Category: Indie Publisher of the Week

BookBlast® celebrates independent publishing, publisher interview

Interview | Cécile Menon, founder, Les Fugitives | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
My mother was a reader. Of modern classics mainly. She used to go with her father to the local library in our small home town. There weren’t hundreds of books in the house as I grew up, but enough to spur my interest.

Did you want to work in the publishing industry from the start?
Yes, I wanted to work in publishing, and in England, after obtaining my degree at Sorbonne Nouvelle. I had no connections whatsoever, I was a complete outsider. My MA tutor told me right away it’d take me 10 years to get anywhere in that milieu. I didn’t believe him but he was right. After 10 years, even after I had somehow managed to get hired by the venerable John Calder, Judy Daish and Clive James, I was nowhere near a proper start in publishing. Having said that I was never really good at holding down a job! Working for Clive James was obviously a unique experience with a long-lasting influence on me. Continue reading Interview | Cécile Menon, founder, Les Fugitives | Indie Publisher of the Week

Interview | Michael Z. Wise, co-founder, New Vessel Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
I’ve enjoyed reading since I was a child — yes, my parents encouraged me to study and explore books. After studying French in high school and living for a summer with a French family in Clermont Ferrand, I have loved reading in other languages.

Did you want to work in the publishing industry from the start?
I’m relatively new to the business of publishing, although I’ve written a book (Capital Dilemma: Germany’s Search for a New Architecture of Democracy) I only co-founded New Vessel Press with Ross Ufberg in 2012. We’re both passionate about literature and foreign literature in particular — I read French and German and Ross reads Russian and Polish — but neither of us has prior experience in publishing. We’ve been learning as we go along which has made building a new house a challenge but great fun. Nowadays the publishing world is changing so rapidly that I’d venture that we have just as much of a clue as to where things are going as more traditional, established houses. Continue reading Interview | Michael Z. Wise, co-founder, New Vessel Press | Indie Publisher of the Week

Interview | Sam Mills, Dodo Ink | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
I’m unusual in that I’m from a working class family – not many of us working in publishing, or getting published, for that matter. My parents weren’t great readers. My mum did notice and nurture my love of reading, however, by returning from jumble sales with bags of dog-eared books – Enid Blyton, Anne Fine, Roald Dahl. She was a wonderful mum.

Did you want to work in the publishing industry from the start?
I think ‘work’ is the wrong word. None of us are earning any money from Dodo. I’m a writer (I somehow earn my living from writing) who moonlights as a publisher. I guess it’s an unusual reversal: writing is my day ‘job’, though I love it so much I don’t regard it as a job. We’re running Dodo out of passion for the books which publish. Continue reading Interview | Sam Mills, Dodo Ink | Indie Publisher of the Week

Interview | The Directors of Eland Books | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
ROSE: No, but there were books around. I was quite a lonely child and books were a marvellous escape and provided adventure, friends and role models – Noel Streatfield, E. Nesbit, Johanna Spyri, L. L. Montgomery, Louisa M. Alcott and Lucy M. Boston. Just remembering makes me want to get back under the sheets and counterpane with a pile of them.
BARNABY: No, I can remember them both being rather concerned that I was reading “yet another book” instead of riding a pony, or playing with the dogs.  There were many books in the tiny, dark Tudor cottage in which I was brought up, but they were mostly all inherited.  They included a vast shelf of bound Punch magazines and a full set of Jorrocks. At a young age I used my pocket money to acquire the Ladybird history books but before the age of seven I had graduated to Jackdaws – fascinating folders of facsimile historic documents and maps.

Did you want to work in the publishing industry from the start?
ROSE: No. I was in the film business at first, but I married a bookaholic, and books took over our lives.
BARNABY: No, I had imagined I would either be a Naval Officer like my father and grandfather, or in the cavalry like my other grandfather, which would be combined in old age by brewing beer, or becoming a clergyman like my ancestors. Continue reading Interview | The Directors of Eland Books | Indie Publisher of the Week

Interview | Julia Marshall, Gecko Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
Everyone reads in my family: we are omnivores, and eclectic. At 86, my father still alternates a thriller with something more substantial. When I grew up on the farm we used to rush back to our books to read at lunch, and we often ate dinner on our knees, with our books. My mother says she would do that differently if she could do it again, and have us all up at the table.

