Afghan women have been in the news again since the Taliban have banned Voice of America, the BBC and Deutsche Welle after women students and teachers protested peacefully in response to secondary schools for girls being shut down. Writing in Afghanistan is once again a taboo craft for women.
As a schoolteacher put it: “The Taliban are scared of an educated girl. When a girl is educated, a family will be educated. And when a family is educated, a nation will be educated. Ultimately, an educated nation will never, ever nourish the motives of terrorists.” www.democracynow.org
Continue reading Review | My Pen is the Wing of a Bird, New Fiction by Afghan Women | MacLehose Press
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events.
Tune in to hear a lively conversation with Fatima Daas and podcast host Georgia de Chamberet, about literary inspiration, handling her surprise overnight success, and the pressures directed at women from religion and from society, and more besides. The Last One is published in English, by HopeRoad Publishing. The interview is in both French and English.
Produced by BookBlast | Duration 26:25
The Last One by Fatima Daas, translated by Lara Vergnaud | HopeRoad Publishing | 192 pp 27 January 2022 | ISBN 978-1913109851
Buy THE LAST ONE from bookshop.org
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Antony Thomas was making documentary films at a time in film and TV when leading producers and executives were backed by their organizations, could stand by their principles and get films made. Three very different commissioners – Charles Denton, Sheila Nevins and Tony Essex – gave him a free rein to make defining, bold films. They were not dominated by the obsession with ratings and chasing “subscriber loyalty”, or hampered by lawyers making risk-averse decisions to protect the brand, as is the case for factual entertainment today.
Continue reading Review | In the Line of Fire: Memories of a Documentary Filmmaker, Antony Thomas | Unicorn Publishing
“My name is Fatima Daas. The name of a girl from Clichy who crosses the tracks to get to school.”
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events. Continue reading Review | The Last One, Fatima Daas, trs. Lara Vergnaud | HopeRoad Publishing
How many of you have heard of Ethel Mannin (1900-84)? She wrote over a hundred books, including novels, political reflections, autobiographical memoirs and travel-writing, but she has received precious little attention since her death. To my knowledge, in the past fifteen years, writing about her has been limited to two short studies, a publication of an extract, and the posting of two PDFs (see Notes at the end of this article). Why hasn’t some post-grad seized the opportunity to study Mannin? Too much reading already? She seems perfect for an independent publisher like Persephone Books to pick up and reissue. But perhaps she is too radical, or there are myriad complex copyright issues to be resolved.
Continue reading Spotlight | Forgotten Women Writers: Ethel Mannin, Colin MacInnes & the Young Adult Novel in 1950s Britain