The second season of our weekly BookBlast Podcast series Bridging the Divide: Translation and the Art of Empathy went out in September. Our audience loved the first seven podcasts in the series so here’s the next eight for you to discover if you have not already done so!
The hosts, Georgia de Chamberet and Lucy Popescu, interview leading independent publishers, their award-winning or up-and-coming authors and highly creative translators filling a unique niche in showcasing inner and outer worlds, enriching our literary culture. Reviews of the books are featured in online journal, The BookBlast Diary.
So tune in and come on a literary adventure : it’s perfect to get you through lockdown 2.
Continue reading Podcast LIVE | Wrapping up Bridging the Divide: Translation and the Art of Empathy | season 2
Andrea Jeftanovic’s Theatre of War takes place over three acts and many scenes, and is acted out on various stages. True to its title, this is theatre in the shape of a novel, with the narrative being revealed to us in fragments, snapshots and scenes, rather than a continuous, flowing chronology. Often, however, of greater importance is what happens offstage, backstage, in the wings, behind the curtains, in the side corridors. The muffled voices, the memories, now louder, now quieter, echoes, dress rehearsals, the rumble of props being moved, the silence of anticipation, of waiting, of remembering.
“The curtain rises on the shadowy dining room of my first home. Some familiar objects: the stone statues and the flattened wolf hide. In the corner sits a table with five chairs; the one at the head wobbles. The wallpaper is stamped with faded rosettes. The spectacle of my childhood begins. Repeatedly changing houses, we are unable to anchor ourselves to any fixed point.” (p. 3)
Continue reading Guest Review | Andrew McDougall | Theatre of War, Andrea Jeftanovic | Charco Press
In The Fig Tree, deftly translated by Olivia Hellewell, Goran Vojnović portrays three generations of a family whose lives are marked by the disintegration of Yugoslavia and its brutal aftermath.
Jadran’s grandfather Aleksandar was born in Novi Sad in 1925. Long before the Nazis marched through, Aleksandar’s cautious single mother, Ester Aljehin, married a dentist for his name and abruptly left him to settle in Belgrade, where she worked as a nurse. When she “caught sight of the first Nazi uniforms in the city,” fear drove her to move again and she arrived in Ljubljana in February 1942: “Slovenes seemed less intimidating than Serbs,” although they still treated her with suspicion. Years later, her son Aleksandar Dordevic arrives in Buje, Croatia. Employed as a forest warden, he feels like “an outsider with a local-sounding name.” Aleksandar and his pregnant wife Jana settle in Momjan (which later become part of Croatia), in a house he builds with his own hands with its own fig tree. Continue reading Guest Review | The Fig Tree by Goran Vojnović | Istros Books
The White Dress is the final part of a trilogy of works by Nathalie Léger that began with Exposition, translated by Amanda DeMarco, and published by Les Fugitives in 2019.
Brides on Tour: peace not war
On 8 March 2008, Pippa Bacca, a 33-year-old Italian feminist artist, decided to hitchhike from Milan to Jerusalem wearing a white wedding dress to symbolise “marriage between different peoples and nations.” Her aim was to promote world peace and she intended to document her experiences by video. However, on 31 March, having temporarily separated from her fellow bride on tour, Silvia Moro, Pippa was picked up by Murat Karataş in Gezbe, Turkey. He raped and strangled her and dumped her body in a shallow grave among some bushes. Léger /Léger’s narrator meditates on Bacca’s sorrowful journey and interweaves the story of a mother and daughter’s relationship. Natasha Lehrer’s perceptive English translation was notably published on the twelfth anniversary of Bacca’s death.
Continue reading Guest Review | Lucy Popescu | The White Dress, Nathalie Léger | Les Fugitives
A Musical Offering is Argentinian author Luis Sagasti’s second novel to appear in English. His first, Fireflies (also published by Charco Press and reviewed for The BookBlast Diary) saw translator Fionn Petch nominated for a TA First Translation Prize in 2018, and this is another fine performance from Petch, convincingly reproducing the author’s erudite but effortless prose, with occasional poetic flourishes.
A Note-Perfect Ode to Wonder
The novel opens with an account of the origins of Johann Sebastian Bach’s Goldberg Variations. Suffering from insomnia, Bach’s patron, Count Keyserling, tasks the composer with devising a piece of music that will lull him to sleep. Once completed, the composition is to be played by virtuoso harpsichordist Johann Gottlieb Goldberg, who will deliver these “musical sleeping pills” until the Count finally dozes off. From here, Sagasti leads us into the twentieth century, introducing two famous recordings of the Goldberg Variations performed by Canadian piano prodigy Glenn Gould, one at the beginning and one near the end of his career. Continue reading Guest Review | Victor Meadowcroft | A Musical Offering, Luis Sagasti | Charco Press