Did you want to work in the publishing industry from the start?
I did. There wasn’t a publishing course in New Zealand at the time, so I became a journalist instead. I wanted to work with books right from when I was at school. Continue reading Interview | Julia Marshall, Gecko Press | Indie Publisher of the Week

Interview | Ra Page, Comma Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
Absolutely, both of them. My parents hoarded books, and they read to us every night as kids. My mother is a voracious reader of novels (although she never allows herself enough time to read them). My dad came from that great working-class tradition of self-betterment, investing in his own education throughout his life. He stock-piled political and historical texts, was a huge fan of EP Thomson and Eric Hobsbawm in particular, and loved Strachey’s Eminent Victorians so much he named one of my brothers ‘Lytton’. He left behind a library of books about Nasser and Middle East history that none of really know what to do with. Dad was more of a history and non-fiction reader, Mum more fiction. There were some writers they both agreed on though: Lawrence, Hardy, Orwell.
Also, I have to say, in the context of our new release Protest, that this book is effectively my ‘thank you’ to my parents for the extraordinary political education I got from them. I was privileged to grow up in the eye of a whole cluster of political storms. As kids we stood on pickets lines outside coalfields in North Derbyshire and South Yorkshire, took day trips to Greenham, were greatly involved in the 1984 Chesterfield by-election that returned Tony Benn to parliament, marched with the country-long anti-Apartheid march that culminated in the two Free South Africa concerts; and saw a newly freed Mandela address the world at second of these. We were beyond lucky.
As well as being a thank you to them, this book is also a potted journey of protests that Mum, Dad and two grandfathers I never knew were involved in, as well as much earlier ones that I heard mentioned in hushed reverence. Mum and Dad got to know each other on an Aldermaston march; both were linked with the Hornsey sit-in, both were at the anti-Vietnam demo in Grosvenor Square, 1968 – where Dad was wrongly arrested and defended himself in court. My grandfather also marched with Jarrow marchers as they entered London in 1936, and fought against the blackshirts on Cable Street the same year. That’s the thing about this book, it’s not just me, scratch the surface and everybody has a connection to not one, but multitudes of these stories – because it’s our history, not theirs. To quote my friend, Dinesh Allirajah: “It’s political, but it’s always been personal.”

Continue reading Interview | Ra Page, Comma Press | Indie Publisher of the Week

Interview | Jen Hamilton-Emery, Salt Publishing | Indie of the Week

BookBlast™ catches up with Jen Hamilton-Emery, fiction editor and director of independent Salt publishing, based in Cromer, Norfolk.

Are (were) your parents great readers? Tell us a bit about yourself.
Yes, both my parents were (and still are) readers. Every week my mum would take me to the library and a treat was a trip to a bookshop. I’ve always had books in my life.

Did you want to work in the publishing industry from the start?
I’ve always loved books and reading, but working in publishing never entered my head when I was looking at career options. I left school in the early 1980s in Glasgow and knew no-one who had any involvement whatsoever in publishing. There was less of it about in those days!

Has your vision from when you started Salt 18 years ago changed?
No, not really. Our vision was always to publish interesting and brilliant books that were that bit different to the mainstream.  We may have shifted genres from poetry to fiction, but our aims haven’t changed.

Continue reading Interview | Jen Hamilton-Emery, Salt Publishing | Indie of the Week

Interview | Polly Pattullo, Papillote Press | Indie of the Week

Papillote Press is based in Dominica and publishes fiction and non-fiction, including children’s books, reflecting the island’s rich culture and literary heritage.

Are (were) your parents great readers? Tell us a bit about yourself.
We had books at home but I wouldn’t consider my parents as having been “great readers”.  I remember a long, low bookcase in the sitting room with the Encyclopedia Britannica gathering dust on the bottom shelf. The books were mainly non-fiction — illustrated tomes about art or classical Greece — and Readers’ Digest. I don’t remember my parents reading novels but I do remember some tut-tutting about the trial of Lady Chatterley’s Lover — a book that certainly wouldn’t have been their bedtime reading. We lived in a school —  a boy’s preparatory school — which my headmaster father founded in Richmond after the war (then mainly a place of bedsits and residential hotels) and there was an interest in learning but it wasn’t an intellectual environment. Most of my early childhood seemed to be spent sitting at  the top of the school stairs watching life unfold below me, with small boys lining up outside my father’s study to be admonished (unusually for the time my father disapproved of corporal punishment). Being able to play in the classrooms and in a large garden (climbing trees and playing cricket) during the holidays was a bonus. I went to school in London and then on to Edinburgh University where I studied politics and began to think about things such as class and race and feminism, certainly not part of the domestic discourse.

