Tell us a bit about your childhood and where you grew up.
It was a very privileged upbringing in the sense of growing up with a mother whose protective love and unquestioning belief in me gave me a strong sense of self and a confident “I can” rather than the terrorising “I cannot” which so many girls are schooled into. This early self-belief no doubt ensured that I came out of an English boarding school relatively unscathed. I grew up with a fiercely intelligent, industrious, and unlettered woman who equated education, financial astuteness, and sartorial elegance with freedom and brilliance! There was no drama of a gifted or damaged child; it was a very comforting childhood on Lagos Island.
Life was lived on the street and from our balcony with Yoruba Fuji, Juju and American soul music, the adhan, the Islamic call to prayer and the evangelists church bells knifing the air, all fighting for our souls, and all winning, because, in that Yoruba accommodative world all have their place. It was a childhood peopled by women of courage and self-possession, errant men, incessant noise, theatre, much laughter and without contamination. I love and appreciate this world and grounding, even as I craved solitude. It is the nucleus by which my identity, especially as a questioning being derives its meaning and purpose.
Were your parents great readers? What were the books that made you fall in love with reading?
There were no oak floor-to-ceiling bookshelves in our house. In their place, were hundreds of LPs of different genres of Yoruba music, played on the Grundig Stereogram. These records were probably my first introduction to text without writing. Music was the first thing that held my being in its fold and made me conscious of the evolving social and political landscape of Nigeria in the early 1980s. It was also the first art form that introduced me to the transformative power of storytelling to stir the emotion. So, my parents were not great readers of books, but they came to reading through music, so did I.Continue reading Interview | Bibi Bakare-Yusuf, Cassava Republic Press | Indie Publisher of the Week
Only yesterday, yet another story about small boats carrying migrants crossing the English Channel hit the headlines. Since the pandemic, the journey has become even more perilous. And it has recently become illegal for asylum seekers arriving in the UK via people smugglers to remain: they will be asked to leave the UK, either voluntarily or by force. What lies behind the desperation to seek safety and a better life in the UK and Europe?
The ten young writers from Cameroon showcased in bilingual anthology Your Feet Will Lead You Where your Heart Is (Le Crépuscule des âmes sœurs) give an absorbing and entertaining kaleidoscopic snapshot of contemporary African life seen through the lens of empathy. A landmark publication, this motley collection offers readers a powerful range of storytelling from fantasy to existentialism and afrojujuism to realism.
Edited by the founder of Bakwa Books, Dzekashu Macviban, and poet and translator, Nfor E. Njinyoh, the collection is the end result of a literary translation workshop held in Cameroon in 2019 in collaboration with the University of Bristol, funded by the Arts and Humanities Research Council.
New year, and news could be better from France. Over 600 small businesses have been destroyed or damaged in Paris alone since the yellow vests protests at the end of last year. President Macron’s open letter to French citizens seems to have done little to quell dissent; ditto for his tour of the regions in an attempt to get Mayors and their communities to share what’s on their mind. The EU’s political landscape is set to change after the elections in May 2019. Thank goodness for books, films and music offering an essential breath of fresh air!
The BookBlast® celebration of independent publishing was kicked off in 2016 via online journal The BookBlast® Diary, idea being to showcase daring, risk-taking small publishers who fill a unique niche discovering talent, publishing authentic and offbeat books which add value to the cultural landscape.
We are now going offline and into the 9 regions of England this Autumn with THE BOOKBLAST® 10×10 TOUR 2018 in association with Waterstones.
Why not show your support for small independent publishers, writers and translators? Please spread the word and support our KICKSTARTER campaign: you can pledge, enjoy and spread the word HERE…
Come to the first tour event on 11 September at 6.30pm in Waterstones, Gower Street, or to one of the 9 regional talks! We have lots of goodies and tickets to #giveaway so visit us and let everyone know how much you love to support #crowdfunding great new writing and ideas.
The BookBlast® 10×10 Tour is about extraordinary writing inspiring readers to explore what’s happening in the world now. Audiences will encounter writers from the Middle East, Europe, Africa, Asia, the Caribbean, up-and-coming British talent.
Waterstones may be a nationwide chain, but is clearly awake to the potential of small independent publishers and showcasing them to a high-street audience.
The tour connects London and the regions and showcases some of the finest independent-spirited literature and poetry being published today.
I look forward to seeing you all on the campaign trail and at a 10×10 Tour event in the Autumn. Ciao for now! G@BB