Interview | Megan Dunn | Author of the Week

Where were you born, and where did you grow up?
I was born in Invercargill, a small city at the bottom of the South Island in New Zealand. But my formative years (if they ever ended) were spent in Rotorua, a tourist town in the centre of the North Island. Rotorua – “Rotovegas” to the locals – is stepped in Maori history and is a geothermal wonderland known for strong wafts of sulphur, hokey motels and hotels, putt-putt golf. The McDonalds in Rotorua has Maori carvings on the walls.

What sorts of books were in your family home? Who were early formative influences?
I grew up in a flat above an old peoples home with my single parent Mum, who was a night nurse for the elderly residents downstairs. The sign at the top of our drive read: “Residence for the Elderly,” I walked past it to school every day. Books: loads. From Men and their Mothers, and other pop psychology, to Sweet Valley High. At fourteen, I read Henry Miller’s Tropic of Cancer on the back porch, while the elderly residents ate shortbread and drank tea in the lounge below me. They read Mills and Boons in large print, when they weren’t listening to the TV. Continue reading Interview | Megan Dunn | Author of the Week

Interview | Stuart Evers | Author of the Week

Where were you born, and where did you grow up?
I was born and raised in a small market town in the North West of England. Its principal claim to fame is selling the town bible to pay for a bear to use for bearbaiting during its annual wakes. This claim is, however, not true: the townsmen decided to use the money they’d been saving to buy a bible (16 shillings) to purchase the bear.  I have a wary relationship with the town; I spent my teens desperate to escape, and most of my thirties writing about it.

What sorts of books were in your family home? Who were early formative influences?
We had few books in our house: a dictionary of British history, in which I would look up Nelson and Scott (I had a thing for noble deaths); a book on the hunt for Tutankhamun’s Tomb; a family health bible, probably written by Miriam Stoppard; a dictionary used almost exclusively to settle Scrabble arguments; an incomplete set of Young Person’s Encyclopedias from the 1950s. We got all our books from the library. Its musty stacks and silence were probably the most formative influences on my life and my writing.

Continue reading Interview | Stuart Evers | Author of the Week

Interview | Lawrence Scott | Author of the Week

Lawrence Scott is a prize-winning Caribbean novelist and short-story writer from Trinidad & Tobago.

Where were you born, and where did you grow up?
I was born on Petit Morne Estate, a sugarcane estate in southern Trinidad which my father managed for the Usine Sainte Madeleine Sugar Company owned at one time by Tate & Lyle.  I went to primary school in the nearby town of San Fernando.  I went north into the mountains for my secondary school with the Benedictine monks of Mount Saint Benedict. Before leaving Trindad, I had been in a Junior Seminary from the age of 15. I left Trinidad at 19 to go to England to join the Benedictine Abbey at Prinknash in Gloucestershire.

What sorts of books were in your family home? Who were early formative influences?
My father read books like The Ascent of Everest by John Hunt. He had been educated in England at Shrewsbury Public School and was very attached to that story, especially as Hunt was himself from Shropshire.   My mother was educated by nuns in Port of Spain and was a pillar of the Catholic Church; however, she read Graham Greene and loved to discuss the controversies over his writing. She particularly loved Sigrid Undset’s Kristin Lavransdatter. She was aware of the fiction of the 1940’s and 1950’s  and a great storyteller herself.

Continue reading Interview | Lawrence Scott | Author of the Week

Interview | Linda Kelly, author

BookBlast® interviews Linda Kelly, biographer and historian.

Where were you born and where did you grow up?
I was born in Kent and brought up in the country, mostly in Hampshire. However I was also a wartime evacuee, from 1940-43, in the US: a Saturday Evening Post – Norman Rockwell kind of America, complete with freckle-faced kids and rocking chairs on verandas. It was an idyllic period from which I  date a certain independence of mind and a dislike of snobbery. 

