Mercedes Rosende is Uruguay’s leading woman crime writer. In 2005 she won the Premio Municipal de Narrativa for Demasiados blues, in 2008 the National Literature Prize for La muerte tendrá tus ojos and in 2019 the LiBeraturpreis in Germany for Crocodile Tears.
The only other literature I have had the good fortune to read in translation from the second-smallest nation in South America, includes the poetry of Mario Benedetti, and the prose of Juan Carlos Onetti, the latter translated by Peter Bush.
“What happens when fear is automated in your mind?” Sergio Bitar, Minister of Mines in the cabinet of Salvador Allende, Chile
Tim Gutteridge has been a full-time translator since 1999, and works on a wide range of texts, including literary fiction, theatre, TV scripts, comics, academic articles and corporate communications. His recent translations include The Mountain That Eats Men by Ander Izagirre and the stage plays Jauría (Jordi Casanovas) and Tenant (Paco Gámez). His translation of Crocodile Tears by Mercedes Rosende, is published by Bitter Lemon Press.
Tell us a little bit about yourself I was born and brought up in Scotland but I live in Cadiz, in the south of Spain, with my teenage kids and my two dogs.
When you were growing up, what books had an impact on you?
I was a big Moomins fan. I can still remember that sensation of disappearing into another world, an odd mixture of the comforting and the disconcerting. Continue reading Interview | Tim Gutteridge, translator
The Horseman’s Song is the sixth in the Martin Bora series and follows on from the success of Road to Ithaca, Tin Sky, A Dark Song of Blood, Lumen and Liar Moon, also published by Bitter Lemon Press.
“Bora felt kinship for the dead. The ancient and the new, the long buried and the exposed, those over whom people wept, and the dead whose name or gravesite no one knew. All of them claimed brotherhood with him tonight. It might be the balmy scent of the evergreens brushing against his boots, or the day closing like an eye, or knowing that Lorca was dead, as was Colonel Serrano’s son. The man from Mockau, too, was as dead “as all the dead of the earth”, in Lorca’s own words. It might be any of those things, but his narrow escape only made him kin to the bones of Spain.”
A whole generation was passionately entangled in the Spanish Civil War – politically, militarily and ideologically – preceding World War Two. Foreign volunteers actively participated, siding with different factions. Several countries defied the Non-Intervention Agreement, and also took sides, contributing arms, funds or fighters. Picasso’s Guernica is the most famous image of the 1936-1939 clash of bourgeois democracy vs. Fascist aggression.Continue reading Review | The Horseman’s Song, Ben Pastor | Book of the Week
Here is our New Year round up of eclectic top ten reads for independent minds to delight and inspire you, happy new year, bonne année, felice anno nuovo, feliz año nuevo, ευτυχισμένο το νέο έτος, szczęśliwego nowego roku !
Listing in alphabetical order according to publisher @bitterlemonpub @commapress @Carcanet @CharcoPress @Istros_books @maclehosepress @NewVesselPress @orbooks @whitecrowbooks
Hell in Paradise
The Greek Wallby Nicolas Verdan Trs. W. Donald Wilson (Bitter Lemon Press)
“At the moment, he no longer knows why he is here in this spot alongside a national highway, outside this brothel on the very edge of the Schengen Area. Perhaps, instead of discussing the wall inside, he might find a body like Christina’s? Not her face, not, he wouldn’t recognise it in that place. But maybe her perfume? Just a woman’s perfume, a scent, just her scent, please, please tell me if there mightn’t be, here in this place, in the countryside, on the frontier of Europe, a girl wearing Rykiel Woman.”
A severed head is found on the Greek border near a wall planned to stop Middle Eastern immigrants crossing from Turkey. Intelligence Agent Evangelos wants the truth about the murder, human trafficking into Greece, and about the corruption surrounding the wall’s construction. More than a mystery novel and a political thriller, The Greek Wall evokes the problems of the West incarnated in Greece: isolationism, fear of immigration, economic collapse and corruption. Paradise for tourists can become a hell for immigrants.
Poetic, pungent and atmospheric, The Greek Wall is a good example of how compelling crime fiction gives insights into the detective and the society in which they live.
The issues dealt with by Nicolas Verdan in The Greek Wall are close to his heart: “As a journalist, I went to Turkey, the Balkans, Greece, the Middle East, Central Asia, following or crossing the roads of migrants. My Greek grandparents were confronted by forced emigration of sorts. When my mother was a baby, the Greek civil war had begun. There was no choice but to leave your village to go to Athens, if necessary on foot. An exodus like the people from Syria and Iraq leaving everything behind: home, family, friends, skies, landscapes, the brilliance of olive trees in the sun. My grandmother came back to her village in the Peloponnese ten years after leaving it. It was only 350 kilometres from the capital, but coming back to your abandoned homeland was like coming to a foreign country. Devastation, no time, no money. Such was life in the 1950s in Greece. We must never forget how much rural exodus has affected the mentality of modern Greece.” Continue reading BookBlasts® | Top 10 Reads for Independent Minds | January 2018
December: a time of merry abandon, or seasonal reflection? Our round up of eclectic reads to delight and inspire you takes in both . . . Happy Christmas! Georgia @bookblast
Black swans, white cygnets
Behind the Scenes at the Ballets Russes: Stories from a Silver Ageby Michael Meylac (Ed.) translated by Rosanna Kelly (I. B. Tauris) illustrated with over 70 B/W photographs buy here
The Ballets Russes remains the most iconic ballet company of the twentieth century. Its dancers Nijinksy, Karsavina and Pavlova have become the stuff of legend. Inspired by the unique vision of the touring company’s founder, Sergei Diaghilev; the artistry of stage designer Alexandre Benois; and the spectacular costumes created by Bakst, the company gained a large international following. The list of Diaghilev’s artistic collaborators are a roll-call of some of the 20th-century’s greatest composers and artists: Stravinsky, Ravel, Satie, Poulenc, de Falla, Picasso, Matisse, Miró, de Chirico – to name but a few.Continue reading BookBlasts® | Top 10 Reads for Independent Minds | December 2017