Today the United Kingdom, after over three years of turmoil, officially leaves the European Union. Plus ça change. Its relationship with Europe over the past thousand years has always been one of conflict and collaboration. The historian David Starkey has argued that Henry VIII’s break from the Catholic Church in Rome made him the first Eurosceptic. “Catholic Europe was now the threat, the launch pad for invasion. In other words Henry was the first Eurosceptic: the xenophobic, insular politics he created have helped to define English history for the past five centuries.”
Our end of year top ten reads for independent minds offers a smorgasbord of brain food, bringing you a medley of writing and ideas by way of France, Germany, Mexico, Romania and true-grit Britain, in no particular order.
An over-riding theme in our selection is the way most of the writers, each in their way, tend to hold a broken mirror to a world gone mad and muddled. What is the solution?
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Here at BookBlast we wish all of you readers, followers and supporters much joy, peace and love over this festive season. Have a merry one! Continue reading BookBlasts® | Top 10 Reads for Independent Minds | December 2019
Translation is no longer marginalised as it once was, with its advocates being viewed as quirky oddballs lacking commercial sense and sensibility. The number of independent presses publishing translated literature in the UK has greatly increased in the past decade, often set up by people with a corporate publishing or banking background who are astute operators. Booksellers are far less curmudgeonly than they once were. And somewhat unexpectedly, in 2015, Amazon Crossing published three times more translated fiction in the US than its closest competitors in America (FSG, which has a long tradition of publishing works in translation, and Atria, which mostly publishes books by celebrities).
The imprints of conglomerate publishers in the UK who publish works in translation – MacLehose Press, Harvill Secker, Sceptre, Vintage, Weidenfeld & Nicolson, Penguin Press – publish predominantly though not exclusively the sub-genre of crime fiction in translation, leaving the field open for the likes of Alma Books, And Other Stories, Arc, Carcanet, Comma Press, Dedalus, Fitzcarraldo, Les Fugitives, Gallic, Granta, Hesperus, Istros, Jantar, Norvik Press, Peirene Press, Portobello Books, Pushkin Press, Saqi Books, Scribe UK, Small Axes, and others, to publish experimental and literary translation. Continue reading Spotlight | The 2019 Warwick Prize for Women in Translation
Raising the Velvet Curtain is a festival of literature introducing a new generation of writers from Slovakia to British audiences (22 October – 28 November). Balla, Uršuľa Kovalyk and Ivana Dobrakovová are currently on tour, visiting Manchester, Oxford, Cambridge and London. The grand finale at Rich Mix in London’s Bethnal Green looks unmissable! Info & tickets HERE. Meantime, Lucy Popescu gives BookBlast’s armchair readers an exclusive flavour of what’s on offer in her three-novel roundup.
Big Love by Balla | Trs. Julia and Peter Sherwood | Jantar Publishing | Buy here
The Night Circus by Uršul’a Kovalyk | Trs. Julia and Peter Sherwood | Parthian Books | Buy here
Bellevue by Ivana Dobrakovová | Trs. Julia and Peter Sherwood | Jantar Publishing | Buy here
It is thirty years since the Velvet Revolution, so fitting that there is a surge of interest in literature from the region. The efforts of a two-translator team stand out. Julia and Peter Sherwood have worked tirelessly to find Slovak fiction a loyal English readership. They have been rewarded with the recent launch of three acclaimed books in their translation. Continue reading Guest Feature | Lucy Popescu reviews three novels by Slovak authors on tour
“I always stay at the Louisiane when I’m in Paris, if only for sentimental reasons. It is not the most comfortable of hotels, but I like to think of figures such as Henry Miller and Ezra Pound staying there in the years between the wars. There is still a lingering louche whiff of a hôtel de passe, and of what I imagine Paris to have been like in the immediate post-war period, with those cobbled streets, open-backed buses and the faces that you see in Brassaï’s photographs.”
Madeleine is a perfectly-formed, psychologically acute first novel of love and war, shameful secrets and cowardly treachery. Euan Cameron’s prose sparkles with unsettling beauty and intelligence as he vividly brings to life the world of the French haute bourgeoisie that is shot through with chauvinism, moralistic posturing and anti-Semitism.