“She knew her love was flecked with revulsion, both from him and from herself – for what she was becoming under the influence, not of his personality exactly, but of her dependence on it. She wouldn’t look too closely: for she couldn’t combat the deadly longing, the sweet need for him.”
Ann St Clair, writer of gothic horrors “created for yearning women,” is an independent and self-sufficient woman until she meets Irishman Robert James, the successful author of Attila. He is “another kind of being” compared to other men. “He loved an audience, a discipleship. Men were drawn to him.” A scholarly force of nature, he makes sweeping intellectual statements at Mr Hughes’ dinner, and also proves to be a great entertainer as a mimic and a ventriloquist. “Politics didn’t matter. Only poetry of philosophy, philosophy of poetry – purity of language which is its beauty.” Ann is mesmerised. They meet again, and soon they are living together in her lodgings. Continue reading Review | A Man of Genius, Janet Todd | Book of the Week
Where were you born, and where did you grow up? Born in mid Wales. Grew up in Wales, England, Scotland, Bermuda, Sri Lanka — we moved around a lot! Boarding school in Dolgellau.
What sorts of books were in your family home? Who were early formative influences? Early years were spent abroad in houses with just a few books already there, usually popular novels by authors like Marguerite Steen, Somerset Maugham and Nevil Shute. I loved the children’s classics especially Alice in Wonderland and often read adult books I couldn’t possibly understand — just for the words. My bent was towards adventure stories like Kidnapped and The Flight of the Heron — that is once I’d passed through Enid Blyton’s The Famous Five. In my teens, being an outsider in each new school I fancied myself as an intellectual and started quite early on reading existentialists like Sartre — understanding very little!Continue reading Interview | Janet Todd | Author of the Week
BookBlast® interviews Linda Kelly, biographer and historian.
Where were you born and where did you grow up? I was born in Kent and brought up in the country, mostly in Hampshire. However I was also a wartime evacuee, from 1940-43, in the US: a Saturday Evening Post – Norman Rockwell kind of America, complete with freckle-faced kids and rocking chairs on verandas. It was an idyllic period from which I date a certain independence of mind and a dislike of snobbery.
What sorts of books were in your family home? Who were early formative influences? Our house was full of books, both English and French, and my mother read a lot to us when we were small. Due to wartime paper shortages, there were few new books being published for children, so we were thrown back on the classics of our parents’ generation: Frances Hodgson Burnett, Charlotte Mary Yonge, Stevenson, Henty and Conan Doyle. Perhaps because of my American experience, I particularly loved books like Little Women and What Katie Did, but I was more or less omnivorous and gobbled up anything from Agatha Christie to Walter Scott.
In your home, was the atmosphere for women emancipated? I don’t think it was a subject which arose – I had two brothers and two sisters, and we all regarded each other as equals.
Andrew Lycett is the biographer of Ian Fleming, Rudyard Kipling, Dylan Thomas, Arthur Conan Doyle and Wilkie Collins.
Where were you born and where did you grow up? I was born in Stamford, Lincolnshire, and was then spirited out to live in East Africa – what was then called Tanganyika where my father started and ran an English style prep school.
What sorts of books were in your house when you were growing up? A wide range belonging to two well-read parents – the complete Dickens, some traditional poetry (many relics of my father’s time studying English at Oxford in the 1930s), a surprising number of thrillers, and several fascinating works of reference – all a bit out of date, as we lived in the colonies.
How did Oxford help shape your tastes in literature?
I’m not sure that Oxford particularly shaped my tastes in literature as I was studying history. However I certainly read a lot while I was at university. The centre of the world appeared to be the United States so I read American authors widely: Updike, Mailer, Barth, Irving, Wolfe (Thomas and Tom) and someone who I’m not sure is much regarded today but I enjoyed at the time – Ken Kesey.
Alison Brackenbury’s Carcanet collections include Dreams of Power (1981), Breaking Ground (1984), Christmas Roses (1988), Selected Poems (1991), 1829 (1995), After Beethoven (2000) and Bricks and Ballads (2004). Her poems have been included on BBC Radio 3 and 4, and 1829 was produced by Julian May for Radio 3. Her work recently won a Cholmondeley Award.
Tell us a little bit about yourself. I grew up in what now seems almost like Victorian England, in the Lincolnshire countryside. I won a scholarship to Oxford, but quickly found that I preferred writing to academic work. So my First and I worked in a technical college library, then, for twenty-three years, in my husband’s metal finishing business. I had a child – and shaggy ponies – and too many cats. The planet heated. I had plenty to write about, and managed to produce nine poetry collections (and do a surprising amount of broadcasting on BBC Radio). Now I am a Retired Person, I at last have time to go round and give readings from all these poems . . .