Did you want to work in the publishing industry from the start?
No — but I did briefly and many years ago work at Heinemann’s in the Rights department where I had to type formulaic letters giving other publishers permission to use extracts from works (Graham Greene novels mostly) for which Heinemann held the rights. A fearsome boss had her office one floor below and an even more intimidating secretary shared my office. I left after one year — and went into journalism where I spent the rest of my working life. I was on the Observer for many years where I was features editor of the Magazine; my last job was on the obituaries desk of the Guardian. I published my first Papillote Press books when I was still at the Guardian.

Continue reading Interview | Polly Pattullo, Papillote Press | Indie of the Week

Interview | Kevin Duffy, Bluemoose Books | Indie of the Week

Kevin Duffy lives in Hebden Bridge with Hetha, co-founder of Bluemoose Books, his two sons and their dog, Eric.

Are (were) your parents great readers? Tell us a bit about yourself.
My dad wasn’t a big reader, never read fiction, nor non -fiction for that matter. My mum read a lot, Georgette Heyer and Jean Plaidy, but there weren’t that many books in the house. There was a mobile library that came to our village every Monday evening and that’s where we got our books. My parents were both very religious so we had two sets of encyclopedias, Butler’s Lives of the Saints and The Encyclopedia Britannica.
Right, now for the Miss World answers: I’m fifty five, married to Hetha, with two grown up sons and live in Hebden Bridge. I’ve worked in publishing for 30 years, 25 of those in sales and marketing, for various publishers, fiction, non-fiction and academic. I started working life in a bakery, worked in a  jigsaw factory, was in a pantomime with Les Dawson and became a team leader at Burger King in Hounslow for 12 months too.
As a school governor we stopped the local authority from closing the school my lads went to and a few of us curtailed Whitbread’s ambition to demolish a 13th century coaching Inn and turn it into a Karaoke-in-a-basket fun pub.

Did you want to work in the publishing industry from the start?
No not really. I knew it existed of sorts because I read books, but it wasn’t on the radar as something that I would or could do. I worked for a library wholesaler in Hounslow and met lots of sales reps for publishing companies and then applied for a sales job at Headline books in 1987 when they had just started, got the job and it progressed from there.

Has your vision from when you started Bluemoose Books 11 years ago changed?
No. Our vision from the start was to find great new writers, nurture their talent and publish them, and that’s what we’re still doing.

Continue reading Interview | Kevin Duffy, Bluemoose Books | Indie of the Week

Interview | Eric Lane, publisher, Dedalus Books | Indie Publisher of the week

Established in 1983, Dedalus Books is a truly unique publishing house which is recognised for its quality and unorthodox taste in the esoteric, the erotic and the European. The press’s founder and MD, Eric Lane, is unashamedly intellectual. His tenacity and vision have kept Dedalus going through the lean times, and helped it to flourish during the good. Dedalus had two books on the Booker Prize longlist in 1995: Exquisite Corpse by Robert Irwin and Memoirs of a Gnostic Dwarf by David Madsen. The complete list of Dedalus prizewinners is at dedalus.com

Are (were) your parents great readers? Tell us a bit about yourself.
No, neither of my parents were great readers. My mother grew up on a farm in southern Italy and my father in an orphanage in Surrey. They met at the end of WW2 when my teenaged mother accompanied a friend who went for a job at the RAF base in Naples. My father was doing the interviewing and offered the friend a job and also one to my mother who refused. As they were leaving my father said to his colleague, I’m going to marry that one – meaning my mother – which he did, in February 1946. My mother was nearly 20 and my father 25. My sister was born in November 1947 and I followed in September 1949. We lived in Finchley which my mother loved. We used to go every few years to Italy. In the end my mother used to speak to everyone in Italy in English with the odd word of Italian whereas my father spoke to everyone in fluent Neapolitan. My parents were very happily married for 25 years until my father died of a heart attack in 1971.Growing up I was a voracious reader but also loved sport, especially football.I was a very spontaneous child and often got in trouble at school for being ‘cheeky’.

Continue reading Interview | Eric Lane, publisher, Dedalus Books | Indie Publisher of the week