Vanessa Springora’s memoir, Consent, became an instant, international literary sensation when it was published in France. Her beautifully written, intimate and powerful description of her relationship in the mid-1980s with the French author Gabriel Matzneff, when she was fourteen and he fifty, is a beautifully written universal #MeToo story of power, manipulation, trauma, resilience and healing. Award-winning translator, Natasha Lehrer, captures Springora’s changes in pace and in tone, the voices and the silences, the literary milieu then and now with a sensitive ear and lexical deftness.
Views of China in the West have grown increasingly negative, with tensions heating up over the crushing of human rights in Hong Kong, the Uighur genocide and the activities of technology companies like Huawei. Violent attacks on Asian Americans have gone up since the start of the pandemic a year ago. Public officials representing the United States and China squabbled openly at official talks held this month in Alaska.
According to The Palgrave Handbook of Ethnicity, more than 40 million people of Chinese origin live outside mainland China, Taiwan, Hong Kong and Macau forming one of the biggest diasporic populations in the world. Cultural understanding is preferable to culture wars . . . It’s better to be enriched than impoverished, right? Continue reading Review | Monkey King: Journey to the West, Wu Cheng’en (Trs. Julia Lovell) | Penguin Classics
An entertaining mocking of literary aspirations, Beka Adamashvili’s novel, Bestseller, is a rich, kaleidoscopic, polyphonic satire that looks at fame and aspirations. Georgia is little known as compared to its large Russian neighbour on the other side of the Caucasus Mountains. Its history is complex, its alphabet is unique and Georgian is allegedly based on the Aramaic spoken in the time of Jesus. Its contemporary literature is diverse, not only in terms of the authors who represent it, but also in genres and subjects and the art of storytelling.
In The Fig Tree, deftly translated by Olivia Hellewell, Goran Vojnović portrays three generations of a family whose lives are marked by the disintegration of Yugoslavia and its brutal aftermath.
Jadran’s grandfather Aleksandar was born in Novi Sad in 1925. Long before the Nazis marched through, Aleksandar’s cautious single mother, Ester Aljehin, married a dentist for his name and abruptly left him to settle in Belgrade, where she worked as a nurse. When she “caught sight of the first Nazi uniforms in the city,” fear drove her to move again and she arrived in Ljubljana in February 1942: “Slovenes seemed less intimidating than Serbs,” although they still treated her with suspicion. Years later, her son Aleksandar Dordevic arrives in Buje, Croatia. Employed as a forest warden, he feels like “an outsider with a local-sounding name.” Aleksandar and his pregnant wife Jana settle in Momjan (which later become part of Croatia), in a house he builds with his own hands with its own fig tree. Continue reading Guest Review | The Fig Tree by Goran Vojnović | Istros Books
A Musical Offering is Argentinian author Luis Sagasti’s second novel to appear in English. His first, Fireflies (also published by Charco Press and reviewed for The BookBlast Diary) saw translator Fionn Petch nominated for a TA First Translation Prize in 2018, and this is another fine performance from Petch, convincingly reproducing the author’s erudite but effortless prose, with occasional poetic flourishes.
A Note-Perfect Ode to Wonder
The novel opens with an account of the origins of Johann Sebastian Bach’s Goldberg Variations. Suffering from insomnia, Bach’s patron, Count Keyserling, tasks the composer with devising a piece of music that will lull him to sleep. Once completed, the composition is to be played by virtuoso harpsichordist Johann Gottlieb Goldberg, who will deliver these “musical sleeping pills” until the Count finally dozes off. From here, Sagasti leads us into the twentieth century, introducing two famous recordings of the Goldberg Variations performed by Canadian piano prodigy Glenn Gould, one at the beginning and one near the end of his career. Continue reading Guest Review | Victor Meadowcroft | A Musical Offering, Luis Sagasti | Charco Press