Why write an autobiography? Setting aside the ‘celebrity’ memoir, it is generally undertaken in a person’s later years, usually to give insights into how experiences have shaped them as a person . . . to preserve their life story for future generations . . . to shed light on an important moment in time . . . or to set the record straight.
Alastair Niven starts his engaging memoir, In Glad or Sorry Hours, in his early childhood, ending in the present, spanning a period of social and cultural innovation. He played an influential role, contributing to shaping the evolution of culture in England for over three decades: at the Africa Centre, the Arts Council, the British Council, as President of English PEN and at Cumberland Lodge. For twenty years he was Chairman of the Commonwealth Writers’ Prize. Discerning and generous in using his power, he clearly deeply cares about the value and wellbeing that literature and culture bring to individuals and to society.Continue reading Review | In Glad or Sorry Hours – a memoir, Alastair Niven | Starhaven Press
The prolific outpouring of support in the press, book trade newsletters and across social media in the wake of the brutal murder of George Floyd in eight minutes and forty-six seconds in Minneapolis gives a glimmer of hope at a time of pandemic bleakness and flawed leadership.
The sixth talk of the BookBlast® 10×10 tour, a nationwide celebration of independent publishing, features Rosemarie Hudson, founder of HopeRoad Publishing, (African & Caribbean writing), based in West London.
HopeRoad promotes inclusive literature with a focus on Africa, Asia and the Caribbean; and vigorously supports often neglected voices. Many of HopeRoad’s YA titles focus on issues dealing with identity, cultural stereotyping and disability. The talk has as its theme Trading Places: Bright City, Dark Secrets. Book Tickets