Starting a new job in the middle of a global pandemic is not something many people would find enviable, though I was obviously delighted for the opportunity as so many others were being furloughed. When I began working for BookBlast in West London, it was in the context of not knowing what the weeks and months ahead had in store. I was meant to be starting an internship at Bloomsbury in April, which was postponed indefinitely due to Covid-19. With the prospect of an endless stretch of time ahead with no work, and any notions of career progression firmly on hold, I had a sinking sense of dread about the rest of 2020. Continue reading Guest Feature | Rachel Goldblatt | Dispatches from the Intern’s Desk
Where were you born, and where did you grow up?
I was born and raised in Belfast during The Troubles. My parents grew up in working class families and were determined to ‘better themselves’. When my older brother was eight they bought a newly built, three bed semi-detached house and moved from the central area of the city to what was then its outskirts. They still live there today.
My sister and I were born after this move. My brother left home when I was six so I never really got to know him – he now lives in Australia. My sister and I both passed the 11+ exam and attended an all girl state run grammar school before going up to the local university. We continued to live with my parents, although I did move into student digs for around six months after yet another row about my behaviour – aged twenty I was staying out beyond my curfew and drinking alcohol. I suspect we all wish I could have afforded to stay away, but my part time job wouldn’t cover the rent longer term.
Belfast felt parochial, cut off from what we referred to as the mainland due to the violence. We were expected to attend church and conform to a code of conduct that demanded we put on a front to the world of chastity and sobriety. It always felt that what I was seen to be mattered more to my parents than what I was or aspired to.
Despite this I look back on a largely happy childhood. Certainly at the time I felt loved. My determination to leave Belfast and to be myself stems from the frustration of being guilt tripped into conforming to a wide range of strictures I didn’t agree with. Continue reading Blogosphere Interview | Jackie Law, Never Imitate, @followthehens
Good writing and good ideas of all kinds make the world go round! Since we first began our celebration of independent publishing in February 2015, seasonal newsletters rounding up our exclusive interviews and curated eclectic reads have been emailed to friends in the publishing and media industries in the UK, US and France. All the wonderful feedback received over the years has been sustaining and heartening. For readers who have missed out on our latest activity, here’s a taste of what’s been happening . . .
“To define is to limit” ― Oscar Wilde
Dandy at Dusk published by Head of Zeus on 5 October, is hailed as a “future classic” by Nicky Haslam, the interior designer and founder of the London-based interior design firm, NH Studio Ltd. Meet the author, Philip Mann, to whom we asked, “Why do you write?” . . . “Because I inexplicably missed out on being a film star.” He writes about Soho Bohemia, in his exclusive guest feature: “For thirty years I hid my fame in taverns“. Our other guest writer this month, freelance writer, journalist and cultural historian C.J. Schüler, writes about all things dandy.
Continue reading BookBlasts® | Autumn Reads for Independent Minds
Where were you born, and where did you grow up?
I was born and raised in a small market town in the North West of England. Its principal claim to fame is selling the town bible to pay for a bear to use for bearbaiting during its annual wakes. This claim is, however, not true: the townsmen decided to use the money they’d been saving to buy a bible (16 shillings) to purchase the bear. I have a wary relationship with the town; I spent my teens desperate to escape, and most of my thirties writing about it.
What sorts of books were in your family home? Who were early formative influences?
We had few books in our house: a dictionary of British history, in which I would look up Nelson and Scott (I had a thing for noble deaths); a book on the hunt for Tutankhamun’s Tomb; a family health bible, probably written by Miriam Stoppard; a dictionary used almost exclusively to settle Scrabble arguments; an incomplete set of Young Person’s Encyclopedias from the 1950s. We got all our books from the library. Its musty stacks and silence were probably the most formative influences on my life and my writing.
As subdivisions or departments of bigger publishers, imprints break up monolithic companies, give space to individual editors to stamp their list with a defining character and originality, and reassure authors that they are not disappearing into the corporate ether. What defines a Picador book is the author’s voice since the way the story is told is just as important as the story itself. Picador publishes fiction, non-fiction and poetry from all over the world.
“None of us have dads – not Johann or Steve or Ashley or me. None of us have dads and all of us are looking for something. Was there a connection? There had to be. It was Steve who gave me On the Road, and what are Sal and Dean searching for after all if not for their fathers – absent in death and life? If you didn’t have a dad who loved you, or who beat you when he came home drunk, I’m not stupid, then you were always looking for him, or something else . . .” writes Howard Cunnell in Fathers & Sons.