is ironic given the growing demand for eclectic, nongeneric, unconventional writing of the kind that is supplied by the smaller publishers who are regularly winning prizes. Continue reading Latest News | It’s a wrap! The BookBlast 10×10 Tour in association with Waterstones
“Too poetical that about the sad. Music did that. Music hath charms. Shakespeare said. Quotations every day in the year. To be or not to be. Wisdom while you wait.” – James Joyce
“What is modernism?” was one of the questions addressed during the recent BookBlast 10×10 Tour talk held in Waterstones, Norwich, featuring Galley Beggar Press authors Alex Pheby (hailed as “the new Beckett” by Stephen Bumphrey on BBC Radio Norfolk), Paul Stanbridge and Paul Ewen.
“Modernism consists of fragments put back together to make a whole out of disunity,” was one answer, “Being aware of the text and stepping outside it,” was another . . . along with stream of consciousness, multiple points of view, dense allusions, ambiguity and a phenomenal play of words on the page.Continue reading Review | Dedalus, Chris McCabe | Book of the Week
Where were you born, and where did you grow up? Mill Road hospital Liverpool, and then in Liverpool (built on the site of a Victorian workhouse), until moving to London in my early twenties. I now live in Liverpool and work in London.
What sorts of books were in your family home? My dad was an autodidact, acquiring a good collection of books through joining various book clubs. As a result there was an impressively wide range of books on our shelves at home, from history (The World at War;The Rise and Fall of the Roman Empire; The Third Reich), fiction (The Lord of the Rings, all the novels of Thomas Hardy), complete Shakespeare and most useful for my development as a writer and poet, the works of Dylan Thomas and James Joyce.Continue reading Interview | Chris McCabe @mccabio | Author of the Week
Are (were) your parents great readers? Tell us a bit about yourself. My Mum is a big reader of Crime Fiction. It helped her solve a real life crime while she was working in a Kenyan orphanage a few years ago. They were both “people of The Book,” hosting Parish Bible studies. This made them more learned than the average parents. The Church was my first exposure to people with higher education. I read a lot from a very young age, I had a box of those cassettes with ding turn the page books. I would put the headphones in myself and read for hours. I remember making a zoo out of envelopes. Each one contained a different animal.
Did you want to work in the publishing industry from the start? If not, why now? No, but something I wanted to do as a Writer was understand every dimension of books. I studied Sculpture because I thought this would teach me about composition in a more general sense than doing English or Creative Writing. I went on to become a master bookbinder and printer too. I became a publisher partly because I wanted to understand, and maybe undermine, distribution and bookselling. It’s another extension to my writing. I guess that’s what it means to be a Modernist in an industrial, networked world. Why now? We were invited in by big publishers a few times to consult, using our publishing methods. We also worked on several print commissions in our studio for Independents. One title we illustrated is almost at the Million Copies mark. We realised we had an extraordinary range of expertise and there were so many good manuscripts I knew of being turned down for bad reasons. The Poets made me do it!Continue reading Interview | David Henningham, co-founder, Henningham Family Press | Indie Publisher of the Week
The tenth and last talk of this year’s inaugural BookBlast® 10×10 tour, a nationwide celebration of independent publishing is @WaterstonesMCR featuring Carcanet Press which was conceived at Pin Farm, South Hinksey, Oxford, in 1969 by Peter Jones, Gareth Reeves and Michael Schmidt. Carcanet Press primarily publishes poetry. In 2000 it was named the Sunday Times millennium Small Publisher of the Year.
On Thurs. 8 November at 6.30 p.m., Michael Schmidt, a founder-director @Carcanet will chair the discussion @WaterstonesMCR with poets Jane Draycott and Jenny Lewis; talk theme: Claiming the Great Tradition: Women Recalibrate the Classics.
Since we hit the road on 11 September, we still have 3 events to go, storytelling and showcasing small, risk-taking publishers who fill a unique niche in discovering talent, enriching our literary culture.
The ninth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, @waterstonesl1 College Lane, Liverpool, L1 3DL features Balestier Press, founded in 2014: “Much diversity from Asian translated literature remains to be explored.” Roh-Suan Tung publishes award-winning literature in translation, young-adult fiction, and picture books.
On Thurs. 1 November at 6.30 p.m., Roh-Suan Tung @BalestierPress will chair the discussion with @YanGeMay and @NickyHarman_cn @waterstonesl1 The talk has as its theme, #MeToo Moments: men misbehaving in China.
“Chilli bean paste was big business, had been for Gran’s family for four or five generations. Sichuan peppers, on the other hand, were the sort of thing any small trader could sell. All they needed was a place to set up their stall. But, humble though the trade was, the Sichuan pepper was as essential as chilli bean paste at all Pingle Town dinner tables [. . .] Dad had kicked around the chilli bean paste factory for over twenty years, learning the ins and outs of his trade under the tutelage of his shifu, Chen, and if it had taught him one thing, it was that people were born to sweat. You ate chilli bean paste, and Sichuan peppers, and ma-la spicy hotpot, to work up a good sweat, and screwing a girl made you sweat even more. The more you sweated, the happier you felt, Dad reckoned. He remembered the fiery heat that the sweat-soaked bed-sheets in Baby Girl’s house gave off.”
Read a review of Yan Ge’s novel, The Chilli Bean Paste ClanHERE
Meet the publisher in person on Thurs 1 Nov.
“Writing is a reflection of real human life and what we care about,” Roh-Suan Tung.
Q: What are you working on now? A: “A novel I’ve been working on for four years. It is set in a fictional town, Pingle, in the southwest of China. It’s the third book of my trilogy of Pingle Town. The Chilli Bean Paste Clan is the second one. The first one is a coming of age novel called May Queen,” Yan Ge.
Meet in person the indie publisher, Elizabeth Briggs, from Saqi Books, at the BookBlast 10×10 Tour event, Waterstones, Birmingham, 24-26 High Street, B4 7SL @Bhamwaterstones 6.30 p.m. Thursday 25 October. Theme: The Things I Would Tell You: British Muslim Women Write with reference to the anthology edited by Sabrina Mahfouz. With poets Nafeesa Hamid and Aliyah Holder. Book Tickets
Where were you born, and where did you grow up? Worcester, where I lived until I left for university in the North East of England at seventeen. Determined as ‘Britain’s most average constituency’ by the BBC last year, it’s not bad coming from a city whose place on the international stage is thanks to a great sauce and Edward Elgar.
What sorts of books were in your family home? All sorts. I was very lucky. We had these incredible encyclopedias of animals from around the world, which I used to spend hours pouring over and copying the pictures. They were shelved alongside an illustrated bible, which I didn’t think at all odd at the time. It never occurred to me as a child that people took stories from the old testament as gospel: I thought they were wild and strange fantasy at the time – violent and bloody, the kind of things I wasn’t allowed to watch on TV. My dad also has an astonishing collection of moldy orange Penguin original paperbacks, bought back when they cost 85p each. I used to read a lot of Agatha Christie. I also have two older sisters so could borrow their books too. I read The Line of Beauty by Alan Hollinghurst when it first came out (I was twelve at the time), which was eye-opening.Continue reading Interview | Elizabeth Briggs, editor & marketing manager, Saqi Books | Indie Publisher of the Week