What sorts of books were in your family home? Who were early formative influences?
Our house was full of books, both English and French, and my mother read a lot to us when we were small. Due to wartime paper shortages, there were few new books being published for children, so we were thrown back on the classics of our parents’ generation: Frances Hodgson Burnett, Charlotte Mary Yonge, Stevenson, Henty and Conan Doyle.  Perhaps because of my American experience, I particularly loved books like Little Women and What Katie Did, but I was more or less omnivorous and gobbled up anything from Agatha Christie to Walter Scott.

In your home, was the atmosphere for women emancipated?
I don’t think it was a subject which arose – I had two brothers and two sisters, and we all regarded each other as equals.

Continue reading Interview | Linda Kelly, author

Interview | Andrew Lycett, author

Andrew Lycett is the biographer of Ian Fleming, Rudyard Kipling, Dylan Thomas, Arthur Conan Doyle and Wilkie Collins.

Where were you born and where did you grow up?
I was born in Stamford, Lincolnshire, and was then spirited out to live in East Africa – what was then called Tanganyika where my father started and ran an English style prep school.

What sorts of books were in your house when you were growing up?
A wide range belonging to two well-read parents – the complete Dickens, some traditional poetry (many relics of my father’s time studying English at Oxford in the 1930s), a surprising number of thrillers, and several fascinating works of reference – all a bit out of date, as we lived in the colonies.

How did Oxford help shape your tastes in literature?  
I’m not sure that Oxford particularly shaped my tastes in literature as I was studying history. However I certainly read a lot while I was at university. The centre of the world appeared to be the United States so I read American authors widely: Updike, Mailer, Barth, Irving, Wolfe (Thomas and Tom) and someone who I’m not sure is much regarded today but I enjoyed at the time – Ken Kesey.

Continue reading Interview | Andrew Lycett, author

Interview | Laia Fàbregas | Author of the Week

Tell us a little bit about yourself.
I grew up in Barcelona. When I was twenty three I went to the Netherlands for a couple of months and I ended up staying there for twelve years. Now I am back home for seven years already, but I still feel like I am a bit Dutch.

When you were a child, what did you want to be when you grew up?
As a teenager I saw myself as a teacher. As a child, I don’t remember.

What books have had a lasting impact on you?
When I was a teenager I read everything from Edgar Allan Poe and his tales made me want to write. Later on, when I was in art school in Barcelona, I read Opera aperta by Umberto Eco. That book helped me understand why I liked some books better than others. And when years later I started writing, it helped me see that I was doing it fine by doing my own way without thinking about who was going to read my words.

Continue reading Interview | Laia Fàbregas | Author of the Week

Interview | Melanie Schwapp, author

Tell us a little bit about yourself.
I love life . . . the good, the bad and the messiness of it. I love the fact that we are all here bumbling our way through, and that each of our messes are the lessons that help to straighten out the jumbled lines. I live my life as such – I think that perfection is over-rated, so I do the things that make me happy, albeit imperfectly. I was never formally trained in landscaping or interior design, yet these are the occupations I’ve chosen because of my sheer love of plants, nature, sun, dirt, and families. The best part is, at the end of the day, I get to write about perfect imperfection.

When you were a child, what did you want to be when you grew up?
A mother. I dreamt of the day when I would hold a tiny little being in my arms and build a home around it. Continue reading Interview | Melanie Schwapp, author

Review | Skies, Alison Brackenbury | Book of the Week

“Alison Brackenbury loves, lives, hymns and rhymes the natural world and its people like no other poet.” Gillian Clarke, National Poet of Wales

Brackenbury’s latest (ninth) collection, Skies, reflects on childhood memory, Christmas in the country and stories from the WW1 passed down by relatives and friends.

It was the First World War.
Her husband was away.
She knew fear, but also found
new freedom in the day . . . Continue reading Review | Skies, Alison Brackenbury | Book of the Week

Viva BookBlast! | est. 1997

The BookBlast® Diary

The BookBlast® Diary is the offspring of BookBlast® writing agency which was founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.

A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“.  As a blasty kind of person, I am an active idealist when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.

The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.

BookBlast® Celebrates Independent Publishing

Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.

Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Peirene Press, Comma Press, Darf Publishers and Bitter Lemon Press are showcasing writers from around the world. And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have such choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997