The BookBlast® Podcast 2020 | Bridging the Divide: Translation & the Art of Empathy | 30 July to 05 November
Thursday 30 July, 5 pm: A ground-breaking weekly podcast series kicks off, championing independent publishers committed to publishing writing in translation; their authors and translators; including a guest interview with the publisher behind Nordic Noir.
The multimedia artist, Graham Fink, is one of the world’s most awarded creatives. Formerly at Ogilvy China, his decades-long career has included senior creative posts at CDP, GGT and M&C Saatchi. Some of his most well-known work includes British Airways’ Face, PlayStation’s Blood and Mental Wealth poster campaigns, and Coke hands, Coca-Cola’s most-awarded ad.
#Marina Warner, President of the Royal Society of Literature, announcing the arrival of the Choix Goncourt in the UK, said: “When the date of this event was set, nobody knew that a crucial election would be taking place. In the light of what has happened, I feel alarmed and frightened of the future. I am therefore proud to be marking a moment of Franco-British solidarity. The spirit of European culture built on the common ground of imagination and a long intertwined history is under strain, but it shall not be broken . . .” Continue reading Spotlight | The Choix #Goncourt UK | @AcadGoncourt @RSLiterature @Edlolivier @maclehosepress
This year, European Literature Days, one of my favourite literary festivals, was held in Krems, lower Austria, and posed the question “What defines a good life?” Austrian heavyweight, Robert Menasse (whose satirical novel, The Capital, is translated by Jamie Bulloch and published by MacLehose Press) gave the opening talk and we were introduced to an array of international writers, all with some deep connection to Europe.
Translation is no longer marginalised as it once was, with its advocates being viewed as quirky oddballs lacking commercial sense and sensibility. The number of independent presses publishing translated literature in the UK has greatly increased in the past decade, often set up by people with a corporate publishing or banking background who are astute operators. Booksellers are far less curmudgeonly than they once were. And somewhat unexpectedly, in 2015, Amazon Crossing published three times more translated fiction in the US than its closest competitors in America (FSG, which has a long tradition of publishing works in translation, and Atria, which mostly publishes books by celebrities).
The imprints of conglomerate publishers in the UK who publish works in translation – MacLehose Press, Harvill Secker, Sceptre, Vintage, Weidenfeld & Nicolson, Penguin Press – publish predominantly though not exclusively the sub-genre of crime fiction in translation, leaving the field open for the likes of Alma Books, And Other Stories, Arc, Carcanet, Comma Press, Dedalus, Fitzcarraldo, Les Fugitives, Gallic, Granta, Hesperus, Istros, Jantar, Norvik Press, Peirene Press, Portobello Books, Pushkin Press, Saqi Books, Scribe UK, Small Axes, and others, to publish experimental and literary translation.Continue reading Spotlight | The 2019 Warwick Prize for Women in Translation